In the Marvel comics and cinematic universe, Deadpool and Wolverine have indeed faced off multiple times, with varying outcomes depending on the storyline and circumstances. Their battles are often depicted as intense and close contests due to their similar regenerative abilities and combat prowess. Ultimately, determining a clear winner between the two largely depends on the specific context of their confrontation and the creative direction of the writers.
It's worth noting that both characters have unique strengths and weaknesses, and their fights are often influenced by factors such as strategy, environment, and external interference. Therefore, it's not accurate to definitively state that one character is always stronger than the other.
As for the depiction of their rivalry in future Deadpool movies, such as Deadpool 3, it's ultimately up to the creative decisions of the filmmakers and writers involved. While fans may speculate and anticipate the possibility of another confrontation between Deadpool and Wolverine, the specifics of how it will play out remain to be seen until official announcements or releases from the production team.Deadpool-vs.-Wolverine.webp82.72 KB
In a delightful twist of fate, Gal Gadot's iconic portrayal of Wonder Woman gets a much-anticipated revival as the actress confirms the development of Wonder Woman 3. This revelation comes as a pleasant surprise, especially after reports suggesting that the project had stalled following creative differences with director Patty Jenkins.
Gal Gadot, whose embodiment of Diana Prince has won the hearts of millions worldwide, is teaming up with visionary director James Gunn and producer Peter Safran to bring the much-loved superhero back to the big screen. The news breathes fresh life into the DC Universe, signaling a new era of storytelling and superhero adventures.
In an exclusive interview with Comicbook.com, Gadot couldn't contain her excitement about reprising her role as Wonder Woman. She shared her deep connection to the character, stating, "I love portraying Wonder Woman. It's so close to and dear to my heart. From what I heard from James and from Peter is that we're gonna develop a Wonder Woman 3 together."
With this exciting revelation, fans are left to speculate on how Wonder Woman 3 will fit into the reimagined DC Universe spearheaded by James Gunn and Peter Safran. The duo's ambitious vision for the franchise kicks off with the highly anticipated 2025 release of "Superman: Legacy." Gunn is taking a fresh approach to the Man of Steel, casting David Corenswet as a younger Superman, ushering in a new era for the beloved character.
"Superman: Legacy" promises an exciting array of DC heroes, including the likes of Green Lantern Guy Gardner, Mr. Terrific, Hawkgirl, and Metamorpho. As the interconnected universe takes shape, fans are left to wonder whether Gal Gadot's Wonder Woman will make her presence felt in this cinematic tapestry. Her appearance in "Superman: Legacy" could offer insights into her role within the new DCU and her dynamic with Corenswet's Superman, setting the stage for the epic Wonder Woman 3.
Before Wonder Woman 3 graces the silver screen, the eagerly awaited Paradise Lost prequel series on Max offers another tantalizing glimpse into the world of Themyscira and the Amazons, centuries before Diana's birth. This series, currently in development, could lay the foundation for Wonder Woman 3, weaving a rich tapestry of Greek mythology and setting the film apart from its predecessors.
Gal Gadot's portrayal of Wonder Woman has been nothing short of iconic, and with James Gunn's creative genius at the helm, the prospects for Wonder Woman 3 appear to be nothing short of spectacular. As the pieces fall into place in this revamped DC Universe, fans eagerly await the triumphant return of their beloved Amazonian warrior to the big screen. With excitement building, the future of the DC Universe looks more promising than ever, and Wonder Woman 3 stands poised to be the crowning jewel in this reimagined superhero saga.
In the depths of the ocean, where mystery and danger lurk, Jason Statham reprises his role as Jonas Taylor in the highly anticipated sequel, Meg 2: The Trench. This time, he leads a team of intrepid underwater explorers on an unprecedented expedition. Little did they know that their journey would take a perilous turn as they come face to face with the most massive Megalodon ever seen.
Recently, IGN released an exclusive clip from the upcoming movie, showcasing the heart-pounding encounter with the colossal Meg. The clip captures the awe-inspiring moment when a smaller Megalodon confronts their submersible, only to reveal an even more imposing predator lurking in the shadows.
With its immense size dwarfing their vessel, the new Megalodon presents an undeniable force of nature that threatens to unleash havoc on the surface. As Jonas and his crew witness this colossal behemoth, the stakes are raised, and an epic battle for survival begins.
Meg 2: The Trench promises a thrilling roller-coaster of an adventure, plunging the audience into a world of suspense and danger as Jonas and his team face not only the gigantic Megalodon but also a host of other massive underwater creatures. The tension escalates as the creatures make their way to the surface, and the crew must race against time to prevent catastrophe.
The sequel holds great promise, building on the success of its predecessor, The Meg. Although the first installment received mixed reviews from critics, it captured the hearts of audiences worldwide, making a splash at the box office. As the anticipation grows for Meg 2: The Trench, moviegoers are eager to witness the gripping action, heightened by the inclusion of three sharks and a colossal octopus.
As with any Hollywood venture, the box office performance remains uncertain, considering the recent underperformance of some major films. However, with Statham's return and the excitement surrounding the film, hopes are high for the continuation of the franchise with Meg 3 in the works.
Fans of nail-biting oceanic action will be treated to a cinematic experience like never before when Meg 2: The Trench hits theaters on August 4. Brace yourselves for a heart-stopping encounter with the world's biggest Megalodon and get ready to dive into an unforgettable underwater spectacle. The stage is set for an epic battle that will leave audiences at the edge of their seats, eager for more adventures in the deep blue sea.
In the vast universe of Teenage Mutant Ninja Turtles, one iconic character stands tall as the heart and soul of the squad - Leonardo. As the unwavering leader and the ever-steady protagonist, Leonardo has remained a cornerstone of the franchise since its inception. Now, a talented artist, exoskeleton_antics, takes fans on an enthralling journey through time, showcasing Leonardo's transformation over four decades in a mesmerizing fan art masterpiece on Instagram.
Through the artistic strokes of exoskeleton_antics, Leonardo's dynamic evolution takes center stage. From the classic 1987 animated series to the daring twists of Nickelodeon's Rise of the Teenage Mutant Ninja Turtles, and the thrilling live-action film duology by Jonathan Liebsman, each incarnation of Leonardo is brought to life with vivid colors and meticulous attention to detail. Proudly standing among them is the latest version of Leonardo, set to grace the screen in the franchise's eagerly anticipated movie, Teenage Mutant Ninja Turtles: Mutant Mayhem.
For nearly half a century, Teenage Mutant Ninja Turtles has held a firm grip on the hearts of fans worldwide, a testament to its remarkable ability to adapt and evolve with the times. The franchise has seen numerous iterations, each a fresh take on the beloved heroes in a half-shell. The recent Teenage Mutant Ninja Turtles: Mutant Mayhem, embracing the franchise's comedic essence, harks back to the animated show's charm from 2012. And the excitement doesn't end there, as the upcoming sequel, Teenage Mutant Ninja Turtles: Mutant Mayhem 2, and a two-season TV series on Paramount+ are already in the pipeline, promising even more thrilling adventures.
The key to Teenage Mutant Ninja Turtles' enduring appeal lies in its timeless characters. Alongside Leonardo, fans have grown fond of Master Splinter, the wise mentor; Shredder, the fearsome adversary; April O'Neil, the intrepid reporter; Baxter Stockman, the devious inventor; and Krang, the menacing alien warlord. Each character boasts a rich history within the TMNT universe, enabling the franchise to reinvent itself while staying true to its roots.
Gazing at Leonardo's evolution over the years provides a fascinating insight into the metamorphosis of the Teenage Mutant Ninja Turtles franchise itself. With a multitude of iterations and storylines, the franchise opens endless doors for both newcomers and long-time devotees to explore its ever-expanding world. As Leonardo brandishes his iconic sword and takes charge, his unwavering presence symbolizes the essence of the Teenage Mutant Ninja Turtles - a timeless and beloved saga destined to endure for generations to come.
A decade has passed since Henry Cavill first donned the iconic red and blue suit to become the embodiment of hope and heroism in the DC Extended Universe (DCEU). From his unforgettable debut in "Man of Steel" to his final appearance in Zack Snyder's grand vision, Cavill's portrayal of Clark Kent/Superman has been a topic of much discussion and contemplation.
In an intriguing new analysis, Cinema Therapist delves into the complexities of Cavill's Superman, offering unique insights into his personal conflicts and moral evolution. Hosted by filmmaker Alan Seawright and licensed therapist Jonathan Decker, the video dissects the character's journey, providing a deeper understanding of the Last Son of Krypton.
At the heart of this exploration lies the Identity Status Theory, a psychological concept that posits our identities are shaped by the choices we make and the commitments we uphold. Through this lens, Cavill's Superman emerges as a multifaceted character whose perspective on responsibility evolves over time.
The video sheds light on the conflicting influences that molded Clark Kent's character, starting with the wise counsel of his adoptive father, Pa Kent, and the guidance from his Kryptonian heritage, through Jor-El. The duality of these voices left Clark grappling with his purpose, torn between revealing his true identity to the world and embracing the hero within.
As he matures into the Man of Steel, Clark faces internal struggles that test his conviction to be a force for good. The weight of his extraordinary abilities becomes burdensome, and his desire to protect humanity is weighed against the potential consequences of his actions. Cinema Therapist highlights these pivotal moments that shape Superman's resolve to be the hero we all know and admire.
Yet, as the character progresses through subsequent films like "Batman V Superman: Dawn of Justice" and "Justice League," his optimism wanes, giving way to cynicism and doubt. The once-shining symbol of hope becomes a more complex and brooding figure, stirring both fascination and debate among fans and critics alike.
While Cavill's portrayal has garnered widespread appreciation, certain narrative choices within the DCEU arc have also faced criticism. In particular, Pa Kent's parenting principles, which inadvertently added to Clark's inner turmoil, have been a subject of contention. Nevertheless, Cavill's performance as Superman remains a standout, leaving many disappointed when his time in the DC Universe came to an abrupt end with the revamped DC Universe.
Reflecting on the journey of Henry Cavill's Superman offers an opportunity to appreciate the depth and nuance that the actor brought to this iconic character. The decision to not fully explore his potential in subsequent DC projects is lamentable, leaving fans yearning for more of the Man of Steel's adventures on the big screen.
As we bid farewell to Cavill's Superman, we are left with a lasting legacy of a hero who transcended the pages of comic books to become an enduring symbol of inspiration and introspection. The therapeutic exploration of his character unveils the complexity of human nature and the eternal struggle to find one's place in a world that often demands the impossible.
In a world where science-fiction dreams collide with harsh reality, Disney's upcoming film, "The Creator," has taken center stage in the midst of a storm of controversy. Directed by the renowned Gareth Edwards, the visionary behind "Rogue One: A Star Wars Story," this highly anticipated movie paints a thrilling portrait of a future embroiled in a relentless battle between humanity and artificial intelligence. Starring the charismatic John David Washington as the fearless protagonist, Joshua, "The Creator" promises an enthralling tale filled with gripping action as he faces the daunting task of eliminating a robot child believed to hold the power to annihilate mankind.
As excitement builds for the film's release this fall, an unexpected revelation has shattered the eager anticipation. An eagle-eyed Reddit user, u/BrokeBoyAdvanced, made a startling discovery in the movie's trailer - real-life footage from the devastating 2020 Beirut explosion. The calamitous event left 218 souls lost, 7,000 injured, and the Lebanese city's landscape marred with over $15 billion USD worth of destruction. Witnessing this footage juxtaposed with the film's science-fiction narrative was a jarring experience for viewers, leading to an outpouring of concern and condemnation online.
Corridor Crew, renowned for its "VFX Artists React" series, further fueled the controversy. Their meticulous analysis revealed that only minor tweaks were made to the tragic footage to fit within the fictional setting of "The Creator." Their verdict? A resounding "Yikes!" Faced with the reality that such genuine devastation was repurposed for entertainment purposes, viewers were left feeling uneasy and questioning the moral compass of the film's creators.
In the wake of this revelation, the Reddit community erupted with mixed emotions. Some voiced their dismay with simple phrases like "uh oh," while others, like u/HurricaneHarvey7, declared a personal boycott of the movie. Although not everyone pledged to boycott, a prevailing sentiment echoed through the comments section - the use of real-life tragedy in the trailer was an indisputably insensitive choice that raises ethical concerns.
The haunting memory of the Beirut explosion remains vivid for many, as hundreds of thousands of Lebanese citizens were left displaced and traumatized by the catastrophe. The decision to integrate such heart-wrenching footage in a fictional sci-fi movie has struck a raw nerve with audiences, igniting a crucial conversation about the responsibilities of filmmakers when handling real-life tragedies.
With multiple VFX houses contributing to the film, including esteemed names like Industrial Light & Magic, Folks VFX, Outpost VFX, VFX Los Angeles, and Misc Studios, the origins of this controversial shot in "The Creator's" trailer remain unclear. Neither the production team nor Disney has yet addressed the mounting public concern, leaving audiences to grapple with the implications of this unsettling choice.
As the debate rages on, "The Creator" finds itself at a crossroads, grappling with the delicate balance between artistic expression and social responsibility. The film's creators must confront the magnitude of their decision, recognizing the importance of honoring real-life tragedies and the impact of their actions on the collective conscience of their audience. In a world where the lines between fiction and reality are becoming increasingly blurred, the choices made by filmmakers hold more significance than ever before. Only time will tell if "The Creator" can rise above the storm of controversy and leave a lasting mark on the sci-fi genre for all the right reasons.
In a daring move to unearth a long-forgotten chapter from Bram Stoker's iconic novel, Dracula, The Last Voyage of the Demeter emerges as a spine-chilling cinematic journey that thrusts audiences into the heart of terror. Focused solely on Dracula's harrowing voyage to England, this adaptation delves into the uncharted waters of horror, presenting a unique and frightful portrayal of the legendary vampire.
The movie's hauntingly innovative Dracula design, featuring him in a bat-like form, brings an unsettling new dimension to the character. The alluring and mysterious aura of the vampire is stripped away, replaced with a nightmarish beast reminiscent of the dreaded Xenomorph from the Alien franchise. With Corey Hawkins, Aisling Franciosi, Liam Cunningham, and an impressive ensemble cast at the helm, The Last Voyage of the Demeter weaves a captivating tale of horror and despair.
Under the masterful direction of André Øvredal, known for his claustrophobic and critically acclaimed works, the movie breathes fresh life into the well-trodden Dracula formula. Øvredal's expertise in creating tension and unease in confined spaces, as seen in his previous works like The Autopsy of Jane Doe and Scary Stories to Tell in the Dark, seamlessly blends with the eerie setting of the merchant ship Demeter. The ill-fated vessel becomes a crucible of fear, where the crew's sanity and lives are at the mercy of an ancient evil.
Screen Rant's exclusive behind-the-scenes clip takes us on a captivating journey to the creation of The Last Voyage of the Demeter. With stunning visuals and insightful commentary from the cast and crew, we witness the meticulous construction of the Demeter on the picturesque island of Malta. The clip also offers a tantalizing glimpse into the movie's distinctive Dracula design, leaving us anxious for the nightmarish terrors that await on the high seas.
As anticipation builds for the movie's release, it is evident that The Last Voyage of the Demeter could be the most terrifying Dracula adaptation ever conceived. By shedding light on the often-overlooked "Captain's Log" chapter from Stoker's novel, the film exposes audiences to a version of Dracula that is truly nightmarish and monstrous. The vampire's relentless pursuit of his victims aboard the ill-fated ship sets the stage for a claustrophobic and harrowing experience, reminiscent of Ridley Scott's horror masterpiece, Alien.
In embracing a new and terrifying incarnation of Dracula, The Last Voyage of the Demeter promises to be a riveting and chilling cinematic journey for horror genre aficionados. With André Øvredal at the helm and an exceptional cast breathing life into this nightmarish tale, audiences should prepare to embark on a voyage of fear and dread like no other. As darkness falls and the Demeter sets sail, the terror that awaits promises to leave a haunting impression on all who dare to witness the last journey of the undead.
In a thrilling revelation, the director of The Lego Movie, Chris Miller, has stirred excitement among fans by endorsing a captivating theory that connects his film with the massively successful Barbie movie. The two beloved toy-centered movies, produced by Warner Bros., have long been a subject of speculation, and Miller's recent Twitter post has breathed new life into this mesmerizing idea.
As Barbie continues to shatter box office records, amassing a staggering $795.7 million and dominating the 2023 film landscape, its enchanting narrative of self-discovery in the real world bears striking resemblances to the themes explored in The Lego Movie back in 2014. With both movies sharing roots in popular toys, it's no wonder that fans began entertaining the possibility of a shared universe.
At the heart of this alluring theory lies the enigmatic Will Ferrell, a remarkable actor known for his roles as antagonistic characters in both films. In an intriguing side-by-side comparison shared by Miller on Twitter, Ferrell can be seen donning eerily similar suits in both Barbie and The Lego Movie, fueling speculations that the two worlds may intertwine.
The theory gains momentum from the parallel personas portrayed by Ferrell in both films. In Barbie, he masterfully brings the Mattel CEO to life—a character adamant about keeping Barbie confined as a mere toy, squashing her aspirations of living in the real world. On the flip side, in The Lego Movie, Ferrell portrays the infamous Lord Business, a villain hell-bent on destroying the Lego universe using the dreaded Kragle, a powerful super glue.
The uncanny similarity between these characters, both being real-world adversaries of toys, has ignited imaginations and further strengthened the notion of a shared universe. The tantalizing possibility of Barbie and The Lego Movie being interconnected leaves fans buzzing with excitement, speculating on how this revelation could potentially shape future installments in both franchises.
Moreover, the success of The Lego Movie has been a constant reference point throughout Barbie's development process. Notably, screenwriter Diablo Cody, who worked on an earlier version of Barbie, attested that the triumph of The Lego Movie played a significant role in shaping the direction of the Barbie project. As Mattel gears up for an exciting lineup of toy-based movies, the undeniable influence of The Lego Movie stands as a testament to the boundless possibilities that lie ahead for toy-centered cinematic universes.
With Barbie and The Lego Movie becoming undeniable juggernauts, setting the stage for more sequels and thrilling adventures, it seems clear that the menacing charm of Will Ferrell's toy villains will continue to captivate audiences for years to come. As we await the unfolding of this mesmerizing toy universe, one thing is certain: the magic of these iconic toys transcends the plastic confines of our world, captivating hearts and inspiring dreams in the realm of imagination.
In a whirlwind of internet sensations, a viral clip featuring a Boston cop's hilarious slide misadventure has taken the online world by storm. However, the story doesn't end there. A creative individual with a flair for editing has ingeniously transformed the ordinary slide tumble into a mind-bending scene reminiscent of Christopher Nolan's mind-bending film, Tenet.
Initially, the viral clip captured the moment when a Boston police officer playfully slid down a slide in City Hall Park, only to end up in a not-so-graceful landing. The internet collectively chuckled at the officer's good-natured blunder, and the video garnered millions of views across social media platforms.
Enter Twitter user DoingCigarettes, a master of video editing and storytelling. This digital virtuoso took the internet by surprise, remixing the viral slide clip into something truly extraordinary. In the new version, the officer's fall takes a quantum leap as he gets mysteriously pulled into the slide, defying the laws of time and physics. The resulting video draws striking parallels to Tenet, where characters traverse backward timelines, and time itself becomes an enigmatic force to reckon with.
The remixed clip showcases the officer's slide adventure in reverse, just like some of Tenet's most mind-boggling scenes. The astute use of audio editing further intensifies the experience, with sounds seemingly rewinding, echoing the movie's iconic reverse bullet sequences. Twitter users were quick to notice these similarities and couldn't resist chiming in with their witty remarks and comparisons.
Commenters, like Dom Lucre, humorously quipped that the edited clip was "still better than Tenet." TheDouggernaut playfully alluded to the movie's complex plot, joking that the slide incident hadn't happened yet, adding a touch of temporal humor to the mix.
At its core, Tenet's allure lies in its manipulation of time, where a mysterious group unlocks the power to manipulate time's flow, leading to a series of breathtaking scenes where characters move both forward and backward in time. This enthralling concept, however, was not without its challenges. While Tenet boasted awe-inspiring visuals, the movie's intricate plot left some viewers scratching their heads, missing the tight narrative prowess of Nolan's earlier works, such as Inception and Memento. This complexity, unfortunately, led to a polarized reception and impacted its box office performance, breaking Christopher Nolan's streak of box office hits.
Yet, this viral slide video remix proves that even the enigmatic world of Tenet can find new life in creative and unexpected ways. It highlights the power of editing to mirror the movie's unique time-bending effects, all with a no-budget approach. While Tenet might have had its fair share of ups and downs, it continues to spark conversations and inspire creativity, as seen in this entertaining and imaginative internet sensation.
In the end, Christopher Nolan's journey in the realm of cinema goes on, with his latest creation, Oppenheimer, already making waves and receiving widespread acclaim. As for the Boston cop's slide misadventure, it serves as a delightful reminder that even in the world of viral videos, a dash of creativity can lead to extraordinary results, just like a trip through the intriguing corridors of Tenet's time-bending universe.
In a spellbinding display of creativity and artistry, a remarkably talented makeup artist has breathed life into the world of Harry Potter by transforming herself into the iconic Sirius Black. Portrayed by the brilliant Gary Oldman in the beloved film series, Sirius Black's character has left an indelible mark on the hearts of fans worldwide.
The captivating Harry Potter cosplay, shared by the skilled artist Анастасия Рогочая on her Instagram, pays tribute to Sirius Black's arresting Azkaban mugshot from Harry Potter and the Prisoner of Azkaban. With meticulous attention to detail, the makeup artist captures every nuance of Gary Oldman's appearance, from the captivating eyes to the distinguished beard. Completing the masterpiece is a replica of the Azkaban Prison placard, which adds an authentic touch to the portrayal.
The enchanting transformation not only mesmerizes viewers with its artistic prowess but also sparks intriguing contemplation about the possibility of a female Sirius Black in the magical world. While staying true to Gary Oldman's portrayal in this particular cosplay, the idea of reimagining the character's gender opens up an enthralling realm of possibilities for the future of the Harry Potter franchise.
Sirius Black's journey throughout the Harry Potter saga is one of mystery, redemption, and profound connections. Initially presented as a formidable adversary, the revelation of his true nature as Harry's devoted godfather unveils a multifaceted character with unwavering loyalty and love. As a mentor to the young wizard in his final two films, Sirius plays a pivotal role in shaping Harry's destiny before meeting a heart-wrenching end in Harry Potter and the Order of the Phoenix.
Contemplating a female Sirius, the narrative could unfold in equally compelling ways, breathing fresh life into the story while preserving the core essence of the character. The potential for a woman to embody Sirius Black's complexities and motivations, guiding Harry through his trials and tribulations, adds an intriguing layer of depth to the magical tale.
However, this creative prospect is not without its considerations. The inclusion of a female Sirius may impact the character dynamics within the narrative, particularly concerning Harry's father, James, and his circle of friends at Hogwarts. Delving into such uncharted territory would undoubtedly challenge the established norms of the wizarding world and require delicate handling of J.K. Rowling's original source material.
The magical world of Harry Potter continues to inspire and captivate, weaving its charm across generations of fans. As we revel in the wonders of this extraordinary Harry Potter cosplay, let us also reflect on the boundless possibilities that lie ahead, where creativity knows no bounds and the enchanting journey of wizardry and wonder remains timeless.
Pixar's latest creation, Elemental, initially faced a harsh fate at the box office, being labeled a flop after its lackluster opening weekend. However, the phoenix-like film has soared to new heights, doubling its production budget and achieving box office redemption in a remarkable turnaround.
The Struggling Beginnings
When Elemental first graced the silver screen, hopes were high for the visually stunning and emotionally compelling masterpiece. With a staggering budget of around $200 million, expectations were through the roof. Unfortunately, its opening weekend grossed less than $30 million, a disappointing blow that had industry analysts predicting its swift demise.
A Slow-Burning Triumph
Yet, like the gentle growth of an ember, Elemental started to gain traction. Instead of fizzling out, it ignited a spark of curiosity among audiences. Word of mouth spread like wildfire, praising the film's breathtaking animation, positive themes, and originality. Despite initial setbacks, the movie persevered, proving that box office triumphs can't always be judged by their early performance.
Breaking the Shackles of Expectations
In a world where blockbuster releases are often defined by their opening weekend numbers, Elemental stands as a testament to the resilience of creativity and the power of word-of-mouth advertising. While other films may have succumbed to their early disappointments, Elemental persevered, forging its path to redemption.
The Elemental Advantage
Comparisons with other releases during its opening weekend, such as the lackluster The Flash, highlight Elemental's uniqueness and its strong appeal to a family audience. With its mild PG-13 rating, Barbie targets a broader demographic, and Oppenheimer caters to a more niche audience, leaving Elemental as one of the few family-friendly offerings in the summer theaters.
The Market for Family-Friendly Films
Contrary to the notion that family-friendly movies are now primarily sought on streaming platforms, Elemental's success emphasizes the enduring demand for captivating stories on the big screen. Families, seeking enchanting cinematic experiences, flocked to theaters to witness the magic that Elemental had to offer.
A Box Office Comeback for the Ages
As Elemental's worldwide box office earnings soar past $400 million, the film has now reached the elusive breakeven point. Its redemption story stands as a shining example of how perseverance, innovation, and heart can ultimately triumph over initial setbacks. The upcoming release in Japan on August 4 promises to add more fuel to the fiery success, as audiences around the world continue to be captivated by the tale of Elemental.
In the end, Elemental's journey from box office flop to triumph has taught us a valuable lesson in the unpredictable world of filmmaking. While not every movie may ignite the box office instantly, the power of storytelling and the magic of cinema can breathe life into any project, turning it into an extraordinary success. Pixar's Elemental will undoubtedly be remembered as the phoenix that rose from the ashes of initial disappointment, leaving an indelible mark on the world of animation and reminding us that true box office triumphs are not always defined by their early flames, but rather by their enduring glow.
In a captivating revelation, acclaimed director Justin Simien, known for his remarkable adaptation of "Haunted Mansion," has his eyes set on another iconic Disney attraction: "Captain EO." The long-gone Disney ride, which once graced Disneyland and Epcot, is now a distant memory, but Simien aims to resurrect its magic on the silver screen, combining nostalgia, musical brilliance, and a touch of the supernatural.
Simien's recent success with "Haunted Mansion" showcases his ability to harness the essence of Disney rides and transform them into cinematic marvels. The movie's haunted Easter eggs and poignant exploration of grief, brought to life by an impressive ensemble cast, demonstrate Simien's talent for weaving intricate stories from beloved attractions.
As San Diego Comic-Con attendees discovered, Simien's passion for Disney attractions doesn't stop at the Haunted Mansion. He enthusiastically expressed his desire to create a "Captain EO" movie, infusing it with singing, dancing, and the cosmic charisma of the 80s - complete with the essence of jerry curl juice in outer space!
While "Captain EO" may no longer grace the theme parks, Simien sees this as an opportunity to tap into the wistful hearts of fans, evoking cherished memories and building upon the foundation laid by the original short film's legendary creators, Francis Ford Coppola and George Lucas. The 3D sci-fi musical starred the iconic Michael Jackson as Captain EO, leading a mission to save a planet from the clutches of The Supreme Leader.
The beauty of Disney attraction-inspired movies lies in the incorporation of hidden Easter eggs that thrill fans. However, "Captain EO" presents a unique canvas, allowing Simien to channel nostalgia through fresh creative avenues rather than direct references to the ride. This approach promises a cinematic experience that pays homage to the source material while enriching the world, characters, and story that first graced the short film.
Indeed, Disney has a storied history of adapting its attractions into blockbuster movie franchises, with "Pirates of the Caribbean" standing as a prime example. With Simien's proven ability to breathe new life into beloved rides and capture the essence of what makes them enchanting, "Captain EO" holds the potential to become yet another timeless addition to the Disney attraction-inspired cinematic universe.
In the hands of a visionary director like Justin Simien, "Captain EO" might well journey once again into the stars, enchanting audiences with its cosmic melodies and evoking a sense of wonder reminiscent of Disney's magical yesteryears. As fans eagerly anticipate the next Disney attraction-inspired masterpiece, Simien stands ready to seize the opportunity and craft a cinematic marvel that will linger in hearts for generations to come.
After her remarkable debut as Kate Bishop in the Marvel Cinematic Universe's "Hawkeye," Hailee Steinfeld opens up about what lies ahead for her character and the potential Young Avengers team.
Having joined the MCU in Phase 4 as Kate, a significant new hero who carries on the Hawkeye legacy alongside Clint Barton, Steinfeld and her on-screen partner have not been seen in the MCU since their Disney+ series. Meanwhile, other Young Avengers have been making their way into the franchise, leaving fans curious about the payoff for the setup.
During a recent interview with the Happy, Sad, Confused podcast, the talented actress was asked about the plans for the Young Avengers, and Steinfeld admits that even she is unsure of what's in store for her character:
While Marvel Studios hasn't officially announced a Young Avengers project, it's not hard to imagine that Kate and the next-generation heroes of the MCU will eventually join forces. It's possible that the studio wants to continue developing these newer heroes individually before bringing them together as one of Marvel's most beloved teams. This raises the question of where Kate might reappear next, whether it be in a film or another series within the MCU.
Unless Steinfeld has secretly filmed something she cannot disclose, fans may have to wait until Phase 6 to see Kate again. It wouldn't be surprising if her next appearance is in either "Avengers: The Kang Dynasty" or "Avengers: Secret Wars," considering the grand scale of these upcoming Avengers films. It seems logical for Kate to stand alongside the rest of the MCU heroes in such monumental productions.
Given the overwhelmingly positive response to Kate's introduction in the MCU, it is genuinely surprising that she hasn't appeared in any other projects since her debut in "Hawkeye" back in 2021. Her journey is just beginning, and fans eagerly anticipate witnessing Kate's story unfold in the Marvel Cinematic Universe, while also inching closer to the long-awaited union of the Young Avengers in live-action.
Prepare for the exhilarating news as Dwayne Johnson, after his triumphant comeback in Fast X, is now embarking on an exciting journey to create a brand new Fast & Furious spinoff movie, setting aside the possibility of a Hobbs & Shaw 2. From his unforgettable entry in Fast Five as Luke Hobbs, an unwavering agent from the United States' Diplomatic Security Service, whose mission was to apprehend Vin Diesel's Dominic Toretto, to ultimately becoming his trusted comrade, Johnson has carved a remarkable path in the franchise. However, a well-documented feud with producer and star Vin Diesel led to his temporary departure before his glorious return in Fast X.
The buzz from The Wrap confirms that Johnson has joined forces with Universal Pictures to bring forth a fresh Fast & Furious spinoff film where he will take the lead. While the plot remains shrouded in secrecy, insiders reveal that this project will not be Hobbs & Shaw 2 but will serve as a captivating bridge between the narrative of Fast X and the highly anticipated Fast & Furious 11. Joining Johnson on this thrilling ride is the renowned Chris Morgan, who will once again lend his penmanship to the franchise.
The Reasons Behind Johnson's Next Fast & Furious Adventure Not Being Hobbs & Shaw 2 Dwayne Johnson and Jason Statham striding purposefully with weapons in Hobbs and Shaw.
Although it may disappoint those who cherished the first spinoff film, the decision to diverge from Hobbs & Shaw 2 in Johnson's next Fast & Furious venture is actually a boon for all parties involved. Not only does it afford Johnson the opportunity to reclaim his position as a leading box office star after the lackluster performance of Black Adam, but it also allows for a more seamless explanation of the four-year gap between his last appearance in Hobbs & Shaw and his triumphant return in Fast X.
Moreover, considering that Johnson's character, the special agent, was seen striving to rescue his abducted daughter from the formidable Dante Reyes, portrayed by Jason Momoa, in Fast X's post-credits scene, venturing into a buddy cop-style story would disrupt the tone and likely necessitate a step back in time with a direct sequel to the original Hobbs & Shaw. By taking the time to reintroduce Hobbs into the fold and pit him against the most formidable villain the Fast & Furious franchise has ever seen, the upcoming Fast and Furious 11 promises to deliver an even more emotionally charged experience.
Despite embarking on a new Fast & Furious spinoff film, it does not entirely exclude the possibility of a future Hobbs & Shaw 2 for Johnson within the franchise. Even during the period of feuding with Diesel, Johnson and his producing partner, Hiram Garcia, often teased their plans for an "ambitious" sequel. Furthermore, with Chris Morgan returning to craft the script for Johnson's new spinoff, it opens up the potential for collaboration between the talented writer and the star, setting the stage for future developments, given Morgan's involvement in the initial Hobbs & Shaw, where he contributed to the story treatment and co-wrote the screenplay.
In a captivating twist of fate, the imaginative minds behind Netflix's acclaimed series, Stranger Things, claim to possess insider knowledge on the ideal candidate to embody the iconic Miles Morales in a live-action extravaganza. Following the resounding success of the Oscar-winning Spider-Man: Into the Spider-Verse, the beloved hero is poised to leap into a thrilling sequel known as Spider-Man: Across the Spider-Verse. As rumors circulate about a potential inclusion of a live-action dimension in the upcoming film, an enigmatic producer has tantalized fans with whispers of a Miles Morales movie in the works. Amidst this flurry of excitement, the astute writers from Stranger Things have emerged, bearing a name that could ignite the screen with Miles' infectious charisma.
Taking to the realms of social media, the enigmatic Twitter presence known as the Stranger Things Writers' Room beckoned the spotlight toward Caleb McLaughlin, one of the central pillars of their celebrated show, as a worthy contender to portray the live-action Miles Morales.
At the tender age of 21, McLaughlin could seamlessly embody a slightly matured iteration of Miles, harmonizing his essence with the tapestry of the Spider-Verse movies. The actor himself has expressed an ardent longing to embrace the mantle of a superhero, fervently yearning to grace the silver screen with his heroic prowess.
But does Caleb McLaughlin truly possess the necessary mettle to epitomize the indomitable spirit of Miles Morales in a live-action endeavor? Delving into the depths of his character repertoire, one cannot help but be captivated by the nuanced performance he delivered in the latest installment of Stranger Things. As Lucas Sinclair, McLaughlin stepped into a role of grandeur during the show's fourth season—an opus many consider to be its finest hour.
In this stunning showcase of talent, McLaughlin's virtuosity shone brilliantly, intertwining seamlessly with Max's enthralling tale, forever entwined with the looming presence of Vecna. Moreover, he transcended the boundaries set before him, exuding a magnetic aura that illuminated the screen, emerging as a steadfast ally for his companions during moments of dire need. As time weaves its intricate tapestry, McLaughlin's evolution encapsulates the physicality and comedic finesse required to embody both Miles Morales and Peter Parker's versions of Spider-Man.
Yet, a formidable obstacle stands in the path of this beguiling union. Miles' character traditionally graces the hallowed halls of high school, and although McLaughlin's tenure in Stranger Things encompassed the teenage realm for five seasons, critiques surfaced regarding the perceived age discrepancy among the youthful cast in the show's fourth season. Nevertheless, if the live-action Miles Morales movie manifests within the Marvel Cinematic Universe, McLaughlin could effortlessly assume the role of one of Peter's college companions in Spider-Man 4. In this ingenious maneuver, the vibrant aura of Caleb McLaughlin would be effortlessly transmuted into the electrifying embodiment of Miles Morales.
The curtain rises on a future imbued with limitless possibilities, where the cosmic threads of fate entwine Stranger Things, Spider-Man, and Caleb McLaughlin into an awe-inspiring tapestry. Will this destined alignment manifest into reality, or shall it remain an ethereal daydream within the collective imagination of ardent fans? Only time will unveil the final chapter of this enigmatic saga.
Prepare to be awestruck by a bone-chilling new incarnation of the Witch King from The Lord of the Rings, brought to life through a mesmerizing cosplay that flawlessly captures every ghastly detail. Immerse yourself in the realm of J.R.R. Tolkien's beloved novels, as this astonishing portrayal transports you to the heart of the epic journey undertaken by Frodo (Elijah Wood) to vanquish the One Ring. Along this treacherous path, Frodo and his loyal companions confront an array of malevolent adversaries, among whom the Witch King of Angmar stands as an unparalleled force of darkness.
Behold the hauntingly realistic cosplay shared by the talented Soňa Svobodová on Instagram, meticulously recreating the Witch King's terror-inducing visage. From the enigmatic figure's ebony cloak and menacing armor to the iconic and deadly flail he wields, every aspect has been painstakingly crafted to evoke sheer dread.
Although Sauron often takes center stage when contemplating the villains of The Lord of the Rings, the Witch King unquestionably reigns as an equally formidable antagonist. Unlike Sauron, the Witch King is a palpable presence throughout the saga, captivating audiences with his malevolence. His relentless pursuit of Frodo and his companions instills a constant sense of imminent danger, ensuring he lingers in the forefront of our minds.
The Lord of the Rings: The Fellowship of the Ring provides invaluable insights into the Witch King's origins, revealing his past as a mortal man, along with the tragic fate shared by his Nazgûl brethren. This revelation adds depth and intrigue to his character, transforming him from a faceless villain into a figure of profound interest. Furthermore, early on, the Witch King's brutal attack on Frodo, narrowly escaping with the Ring-bearer's life hanging in the balance, serves as an indelible testament to his lethal capabilities.
While the Witch King maintains a constant presence throughout the trilogy, it is in The Return of the King that he truly commands attention. Mounted atop a fearsome Fellbeast, he engages in a riveting showdown with Gandalf (Ian McKellen), underscoring his dominance on the battlefield. But it is his climactic confrontation with Éowyn (Miranda Otto), a battle that showcases his terror and might, that truly leaves audiences breathless, as the valiant female warrior emerges triumphant against this unforgettable embodiment of evil from The Lord of the Rings.
Prepare for a cinematic shift as Christopher Nolan's upcoming masterpiece, Oppenheimer, receives an R-rating, a daring departure from the director's previous two decades of work. This historical epic delves into the extraordinary life of J. Robert Oppenheimer, the renowned American physicist responsible for the creation of the atomic bomb. Leading the cast is the exceptional Cillian Murphy, joined by a stellar ensemble including Robert Downey Jr., Emily Blunt, Florence Pugh, and Matt Damon, among others.
As the highly anticipated Oppenheimer approaches its summer release date, Universal Pictures has confirmed to Screen Rant that it will carry an R-rating, creating an air of intrigue around the film's content. While specifics about the rating remain undisclosed, it marks a significant departure from Nolan's previous ventures, with his last R-rated film being the gripping 2002 thriller, Insomnia, and the mind-bending Memento in 2000.
Oppenheimer stands as a distinctive addition to Nolan's filmography, diverging from his trademark action-packed, high-concept narratives that often flirt with science fiction. Anchored in reality and character-driven, this film paints a vivid and mature portrait of the man behind the atomic bomb.
The R-rating hints at a raw and nuanced exploration of Oppenheimer's life, including his complex romantic relationships. Florence Pugh takes on the role of Jean Tatlock, a psychologist entangled romantically with Oppenheimer, while Emily Blunt portrays Katherine "Kitty" Puening, his eventual wife. These captivating portrayals, coupled with potentially suggestive material and unfiltered dialogue, underscore the film's intention to deliver a more grounded and thought-provoking experience.
Although the R-rating may limit the movie's potential theatrical audience, considering its substantial $100 million budget, Nolan's track record of acclaim and adoration ensures that Oppenheimer will captivate audiences and mark an exciting evolution in his cinematic oeuvre.
The Rock breaks his silence regarding his return in Fast X and addresses the resolution of his feud with Vin Diesel, while also revealing an exciting new installment in the Fast and Furious series.
Attention: This article contains spoilers from Fast X. Dwayne Johnson finally opens up about his comeback in Fast X and discusses the resolution of his feud with Vin Diesel. The latest Fast and Furious film, released on May 19, sets the stage for the franchise's ultimate climax, with Jason Momoa's Dante Reyes seeking revenge against Dom and his family for their involvement in his father's demise. Fast X concludes with intriguing cliffhangers and surprising appearances, including Gal Gadot reprising her role as Gisele and a post-credits scene featuring Johnson as Luke Hobbs, the character responsible for executing Hernan Reyes in Fast Five.
In a lengthy Twitter post unveiling a new Fast and Furious spinoff centered on Hobbs, Dwayne Johnson finally breaks his silence on his return in Fast X and the resolution of his feud with Diesel, which led to his departure from the franchise after The Fate of the Furious. Johnson announces a fresh Fast and Furious film that will bring back Hobbs and bridge the gap between Fast X and Fast X: Part II, slated for release in 2025. The actor expresses his astonishment at the overwhelmingly positive response to his character's comeback in Fast X and confirms that he and Diesel have moved past their past differences. Read the exact quote and original tweet below:
Has the Feud Between Dwayne Johnson and Vin Diesel in Fast & Furious Finally Come to an End? Vin Diesel and Dwayne Johnson face off in Fast Five.
The mere fact that Johnson reprised his role as Hobbs in Fast X strongly suggests that his years-long conflict with Diesel has finally been resolved. Shortly after the film's release, Diesel broke his silence on Johnson's unexpected return as Hobbs. The actor behind Dom subtly avoided addressing their past feud during the filming of previous Fast and Furious movies and refrained from explicitly mentioning it. However, in Johnson's recent announcement, he unequivocally declares that he and Diesel have firmly left their past feud in the rearview mirror.
The Rock and Diesel's feud became public in 2016 when the former posted, and later deleted, an Instagram message referring to unnamed cast members of the Fast and Furious franchise as "candy asses." It was widely speculated that he was targeting Diesel, a claim supported by Michelle Rodriguez, who confirmed tension between the two on set, and Tyrese Gibson, who accused Johnson of making the franchise all about himself. Whatever may have transpired behind the scenes, it seems Johnson and Diesel have put their differences aside for the greater good of the franchise. Fast X is just the beginning of what lies ahead.
Harrison Ford, the mastermind behind two of his most iconic personas, has delivered a clever response to the perennial question of who would triumph in a brawl: Han Solo or Indiana Jones.
The evergreen query of which character would emerge victorious in a fight between Han Solo and Indiana Jones has been posed to Harrison Ford countless times. These two renowned figures, originating from Lucasfilm franchises, represent the pinnacle of Ford's illustrious acting career. While Han Solo met his demise in Star Wars: The Force Awakens, Ford made a memorable cameo as the smuggler-turned-rebel hero in The Rise of Skywalker. Now, Ford is ready to embark on his fifth and final adventure as the audacious archaeologist and collector of rare artifacts in Indiana Jones and the Dial of Destiny, slated for release on June 30.
In a recent interview with Esquire, Ford revealed that he is persistently asked who would triumph in a showdown between Indiana Jones and Han Solo. With a touch of playful exasperation, the actor delivered the perfect retort: "Me!" Ford's response brilliantly highlights the absurdity of the question, dismissing the need to fabricate an answer. Read his complete statement below:
"Well, they usually ask me, 'If there was a fight between Han Solo and Indiana Jones, who would fckin' win?' And I say [voice rising, fingers drumming], 'Me, a**hole! I don’t want to fcking make sh*t up like that. I mean, what are you asking me that crap for?'"
Determining the True Victor: Han Solo or Indiana Jones?
While it's undeniably challenging to contest the logic behind Ford's reply, it regrettably doesn't address the long-standing hypothetical scenario that has piqued audiences' curiosity for years. The outcome of a clash between Han Solo and Indiana Jones would ultimately hinge on the circumstances surrounding the encounter. Although renowned for his expertise in archaeology, Indiana Jones has showcased above-average combat skills and agility, as exemplified by his battle with the colossal German mechanic in Raiders of the Lost Ark. Additionally, his proficiency with a bullwhip and a trusty revolver pistol further adds to his arsenal.
On the other hand, Han Solo's lightning-quick reflexes and unparalleled marksmanship with a blaster are his defining traits. In a purely physical confrontation, Indy's hand-to-hand combat prowess would provide him with a slight edge. However, if their signature weapons were brought into play, Indy's early 20th-century revolver and whip would pale in comparison to Han's superior sci-fi blaster. Ultimately, a face-off between Han and Indy would result in a closely contested battle, with the outcome influenced by various factors such as the environment and the availability of weapons.
Witness the unveiling of an extraordinary LEGO creation—a captivating set allowing fans to construct their own Captain America shield. This awe-inspiring replica, measuring two-thirds the size of the real thing, is meticulously assembled using over 3,000 LEGO pieces. It's a remarkable tribute to Steve Rogers' iconic shield, which has left an indelible mark on the Marvel Cinematic Universe since its debut in Captain America: The First Avenger back in 2011.
The journey of Captain America's shield mirrors the remarkable odyssey of its original wielder, Steve Rogers. Encountering freezing ice and eventual rescue, the shield accompanied Steve throughout his modern-day adventures until he passed it on to Sam Wilson in the climactic moments of Avengers: Endgame. Soon, Sam will wield the shield in his upcoming appearance in Captain America: New World Order.
Part of the Marvel Infinity Saga line of LEGO models, the Captain America shield set is now available for pre-sale. Priced at $199.99, this masterful creation consists of 3,128 pieces and, once constructed, proudly spans an impressive diameter of 18.5 inches.
Designed with adult enthusiasts in mind, the Captain America shield set bears an 18+ label. Alongside its construction, the set includes a stand where the shield can be elegantly displayed. The stand features a nameplate adorned with the LEGO logo, The Infinity Saga logo, and Captain America's name, adding a touch of grandeur to this remarkable piece.
While Steve Rogers has retired from his role as Captain America, the mantle and the shield endure through Sam Wilson. The Falcon and the Winter Soldier, a Phase 4 TV show, depicted Sam grappling with the significance of assuming the mantle as a Black man in modern times. Initially relinquishing the shield to the U.S. government, Sam ultimately reclaimed the title and the shield when they named John Walker the new Captain America. The series concluded with Sam donning a new Captain America costume, solidifying his rightful place as the shield's bearer.
Sam's journey will continue in his first standalone film, Captain America: New World Order, slated to hit theaters in May 2024. This movie marks a pivotal moment for the MCU's legacy characters, as Sam becomes the first to step into an original Avenger's shoes and lead a solo project without the previous actor. Coinciding with this new chapter, leaked photos and videos from the set reveal Anthony Mackie sporting a fresh costume, potentially indicating a departure from the white vibranium suit gifted to Sam by the Wakandans at the end of The Falcon and the Winter Soldier.
If Wakanda reclaims its vibranium, there's speculation that they may also reclaim Captain America's shield from Sam, alongside the suit. While this remains conjecture, it's likely that the Captain America shield will play a significant role in the narrative of New World Order, particularly if the storyline delves into Wakanda and its vibranium. Whatever unfolds in the forthcoming MCU film, Captain America's shield is certain to maintain its prominence, carrying forward the enduring legacy that originated in Captain America: The First Avenger.
Dwayne Johnson's surprising return as Luke Hobbs in the Fast & Furious series has left audiences less than thrilled. Johnson recently took to social media to announce his full comeback as Hobbs and the development of another Hobbs-centered spinoff, possibly arriving before Fast X: Part 2. He also revealed that his long-standing feud with Vin Diesel, who plays Dom Toretto, has been resolved, expressing his enthusiasm for returning to the franchise.
However, fans have not reacted positively to this news. Twitter is abuzz with discussions about the seemingly never-ending nature of the franchise, even if Fast X: Part 2 and a potential Part 3 are meant to conclude the main saga. Some users are mocking the inconsistent titling of the movies, while others speculate that Johnson's eagerness for a successful franchise stems from the underperformance of his film Black Adam. Take a look at some of the tweets below:
"This franchise will never reach the finish line ? Universal just wants to milk it till the end ? ? ?"
Luke Hobbs's Return to the Fast Franchise Fails to Generate Desired Excitement
Although one would expect fans to be thrilled about Johnson's return to the Fast & Furious franchise, which catapulted him to even greater stardom, many Twitter users are less than enthusiastic about him leading his own spinoff. However, the lack of excitement primarily stems from the fact that the Fast & Furious series shows no signs of ending, despite consistent claims by the cast that "the final chapter" is approaching. Apart from the second Hobbs spinoff, discussions have also arisen about a female-centered Fast & Furious film and the expected sequels to Fast X.
This news follows numerous instances where Johnson publicly stated his disinterest in returning to the Fast & Furious franchise, even after Diesel pleaded for his return on Instagram. However, plans quickly changed after Johnson's Black Adam received negative reviews and underperformed at the box office. His character was no longer part of James Gunn's new DC Universe, despite Johnson's attempts to create his own franchise by featuring Henry Cavill as Superman in a post-credits scene. Gunn had different plans when he became co-CEO of DC Studios.
Now, fans believe that Johnson is desperate for a successful franchise after Black Adam failed to achieve that and attract moviegoers. Additionally, considering the diminishing box office returns with each Fast & Furious installment, it remains uncertain if the franchise can sustain itself beyond Fast X: Part 2, especially if multiple spinoffs are planned before the second part of the final chapter hits theaters. Only time will reveal how the Fast & Furious saga will evolve with Johnson's return as Luke Hobbs in future films.
The highly anticipated Community movie, which has been in the works for quite some time, has encountered setbacks due to the ongoing Writers Guild of America strike. However, Joel McHale, one of the stars of the show, provides a positive update on the film's progress. Community, a TV series that spanned six seasons, revolved around a group of diverse community college students and their quirky lives and friendships. Created by Dan Harmon, the show faced numerous challenges during its run but developed a devoted fanbase that has been actively campaigning for a movie ever since the series concluded.
During an interview with TVLine, McHale acknowledges that the Writers Guild of America strike has caused a temporary halt in the production of the Community movie. Although he expresses disappointment about the delay, he fully supports the writers and assures the movie's supporters that it will still come to fruition. McHale shares his thoughts on the movie:
"When this strike is resolved, we will resume production and bring the movie to life. I have no doubt that Dan will incorporate twelve jokes addressing the long wait. We'll get there; it just might take a little longer."
Since its debut in 2009, Community garnered a devoted following that appreciated its clever humor and writing. However, the show frequently faced the threat of cancellation due to lower viewership numbers. Nevertheless, it managed to continue for five seasons on NBC and an additional sixth season on Yahoo! Screen.
Throughout its tumultuous journey, Community fans rallied around the catchphrase "Six seasons and a movie," popularized by Danny Pudi's character, Abed. This phrase became a rallying cry to see the show adapted into a film. Over the past few years, Dan Harmon has teased the project, and it gained substantial traction with an official announcement last year. The Community movie will reunite the original cast, including Alison Brie, Gillian Jacobs, Danny Pudi, Donald Glover, Jim Rash, Ken Jeong, and Joel McHale.
The show encountered various obstacles along the way, such as Harmon's temporary departure and the lackluster fourth season that followed. The on-set turmoil involving Chevy Chase also created challenges, leading to the introduction of new characters in later seasons. Nevertheless, Community's dedicated fanbase has remained steadfast, accustomed to enduring uncertainties, and taking solace in the knowledge that the long-awaited movie is still in progress.
Alan Ritchson, the Fast X star known for his role as Aimes in the franchise, revealed an amusing encounter with Vin Diesel where he admitted to never having seen any of the Fast & Furious movies before joining the cast. Ritchson, also recognized for his portrayal of Jack Reacher in the Reacher series on Prime Video, shared this anecdote during an appearance on The Rich Eisen Show.
Recalling the conversation, Ritchson admitted his lack of familiarity with the franchise to Diesel, saying, "Hey man, I hadn't really watched any of them. I watched the first one in high school, and now that I got the part, I've seen them all, and I just love what you've been doing with the last two decades." While Ritchson initially worried about his confession, Diesel responded graciously, expressing his appreciation. Reflecting on the situation, Ritchson acknowledged his own folly, recognizing the significance of the Fast & Furious series in Diesel's life and comparing it to his dedication to the Reacher series.
The Fast & Furious franchise has undergone significant evolution over the years, as Ritchson would have discovered had he ventured into Fast X armed only with his knowledge of the original film from 2001. What began as a grounded narrative centered around characters like Brian O'Conner and Dom Toretto has since transformed into a spectacle of extravagant heists and daring rescues. The series has even ventured into space in its most recent installment, F9, featuring the unforgettable moment when Roman and Tej embarked on a cosmic adventure.
Moreover, the franchise has increasingly emphasized the importance of Dom's extended family, highlighting the unbreakable bond between his crew members. While earlier films such as 2 Fast 2 Furious and The Fast and the Furious: Tokyo Drift focused on different characters, their storylines eventually intertwined with those of Dom's crew in subsequent entries, lending a deeper significance to their ultimate culmination in Fast X.
Although Fast X marks the beginning of the final chapter in the Fast & Furious franchise, fans can still anticipate an array of thrilling action sequences yet to come. Ritchson's character, Aimes, is likely to return following a cliffhanger ending in Fast X. While Ritchson may not have been well-versed in the Fast & Furious universe before joining the cast, his newfound appreciation for the series is evident and is expected to carry through to future films.
According to a fresh report, Tom Cruise, the star of Mission: Impossible - Dead Reckoning Part One, is reportedly unhappy that Oppenheimer and Barbie have managed to secure crucial screens that were originally intended for his film. This revelation sets the stage for a fierce competition at the box office.
The report suggests that Tom Cruise, who portrays Ethan Hunt in Mission: Impossible - Dead Reckoning Part One, is feeling a sense of frustration as Oppenheimer and Barbie snatch away valuable screen time from his highly anticipated movie. The release of Mission: Impossible - Dead Reckoning Part One, which marks the beginning of the end for Cruise's character, is scheduled for July 12, 2023. However, just one week later, on July 21, the eagerly awaited films Oppenheimer and Barbie will hit theaters.
The latest report from Puck sheds light on Cruise's anger over Mission: Impossible - Dead Reckoning Part One losing out on important IMAX screens, many of which have been allocated to Oppenheimer. Although Mission: Impossible - Dead Reckoning Part One will have an IMAX run during its first week of release, Oppenheimer will dominate all IMAX screens for the subsequent three weeks. Additionally, Mission: Impossible will have to face stiff competition from Barbie, which is also set to open on the same day as Oppenheimer.
The article further emphasizes the sheer number of high-profile movies slated for release throughout the summer season. According to the report, there will be a major film hitting theaters almost every week until mid-August, with Fast X having premiered two weeks ago. Apart from Oppenheimer and Barbie, Mission: Impossible - Dead Reckoning Part One will find itself in direct competition with Haunted Mansion, Teenage Mutant Ninja Turtles: Mutant Mayhem, Meg 2: The Trench, and Gran Turismo, all of which are set to be released within a month of the latest Mission: Impossible installment.
The intense competition faced by Mission: Impossible - Dead Reckoning Part One presents a challenging situation for the film. Despite being the franchise's longest-running entry and signaling the beginning of its conclusion, the movie's box office performance is bound to be influenced by the presence of other releases during its theatrical run. This is particularly notable in the case of Oppenheimer, whose dominance over IMAX screens could significantly impact the performance of Mission: Impossible - Dead Reckoning Part One.
Given the highly competitive summer season for major blockbusters, it is understandable that Cruise would feel frustrated by the loss of IMAX screens to Oppenheimer. This situation also highlights the abundance of major film releases expected in the coming months, which may make it challenging for audiences to keep up with each significant premiere. Only time will tell the extent to which Oppenheimer, Barbie, and other high-profile films will affect the box office success of Mission: Impossible - Dead Reckoning Part One.
In a recent development, director James Gunn has provided an update on the friendship between Thor and Rocket in the Marvel Cinematic Universe, and it's nothing short of heartbreaking. The duo, whose bond was established in Avengers: Infinity War and developed further in Avengers: Endgame, continued to be close friends even after the conclusion of the Infinity Saga, as evidenced in Thor: Love and Thunder.
However, when a fan reached out to James Gunn on Twitter, inquiring about the status of Thor and Rocket's friendship during the events of Guardians of the Galaxy Vol. 3, the response was disheartening. Gunn's answer indicated that the two characters are no longer in contact with each other, leaving fans to wonder about the reasons behind this separation.
Although Gunn did not provide any additional details about the circumstances leading to the break in their friendship, it seems reasonable to assume that personal issues have played a role. Both Thor and Rocket have experienced significant challenges and hardships, which could have contributed to the strain on their relationship.
Adding to the melancholy, James Gunn's exclusive commitment to DC Universe following Guardians of the Galaxy Vol. 3 means he will no longer have creative control over the future of Rocket and the other cosmic heroes within the Marvel Studios realm. Nevertheless, considering the popularity of the characters and the potential for storytelling in the Multiverse Saga, there remains a possibility that Marvel Studios will revisit their friendship in the future.
Fans can take solace in the fact that there are already a few projects in the pipeline where Rocket and Thor could potentially reunite. The ongoing battle against Kang the Conqueror in Avengers: The Kang Dynasty and Avengers: Secret Wars presents an opportunity for the beloved duo to work together again. As one of the most beloved pairs of heroes in the MCU, the anticipation for their reunion is undoubtedly high.
The post-credits scene in Guardians of the Galaxy Vol. 3 confirms that Rocket and his new team will continue to be active in the Marvel Cinematic Universe. While it remains unclear when and where Rocket will resurface, it is highly unlikely that Marvel Studios will bring an end to the Guardians of the Galaxy sub-franchise, given its immense popularity. However, it may take some time before the next blockbuster featuring the team hits the big screen.
In a recent interview with Empire Magazine, Mandalorian director Dave Filoni sheds light on the distinctive qualities that set Grand Admiral Thrawn apart from other iconic antagonists in the Star Wars universe. As the ruthless Imperial strategist who originated in the old Expanded Universe and later transitioned into Star Wars canon through Star Wars Rebels, Thrawn is poised to take on a prominent role as the primary antagonist in multiple Disney+ TV shows set in the New Republic era, culminating in an epic movie event.
Filoni discusses Thrawn's rich history in the now non-canon Star Wars Expanded Universe, emphasizing his determination to pay homage to the character's origins. He acknowledges Thrawn's status as an iconic villain, primarily due to his deviation from the archetype of helmet-clad, lightsaber-wielding antagonists that have dominated the series. Filoni commends Timothy Zahn's boldness in creating a character devoid of traditional Jedi abilities, instead focusing on Thrawn's intellectual prowess and military acumen as his defining traits.
Rather than relying on Force powers or lightsaber combat like Darth Vader or Emperor Palpatine, Thrawn's brilliance as a cunning tactician sets him apart. Filoni highlights Thrawn's ability to outmaneuver adversaries and anticipate their moves, making him a formidable and unpredictable opponent. Thrawn's appearances in Star Wars Rebels have offered viewers a glimpse of his capabilities, but Filoni hints at the character's untapped potential, which will be fully explored in the forthcoming Ahsoka series and the highly anticipated Mandalorian movie.
Filoni further reveals Thrawn's critical role during the New Republic era, affirming his intention to showcase the character's strategic brilliance. The trailer for Ahsoka references Thrawn as the "Heir to the Empire," alluding to the book trilogy where the character was introduced. As the overarching villain in the connected New Republic shows, Thrawn's leadership of the Imperial Remnant and his unmatched military might promise an enthralling narrative.
Filoni's commitment to preserving the essence of Thrawn's character in the live-action adaptation is evident. By diverging from the Sith Lord archetype embodied by Vader and Palpatine, Thrawn's unique qualities and resourcefulness will be his greatest assets. As audiences eagerly anticipate The Mandalorian movie and the future of Star Wars, it is clear that Thrawn will bring a fresh perspective to the franchise, redefining the role of villains in a galaxy far, far away.
Focus Features has released the highly-anticipated trailer for "My Big Fat Greek Wedding 3," signaling the return of the cherished cast to embark on a remarkable journey through Greece.
The latest installment in the franchise, which originated with the 2002 box office sensation "My Big Fat Greek Wedding" written by and starring Nia Vardalos, showcases the iconic Portokalos family in a new chapter of their lives. Following the initial film's immense success, the story continued with the short-lived 2003 series "My Big Fat Greek Life" and a first film sequel in 2016.
Just four months ahead of the September 8 release, Focus Features shared the official trailer, offering a glimpse into the heartwarming narrative. The trailer opens with the revelation of Toula's father's passing, portrayed by the late Michael Constantine in the previous films. This event sets the stage for a grand family reunion in Greece, promising to further strengthen the already deep bonds of Toula's expansive and enchanting Greek-American family.
Undoubtedly, the most significant aspect of the "My Big Fat Greek Wedding 3" trailer lies in the return of the beloved cast. With the exception of Constantine, several key Portokalos family members are set to reprise their roles. Nia Vardalos and John Corbett resume their characters as Toula Portokalos and Ian Miller, respectively. Lainie Kazan returns as Toula's mother, alongside Andrea Martin as her aunt and Elena Kampouris as her daughter Paris, who was introduced in "My Big Fat Greek Wedding 2." Notably, even former NSYNC member Joey Fatone joins the ensemble as Toula's cousin Angelo.
While the core cast reunites, "My Big Fat Greek Wedding 3" also introduces new faces representing an extended family residing in Greece. A peculiar character, vaguely connected as a "cousin," adds an intriguing dynamic to the narrative. Moreover, Elias Kacavas portrays Aristotle, a love interest for Paris, whose shared history with her sparks further intrigue and exploration.
The trailer hints at a tapestry of interwoven storylines, delving into the family's quest to discover their ancestral origins. Toula embarks on a search for her father's old friends, while Paris navigates a blossoming romance, among other captivating developments. The cast demonstrates unwavering commitment, infusing their performances with the trademark sparkling humor that has endeared audiences to the franchise.
"My Big Fat Greek Wedding 3" promises an unforgettable cinematic experience as it reunites viewers with cherished characters and introduces them to a new chapter of the Portokalos family's rich tapestry. With its heartwarming narrative, comedic observations, and the stunning backdrop of Greece, the film is poised to captivate audiences once again, continuing the legacy of one of America's most beloved families.
In the upcoming film "Transformers: Rise of the Beasts," director Steven Caple Jr. reached out to veteran filmmaker Michael Bay for advice and insights into bringing the beloved franchise to life. As the latest installment takes the Transformers universe back to the 1990s, with Optimus Prime, Bumblebee, and the introduction of the Maximals, Caple Jr. sought the expertise of Bay, who directed the first five Transformers movies and serves as a producer for the new film.
Caple Jr. acknowledged Bay's invaluable contribution in a recent interview with THR, emphasizing the importance of seeking guidance from those who have previously walked the same creative path. Bay's extensive experience with the franchise and his proficiency in handling the intricate world of robots in disguise made him the ideal mentor for Caple Jr. In particular, the director sought advice on navigating the challenges of visual effects, a new territory for him in this large-scale production.
Reflecting on his interactions with Bay, Caple Jr. highlighted the learning curve he experienced and likened it to going through school again. As he dedicated his weekdays to preparing for the film, Caple Jr. utilized his weekends to glean knowledge from both the visual effects supervisor and Bay himself. The seasoned filmmaker shared hints and tips, assisting Caple Jr. in accomplishing specific goals and overcoming the hurdles of creating a visually stunning Transformers movie. Caple Jr. emphasized the significance of reaching out to those who have come before him, recognizing their valuable insights and the practical wisdom gained from their experiences.
The new installment, "Transformers: Rise of the Beasts," marks a departure from the smaller scale of its predecessor, "Bumblebee," which garnered critical acclaim as the only film in the franchise to earn positive reviews. While Bay's influence on the series remains evident as a producer, the absence of his bombastic directing style in "Bumblebee" brought a refreshing change to the franchise and showcased a focus on a more intimate and character-driven narrative.
With "Transformers: Rise of the Beasts," Caple Jr. aims to strike a balance between the action-packed spectacle that fans have come to expect from the franchise and the dynamic character struggles he showcased in his previous work, such as "Creed II." As the film promises to introduce the villainous Unicron, a planet-consuming Transformer posing the largest threat to date, Caple Jr. will embrace the challenge of delivering Bay-level action while infusing his unique directorial perspective.
Fans eagerly await the release of "Transformers: Rise of the Beasts" in June, where they will witness Caple Jr.'s creative vision and the culmination of his collaboration with Michael Bay.
In a poignant revelation, renowned actor Michael J. Fox opens up about the moment he knew it was time to retire from the spotlight. Reflecting on his journey, he recalls a scene from Quentin Tarantino's film "Once Upon A Time In Hollywood," where Leonardo DiCaprio's character struggles to remember his lines. Fox's recollection of this particular moment resonated deeply with him, prompting him to make the difficult decision to step away from acting.
Michael J. Fox's rise to fame began with his role in the hit television show "Family Ties," which catapulted him to even greater stardom as Marty McFly in the iconic "Back to the Future" trilogy. However, in 1991, at the young age of 29, Fox received a life-altering diagnosis of Parkinson's disease. This progressive neurological condition ultimately led him to retire from acting in 2020, at the age of 58.
In a recent interview conducted by Empire Magazine in anticipation of the release of his new film, "STILL: A Michael J. Fox Movie," the actor candidly shares the pivotal moment when he knew it was time to bid farewell to his acting career. While on the set of "The Good Fight," a spinoff of the popular series "The Good Wife," Fox experienced difficulty remembering his lines—a stark contrast to his previous ability to quickly memorize scripts. It was during this struggle that he found himself recalling a scene from "Once Upon A Time In Hollywood." The scene in question features DiCaprio's character, who, unable to recall his lines, retreats to his dressing room and unleashes a torrent of frustration upon himself in front of a mirror. Fox describes the moment of introspection as "peaceful," ultimately solidifying his decision to retire.
Despite bidding farewell to the craft that brought him immense fame and recognition, Fox reflects on the remarkable journey he embarked upon as an actor. Throughout his career, he amassed an impressive array of accolades, including five Emmys, four Golden Globes, and an honorary Oscar. During the interview, conducted via Zoom, Fox proudly gestures to these awards, remarking, "I feel some pride in my accomplishment."
Following his breakthrough role in "Back to the Future," Fox continued to grace the small screen with several more seasons of "Family Ties," which concluded in 1989. Concurrently, he reprised his role as Marty McFly in "Back to the Future Part II" (1989) and "Back to the Future Part III" (1990). After bidding farewell to the beloved character, Fox appeared in various movies such as "The Hard Way," "Doc Hollywood," "Life with Mikey," "For Love or Money," and "Stuart Little," among others.
In the mid-2000s, Fox gradually scaled back his acting commitments, taking on fewer roles while maintaining a significant presence in the realm of television. He made appearances in shows like "Scrubs" and "Boston Legal" before starring in "The Michael J. Fox Show." Additionally, his unmistakable voice lent itself to frequent voice acting endeavors. Although his battle with Parkinson's disease necessitated his early retirement from acting, Fox's illustrious career in television and film remains a testament to his talent and perseverance.
As Michael J. Fox embarks on a new chapter of his life, he leaves behind a rich legacy, characterized by his remarkable contributions to the entertainment industry. While his decision to retire was undoubtedly difficult, it was a moment of self-reflection, inspired by a scene in "Once Upon A Time In Hollywood," that solidified his choice.
Bruce Campbell, widely recognized for his role in the cult classic horror film "The Evil Dead," has recently taken a stand against what he perceives as a shameless marketing ploy employed by the 1989 slasher flick, "Intruder." Known for his collaboration with director Sam Raimi, Campbell rose to fame in the early 1980s and has since become an iconic figure in the horror genre.
It all started when a fan on Twitter drew attention to "Intruder," a movie centered around a group of overnight stock crew workers at a supermarket who find themselves hunted by a deranged killer. Campbell did not hold back in expressing his disappointment with the film's marketing strategy.
The movie's poster prominently features Campbell and Raimi's names, suggesting their significant involvement in the production. However, Campbell clarified that he only appears in a mere two-minute cameo at the end, while Raimi portrays a minor character, a random stock boy. The actor expressed his dismay, calling the poster's portrayal "shockingly misleading" and shedding light on the deceptive nature of movie marketing.
During the 1980s, Campbell and Raimi gained recognition and acclaim following the success of "The Evil Dead" and its sequel, "Evil Dead II" in 1987. These low-budget films garnered positive reviews, achieved moderate box office success, and eventually achieved cult status. Campbell and Raimi were becoming prominent names within the horror genre, which likely prompted the marketing executives behind "Intruder" to capitalize on their popularity and attract fans of the "Evil Dead" series.
While misleading marketing tactics persist in the industry, they are more commonly observed in smaller, direct-to-video films rather than major blockbusters. A prime example involves actors like Bruce Willis, who often feature prominently in the marketing materials for movies where they play supporting roles. In these instances, their involvement primarily serves to secure financing and distribution.
While the exact circumstances surrounding the marketing of "Intruder" remain unclear, it is plausible that Campbell and Raimi's association with the project played a crucial role in its production and subsequent distribution. Nevertheless, Campbell's recent call-out of the film highlights his unwillingness to tolerate misleading promotional strategies, even after all these years.
As the horror icon stands up against deceptive marketing practices, his voice serves as a reminder to the industry that honesty and transparency are crucial when presenting films to audiences. Campbell's dedication to preserving the integrity of the horror genre resonates with fans and sheds light on the need for responsible marketing in the film industry.
The latest trailer for the highly anticipated film Poor Things has unveiled a captivating glimpse into Emma Stone's portrayal of Bella Baxter, a remarkable character who undergoes a unique resurrection orchestrated by Willem Dafoe's Dr. Godwin Baxter. Directed by the renowned filmmaker Yorgos Lanthimos, this adaptation of Alasdir Gray's 1992 Scottish novel promises to deliver a fresh take on Mary Shelley's Frankenstein.
The recently released trailer offers viewers an intriguing peek into the world of Poor Things, shedding light on the central premise of a young woman, played by Stone, who is granted a second chance at life. Revived by the enigmatic Dr. Godwin Baxter, portrayed by Dafoe, Bella embarks on a quest to explore and comprehend the intricacies of the world she once knew. Along the way, she encounters Duncan Wedderburn, a lawyer played by Mark Ruffalo, and their unexpected connection sets the stage for a captivating narrative.
As the trailer unfolds, audiences are treated to a visual feast of vibrant colors and an impressive ensemble cast, leaving them eager to discover more about the film's storyline. While the teaser maintains an air of mystery surrounding the plot's specific details, it tantalizingly hints at Bella's journey of self-discovery and her determination to forge her own path.
Poor Things, helmed by Yorgos Lanthimos, is known for his distinctive style showcased in previous works such as the absurdist comedy The Lobster and the psychological horror The Killing of a Sacred Deer. The film promises to embrace a similar aesthetic, offering a thought-provoking blend of dark humor and insightful social commentary. Lanthimos' direction ensures that Stone's performance as Bella not only captivates audiences but also highlights the film's underlying feminist themes as she breaks free from societal constraints.
The trailer also provides a glimpse of potential conflict between Bella and Duncan, as evidenced by a striking scene in which she slaps him. This moment serves as a tantalizing hint at the intriguing dynamics that will unfold between the characters, adding an extra layer of complexity to the narrative.
Furthermore, fans of Emma Stone and Willem Dafoe will be pleased to know that Poor Things won't be their only collaboration under Lanthimos' direction. Their reunion is already in the works for the filmmaker's upcoming project, AND, where Dafoe's dedication to his craft led to multiple takes of Stone's character slapping him. However, for now, audiences can anticipate their on-screen chemistry in Poor Things, set to release on September 8.
As the release date draws near, Poor Things continues to generate excitement and intrigue among fans and movie enthusiasts. With its compelling storyline, talented cast, and the unique vision of Yorgos Lanthimos, this reimagining of Poor Things promises to be an enthralling exploration of life, identity, and the pursuit of freedom.
Excitement is building for Marvel Studios' highly anticipated Fantastic Four movie, and recent rumors about the cast have fans buzzing. A remarkable fan art has surfaced, depicting Margot Robbie as Sue Storm, igniting speculation about her potential role in the Marvel Cinematic Universe.
Scheduled for a 2025 release, the Fantastic Four movie marks the long-awaited return of Marvel's First Family to the silver screen. With Matt Shakman, known for his work on WandaVision, at the helm as the director, the film's casting choices have become a subject of intense speculation. While initial reports had MCU Spider-Man trilogy director Jon Watts attached, Shakman now holds the responsibility of assembling a stellar cast, and rumors are circulating regarding the frontrunners for key roles. Among the latest whispers, Robbie's name has emerged as a contender for the role of Sue Storm. Capturing the imaginations of fans, an astonishing fan art has brought this possibility to life.
The fan art, shared on Instagram by digital artist @venomhology, showcases Robbie's transformation into Sue Storm, also known as the Invisible Woman of the Fantastic Four.
In the artwork, Robbie's portrayal of Sue Storm is pitch-perfect, perfectly embodying the character's essence. However, there may be some challenges to overcome if she were to assume the role. Robbie has made a name for herself in the superhero genre through her portrayal of Harley Quinn in multiple DC movies. Her exceptional performance catapulted Harley Quinn to iconic status, and with her The Suicide Squad director, James Gunn, now steering the DC Universe, Robbie's return as Harley seems imminent. This potential commitment to DC could make her transition to Marvel Studios for the Fantastic Four project more complicated.
As the rumors surrounding the casting of Marvel's Fantastic Four continue to swirl, several actors have been linked to the project in the past year. Penn Badgley, Jodie Comer, Jason Segel, and Diego Luna are among the names that have surfaced as potential candidates for the lead roles. While the speculation has been rife, casting for the film is finally gaining momentum, accompanied by a fresh wave of Fantastic Four rumors.
According to recent reports, certain actors have allegedly received offers for roles in the MCU film. Margot Robbie is said to have been offered the role of Sue Storm, while Adam Driver is rumored to be in talks for Reed Richards. Although rumors suggest that Paul Mescal has passed on the opportunity to join the MCU as Johnny Storm, Robbie and Driver are reportedly solid contenders to spearhead Marvel's Fantastic Four. Should these rumors prove true, it would be a significant coup for the film, as both Robbie and Driver are highly regarded and acclaimed actors, adding a touch of gravitas to the superhero ensemble.
Fans eagerly anticipate an official announcement regarding the Fantastic Four cast. With filming slated to commence in January 2024, Marvel Studios will likely aim to finalize the cast selection this year. Given the team's significance to the future of the MCU, Marvel is expected to create a buzzworthy event around the cast reveal. Speculation points to the upcoming San Diego Comic-Con in July 2023 as a prime opportunity for Marvel to make this announcement, as the convention has traditionally been a platform for major Marvel revelations. If all goes according to plan, fans may get their first glimpse of the Fantastic Four's cast in just two short months.
In the highly anticipated installment of the Mission: Impossible franchise, Mission: Impossible - Dead Reckoning Part One, a new character named Grace, played by Hayley Atwell, emerges as a pivotal figure. Director Christopher McQuarrie tantalizingly describes her as "an agent of chaos," raising questions about her true intentions. As the film reunites Tom Cruise's iconic IMF agent Ethan Hunt with his trusted team, portrayed by Ving Rhames, Simon Pegg, and Rebecca Ferguson, Atwell's enigmatic addition injects intrigue into the storyline.
During an exclusive interview with Entertainment Weekly for their 2023 movie preview, McQuarrie shed light on Atwell's character, careful not to reveal too much. He disclosed that Grace is neither a spy nor a secret agent but embodies the essence of chaos. McQuarrie's words provide a glimpse into the enigma surrounding Grace:
"The less I tell you about Hayley Atwell, the better. Hayley represents a stranger in a strange land — she's somebody who does not come from this world, she's not a spy, she's not an agent. If anything, she's an agent of chaos, and is something of a random element that's thrown into this story."
Exploring the Intricacies of Hayley Atwell's Role in Mission: Impossible 7
Previously described by McQuarrie as a "destructive force of nature," Grace's allegiances remain uncertain, according to both the director and Atwell herself. By confirming that she is not a spy or secret agent, McQuarrie dismisses speculations about potential ties to existing characters. Grace represents an outsider, thrust into a realm of espionage, clandestine government operations, and the race against global catastrophe. While assumptions suggested Grace would serve as Ethan's latest love interest, McQuarrie's statements cast doubt on her true intentions, painting her as a classic femme fatale.
Regardless of her loyalties, Grace will actively participate in the franchise's signature stunts and exhilarating action sequences, despite lacking spy skills. Atwell revealed that she mastered daring feats such as racing cars, back-flipping over bridges, jumping backward off moving trains, and even ascending uphill in high heels while handcuffed to Cruise. With her ambiguous nature and willingness to embrace increasingly intense challenges, Hayley Atwell's Grace seems poised to make a significant impact in Mission: Impossible - Dead Reckoning Part One.
Known for its adrenaline-fueled action sequences that consistently raise the bar with each film, the series has garnered immense popularity. Stahelski, who has helmed all four films, recently released John Wick: Chapter 4 to critical acclaim and impressive box office returns in March. However, even as the fourth film continues to screen in theaters, there is already a clamor for another installment.
In an interview with The Direct, Stahelski expressed his appreciation for the overwhelming fan interest surrounding John Wick 5. He acknowledged the immense love the franchise has received and graciously thanked the fans for their support and enthusiasm. While Stahelski has previously expressed his openness to creating another sequel, he believes it is important to allow the franchise to rest for a while, especially after he and Reeves poured their hearts into John Wick: Chapter 4. Stahelski's comments regarding John Wick 5 reflect his gratitude towards the fans:
"That's incredibly flattering. You have to be incredibly humble and go, ‘Thank you.’ And that's our response, ‘Thank you so much. Thank you so much for offering. Thank you so much for wanting it. Thank you so much for everything.'"
The John Wick franchise has seen each subsequent film surpass the box office performance of its predecessor. John Wick: Chapter 4 has currently grossed over $406 million worldwide, a significant increase from the first film's total earnings of $86 million worldwide. Lionsgate, the studio behind the franchise, is undoubtedly eager to continue capitalizing on this success with more sequels, a fact they have not been shy about. However, Stahelski and Reeves have acknowledged other factors that need to be taken into consideration.
Reeves, who is now 58 years old, may not be able to sustain the physically demanding role for much longer. He has performed the majority of his own stunts, including driving, shooting, and martial arts, which could become increasingly challenging as time goes on. Additionally, the conclusion of John Wick: Chapter 4 provides a fitting end for the character, considering the trail of death he has left behind. Introducing a fifth film could potentially disrupt the narrative and compromise the story's integrity, despite the fans' overwhelming desire for more.
Despite the uncertain future of John Wick 5, the franchise continues to expand. A prequel television series called The Continental, focusing on Winston's ascent to power as the manager of the eponymous underworld hotel, is set to release three episodes in September. Ana de Armas is also starring in a spinoff film called Ballerina, in which she portrays a female assassin, with Reeves making a brief appearance. Consequently, while the immediate prospects of John Wick 5 may be uncertain, the universe it has established still has more stories to offer.
Curious Refuge has created a remarkable AI mashup that reimagines the Lord of the Rings movies in the distinctive style of Wes Anderson, accompanied by an outstanding cast.
The Lord of the Rings trilogy captivated audiences and reignited interest in J.R.R. Tolkien's original material, crafting a fantasy world that has thrived for the past two decades. Subsequently, The Hobbit also received its own trilogy adaptation, and the franchise continues to find popularity with shows like Prime Video's Rings of Power. Concurrently, director Wes Anderson carved a niche for himself, presenting a unique yet unmistakable style that permeated all of his films, including The Grand Budapest Hotel, Moonrise Kingdom, and his upcoming project, Asteroid City.
Thanks to the innovative creators at Curious Refuge and the power of AI, we are now introduced to The Whimsical Fellowship, a delightful blend that envisions the Lord of the Rings movies through Anderson's directorial lens.
The trailer recreates the fantastical realm of Middle-earth, incorporating the steady camera shots and idiosyncrasies characteristic of Anderson's filmography. It also features a star-studded cast typical of Anderson's projects, with Timothée Chalamet as Frodo, Bill Murray as Gandalf, Tilda Swinton as Galadriel, Edward Norton as Aragorn, Adrian Brody as Legolas, and Jeff Goldblum as Elrond. Additionally, Willem Dafoe portrays Smeagol, while Owen Wilson's iconic "wow" soundbite gives voice to Sauron.
Could Wes Anderson Successfully Direct a Lord of the Rings Movie?
The Lord of the Rings films and Anderson's movies seem worlds apart, as the sweeping fantasy epics provide a distinct experience that differs from the dry, witty, and dramatic comedies typically associated with the director. However, one commonality shared by both is the stellar cast they assemble. Anderson is renowned for collaborating with a plethora of high-profile actors, many of whom make recurring appearances in his films. Similarly, The Lord of the Rings franchise boasts an ensemble of renowned performers, elevating several actors to prominence. Consequently, despite their tonal disparity, Anderson could potentially harness the talent associated with Lord of the Rings.
Anderson's films possess a distinctiveness that cinephiles can easily discern, even without prior knowledge of his involvement. While this quality makes for intriguing AI mashups, it also signifies that Anderson's style is inseparable from his own projects. He rarely ventures into works initiated by others, instead championing his original content and establishing his unique brand. The Lord of the Rings franchise possesses its own distinctive style, but it resides worlds apart from Anderson's artistic vision, as exemplified by director Peter Jackson's approach.
The Lord of the Rings franchise continues to expand with the upcoming second season of The Rings of Power and plans for additional films exploring the universe. While Anderson's distinct style may not align seamlessly with this world, incorporating his talents would likely elicit confusion rather than applause. Therefore, despite the ongoing development of The Lord of the Rings series, Anderson is unlikely to be involved in the project.
The first weekend of The Super Mario Bros. Movie's release will break the box office record for all movies ever. Since the infamous failure of the 1993 film Super Mario Bros., which featured Bob Hoskins and John Leguizamo as Mario and Luigi, Hollywood has shied away from translating the Mario games into feature films. In contrast, the new film featuring Chris Pratt as Mario, Charlie Day as Luigi, Anya Taylor-Joy as Peach, and Jack Black as Bowser released in theaters today thanks to a collaboration between Illumination Entertainment and Nintendo.
Deadline reports that the actors of the Super Mario Bros. Movie will be celebrating this weekend. The picture has already made more than $160 million overseas, putting it on track for a massive global total of $300 million by the end of the weekend. The final tally won't be known until the end of the week, but early estimates put the film's domestic gross at at $40 million, which would be 15 times more than the 1993 original's $20 million. Movies based on video games have had some successes, such as 2001's Lara Croft: Tomb Raider and the Resident Evil franchise, but the genre has also had its fair share of flops. Attempts to adapt video games into live-action films have typically been received with critical skepticism and lackluster box office results. But things have started to turn around in recent years.
One of the genre's major hits in 2020 was Sonic the Hedgehog. The audience loved it, and it ended up becoming the third highest-grossing movie of the year. As a result, additional video game adaptations, such as Paramount+'s Halo series (which has been renewed for a second season) and 2022's No. 14 highest-grossing picture Uncharted, were able to find success in the marketplace.
The popular video game adaption has been brought forward by 2023 even farther. The post-apocalyptic HBO series The Last of Us began things out in January, and it quickly surpassed the audience of the Game of Thrones prequel series House of the Dragon in terms of total viewers. Here comes The Super Mario Bros. Movie with these flashy musical sequences to prove that the genre is here to stay.
It has been speculated that a young actor in the mold of Chris Pratt may play Clark Kent in the next Superman: Legacy film. In 2025, Superman: Legacy will launch the DC Cinematic Universe into orbit. This upcoming Superman film is so crucial that James Gunn, who is now in charge of all creative production at DC Studios, is directing and writing it. Since Henry Cavill's departure from the role of Superman was linked to a younger actor taking it over, everyone is wondering who Gunn would cast as Clark Kent. Now, a rumor reveals some background on the current Superman quest.
Previously, Pratt admitted that he had auditioned for the role of Superman in 2006's Superman Returns, a role that ultimately went to Brandon Routh. The fact that Gunn and Pratt worked together on the Guardians of the Galaxy trilogy for Marvel gives validity to DC's rumored casting criterion for the new Superman. Zac Efron has the charisma and naturalness to play a little younger version of Superman, and his comic timing is on par with that of Chris Pratt.
Efron has proven throughout his career that he is capable of leading a major superhero series like Superman, and as a result, the actor has been fancast in a variety of comic book roles, the most popular of which being Marvel's Human Torch and Wolverine. The Netflix docuseries Down to Earth with Zac Efron has proven that the actor's character traits are a good fit for the boy scout mentality of Clark Kent in the comics. Although Efron may pass for Clark in his late 20s, he may be too old at 35 for the role.
Two actors have emerged as fan favorites in the running if DC wishes to select a rookie who can grow with the role. David Corenswet, best known for his roles in Ryan Murphy's The Politician and Hollywood on Netflix, is a popular pick. The 29-year-old actor looks strikingly like Henry Cavill and would make a good replacement, adding his talent for portraying upbeat characters to the mix. Wolfgang Novogratz is the other actor that is often mistaken for Superman in fan fiction. Novogratz, who is only 25 years old, has yet to star in a major role, but Superman: Legacy may be his chance to shine.
Popular DC Comics characters may make an appearance in James Gunn's upcoming Superman: Legacy film. As the DCEU winds down, the new DC Universe readies for takeoff. Late in January, Peter Safran and Gunn unveiled a slew of "Gods and Monsters"–themed projects for the DC Extended Universe. Superman: Legacy is a title they are working on for a release in 2025.
A new Man of Steel is being sought out as Gunn takes on the dual roles of writer and director on Superman: Legacy. Nonetheless, it has been speculated that a number of established DC characters would make cameos in the new series. The Hot Mic Podcast host Jeff Sneider has claimed that the upcoming Superman: Legacy has three essential cast members. Lex Luthor, Lois Lane, and Jimmy Olsen are expected to make an appearance in the film. Neither DC Studios nor Warner Bros. Discovery have addressed this speculation as of yet.
Even if Lex Luthor does appear in Superman: Legacy, the greater question is whether or not he will play a significant villainous role. Lex Luthor hasn't been a major antagonist in a DC film since 2016's Batman v Superman: Dawn of Justice. After that, Lex stopped making appearances in movies. It's worth mentioning, though, that Lex Luthor has always played a pivotal role as Superman's archenemy.
Lex Luthor may have a role in Superman: Legacy, although he probably won't be the main antagonist. Lex's villainous position in a potential sequel may have been inspired by the remake. It would be boring if Lex became Superman's first major adversary. Instead, the franchise would be better served by building to a wider fight between the two sides.
Furthermore, there are a plethora of Superman antagonists that have yet to be included in a film. Rebooting the Superman film series with a new primary antagonist is another way to set it apart from the franchise's previous entries. If Lex Luthor is in Superman: Legacy, then hopefully Gunn is thinking about that. The inclusion of Superman canon staples like Lois Lane and Jimmy Olsen in Superman: Legacy makes perfect sense.
It turns out that a very different perspective on the battle that inspired Batman v. Superman: Dawn of Justice was planned for the sequel to The LEGO Batman Movie, which was ultimately scrapped.After the success of the first The LEGO Batman Movie, which earned $312 million throughout the world, it was announced that production on a sequel has been greenlit in 2018. After Warner Bros., DC's parent company, sold the rights to Universal in 2020, Warner Bros. was unable to move through with The LEGO Batman Movie 2, which had been scheduled for a 2022 release.
With a tale that paid homage to Batman's extensive canon across comics, animation, film, television, and video games while also giving the character and the DC universe its own unique twist, The LEGO Batman Movie was a smashing success. Batman's strained relationship with the Justice League, and particularly Superman, was a humorous and intriguing story piece in the first film.
In order to capture the Joker and imprison him in the Phantom Zone, Batman infiltrated Superman's Fortress of Solitude in The LEGO Batman Movie alongside Robin. In other DC continuitys, Batman could have just gone to Superman and asked for the item, explaining the circumstances. However, this was not possible in the world of The LEGO Batman Movie. It was established that Batman and the Justice League do not get along very well when Bruce Wayne crashed a party celebrating the JLA's 57th anniversary even though he had not been invited.
Details from the cancelled The LEGO Batman Movie 2 suggest that the film will continue the comedic dynamic between Batman, Superman, and the Justice League. If the uncomfortable hero interactions from the first film had been carried over into the sequel, it would have been a smash hit. Since McKay has stated that the film would have explored "how hard it is to truly be friends, real friends, for years," it is likely that The LEGO Batman Movie 2 would have had touching moments like those in the original film's unexpected discovered family tale.
The combination of Warner Bros. and Discovery is being investigated by lawmakers who claim it hurt jobs and less options for consumers. In the early years of 2022, Warner Bros. combined with Discovery Inc to form Warner Bros. Discovery. The merger resulted in several changes, including the appointment of David Zaslav as CEO, the appointment of James Gunn and Peter Safran as co-CEOs of the DC studios division, and the combination of HBO Max and Discovery+. The corporate shakeup, which resulted in widespread layoffs and other cost-cutting measures, was not warmly accepted by all employees.
The HBO Streaming Strategy Is a Rehash of Its Roots (With 1 Big Risk) Workers dread additional layoffs, and customers fear higher prices and canceled content, as a result of these decisions. Legislators are starting to wonder if WBD should be allowed to do this, given that it is consolidating a large chunk of the entertainment business while simultaneously decreasing its staff and thereby limiting the number of available jobs. In addition, if no other companies emerge to challenge Warner Bros. Discovery, its high costs and limited selection might become the only options for customers. Even if the DOJ doesn't open an investigation into a transaction that has already concluded, the letter brings Warner Bros. Discovery to light.
Pre-release reviews for John Wick: Chapter 4 have begun to appear online. The narrative revolves around John's attempt to bring down the High Table while the price on his head rises as he travels throughout the world. The publication of Chapter 4 had been planned for May 2021, however it was delayed due to COVID limitations and Keanu Reeves' busy schedule.
The much-awaited critical reception to the franchise's fourth entry has begun. To date, 26 critics have given the film an 88% approval rating on review aggregator Rotten Tomatoes. Good things have been said about the film overall, with critics praising the stunning action scenes and the uncanny resemblance Reeves creates between himself and the character of Wick. Here are some reviews, broken up into bite-sized chunks:
The action and set pieces in John Wick: Chapter 4 have been praised by critics. In this chapter, Wick takes the reader on a worldwide adventure filled with exotic locales and nonstop action. A lack of coherence in the storyline has dissatisfied several reviewers, who attribute it to the absence of Derek Kolstad, the man who wrote the previous John Wick films. The 169-minute length is certainly a cause for concern, yet it appears to go very quickly as John slaughters his foes with hardly a breath between them.
Keanu Reeves, who plays John Wick, is also slated to offer a stellar performance. The charisma of Reeves on film makes it impossible not to root for him as he methodically eliminates those who have offended him at an alarming pace. Reeves's dedication to the series is evident in his performance despite his extended tenure in the role.
John Wick, Chapter 4 will also serve to establish the franchise's future sequels and spinoffs. There are presently two spinoffs under development. In the prequel series The Continental, young Winston begins his career as a hotelier for the High Table in the 1970s. Female-led franchise expansion Ballerina, starring Ana de Armas, is about a young ballet assassin on a mission of vengeance against the people responsible for her parents' deaths. The early response to the fourth edition of the popular franchise John Wick has been overwhelmingly good, increasing anticipation for the film.
The first poster for Mission: Impossible — Dead Reckoning, Part One, has emerged, and it features Tom Cruise doing his most dangerous stunt yet. Part one of the Mission: Impossible series' two-part series finale, dubbed Dead Reckoning, will premiere this summer. In May of 2022, the first trailer for Mission: Impossible — Dead Reckoning, Part One, was published. In the last scene, Cruise rides his motorbike off a cliff.
Marketers for Mission: Impossible - Dead Reckoning Part One have focused on Cruise's cliff leap because, as is customary with Cruise's daring stunts, it features a near-death experience. Back in May of 2022, the first teaser was published, and it featured the very first video of the crazy stunt. For what it calls "the largest stunt in movie history," Paramount offered a lengthy behind-the-scenes look at the production late last year. The movie's official poster now features the stunt once again as the movie's main attraction.
Cruise had to spend a year practicing for the outrageous feat, which involved his riding a motorbike over a cliff and then base jumping to a point below. The stunt also called for Cruise to learn advanced skydiving techniques, canopy control, and other related abilities. Shooting day, Cruise did the stunt six times to get it right. There's a good reason why the amazing feat has been front and center throughout the promotion for Mission: Impossible - Dead Reckoning Part One, and why it will be the main draw when the film opens in theaters on June 28.
Details regarding the movie's antagonist and his abilities have leaked out via merch. While the DCEU winds down, a new DC Universe is being created. There are, however, a couple more DCEU films scheduled for release before DC Studios' new series gets rolling. The Flash is one of them; planning for the film began in 2014. Although though Ezra Miller reprises his role as Barry Allen, he really plays many iterations of the classic Comic hero. Miller has portrayed not one but two versions of Barry throughout promotion, with one being an alternate reality's version.
According to the latest The Flash teaser, the speedster Flash battles in the DCEU is Dark Flash. To what extent this is true is yet to be seen. Dark Flash, or Black Flash to be more accurate, is the Speedster equivalent of Death in the comics. Merchandise for The Flash, however, suggests a different path for Dark Flash in the DCEU.
Many people believe that Dark Flash is actually a mirror image of Barry in the film adaptation of The Flash. Even while the two Barrys will begin as friends, the new one may eventually become the villainous Dark Flash. A major difference between him and his comic book equivalent is his ability to take the souls of speed demons. The DCEU's Dark Flash comes out as more of an enemy and less of a Death figure now.
It will be interesting to watch where The Flash movie takes Dark Flash if he is indeed supposed to be the other Barry. Just when The Flash's Dark Flash becomes relevant to the plot is unclear, although it probably won't be until the second act. Whether or not Dark Flash will play a significant role in The Flash movie's summer release remains to be seen, but only time will tell.
Due to Disney and Marvel's crackdown on MCU spoilers, the popular Marvel Spoilers sub-Reddit has been taken down. Information regarding MCU films and TV episodes have frequently leaked over the years, despite the fact that the studio has a reputation for being extremely secretive about the plots of its productions. Kevin Feige's Marvel Studios is now taking measures to punish anyone responsible for leaking information.
Variety reports that Disney has filed a petition in a California federal district court on behalf of Marvel on Friday, March 10. They requested the court issue a subpoena compelling Reddit to disclose the identities of those responsible for the January 20, 2023, disclosure of conversational spoilers regarding Ant-Man 3 on the r/MarvelStudiosSpoilers forum. The subreddit's "u/MSSmods'" and "any other user(s) responsible for publishing, modifying, and/or maintaining the content" are named as defendants in this case, which covers the time period from January 15 to February 15. This request has been made under the Digital Millennium Copyright Act of the United States (DMCA). The website Reddit has issued a statement in reaction to the controversy.
Marvel Studios has always been known to keep some of its films' plots and characters a secret. It all started 15 years ago with Nick Fury's surprise debut in Iron Man's famous post-credits sequence. Actors say they aren't given full scripts (or are given false scripts) to prevent spoilers from leaking out early.
There have been one too many leaks in the developing MCU Multiverse Saga, unfortunately for Marvel Studios. They detract from watching a film in theaters. To begin, it's tough to tell if these leaks are legit. Most leakers have disclaimers in place to protect them in case their "exclusive" turns out to be a hoax. Second, when information about a film leaks out, audiences form expectations based on that information and may be let down if those expectations aren't met.
The outcome of this effort is presently unknown. As seen by their statement, Reddit appears to have no interest in complying with Disney's legal demand. The Marvel Cinematic Universe will continue production despite the situation, and perhaps there will be fewer leaks in the future.
The minds behind Scream 6's stunning opening sequence, Tyler Gillett and Matt Bettinelli-Olpin, lay it all out. The opening sequence of each Scream film has served as the franchise's proverbial "moment of truth," establishing the tone for the rest of the film and determining whether or not viewers will stick with the tale. Scream VI's initial killings for Ghostface in New York City are more violent, gorier, more frightening than in previous films in the series, which typically involve Ghostface's eerie call minutes before murdering the victim.
We first see Laura (Samara Weaving), an associate professor of cinema studies, when she is taken into an alleyway in Manhattan and stabbed to death by Ghostface. The killer's identity is quickly revealed to be one of Laura's pupils, which comes as a shock (Tony Revolori). The biggest surprise in the film is when Revolori's character is killed by yet another Ghostface. All of this happened in the first ten minutes of the film, raising serious doubts and speculation about who may be hiding behind the Ghostface mask.
The movie's new three-person murdering crew is also an intriguing addition. The Ghostface entity in Scream VI is far more brutal than its predecessors, as demonstrated in the opening sequence. Earlier movies saw either a single individual or a pair of people disguising themselves with the black cloak and mask. Gillett lauds Revolori, adding that the actor was able to switch from a pleasant to a malevolent appearance in a matter of seconds with just his facial gestures. The filmmakers have expressed their gratitude to Samara for making even a cameo appearance, citing their desire to work with her again ever since Ready or Not, and noting that she plays a crucial part in the beginning as Ghostface's first victim.
The prologue successfully accomplishes its goal of setting the tone and pace for the remainder of the sequel's running length. The directors took some risks with the picture, and the result is one of the highest-rated and most financially successful entries in the Scream franchise since the 1996 original. Despite the lack of an official announcement, Scream VII seems plausible given the positive reception to Scream VI and the directors' enthusiasm for the franchise's comeback.
One Sony official has hinted that Tom Holland's version of Spider-Man from the MCU might make an appearance in the future sequel to Spider-Man: Across the Spider-Verse. The upcoming Spider-Man: Into the Multiverse film is a sequel to the critically acclaimed 2018 animated film Spider-Man: Into the Spider-Verse and will include hundreds of Spider-Man iterations from other universes. Given the film's multiverse premise, fans of Tom Holland's Spider-Man, who was last seen in 2021's Spider-Man: No Way Home, have naturally speculated that he may make a cameo.
In the future, even if Tom Holland doesn't show up in Into the Spider-Verse, his Spider-Verse counterpart is likely to cross paths with Miles Morales (Shameik Moore). As the multiverse is a major theme in both of these franchises, it is easier than ever to go from one universe to another. It's possible that Tom Holland's Spider-Man won't show up in Across the Spider-Verse, but there's no reason he couldn't show up in the sequel next year, Beyond the Spider-Verse, or any flicks after that. Peter Parker, as portrayed by Holland, has more than enough experience with alternate dimensions to tackle the Spider-Verse realm and its many offshoots.
Miles Morales, from Across the Spider-Verse, might yet make a cameo in the fourth Spider-Man film from the Marvel Cinematic Universe, which has yet to get a title. Although being in pre-production, the thrilling sequel won't enter theaters until far after the release of Beyond the Spider-Verse in 2024. This opens the door for the Spider-Verse franchise's protagonist to be transplanted to Earth-616 and make future appearances alongside Tom Holland's Spider-Man. If Beyond the Spider-Verse is meant to be the last film in the trilogy, Sony may be more willing to let Marvel Studios take control of their adored version of Miles Morales.
There are a number of ways in which Tom Holland's Spider-Man may meet Miles Morales, but the Multiverse Saga climax, Avengers: Secret Wars, seems like the most likely place for their first encounter. In truth, Miles Morales was brought from the Ultimate World to Earth-616 by the 2015 comic book event on which the film is based, making him a permanent member of the mainstream Marvel Universe. Whether or not Miles Morales has previously been exposed to MCU characters in Spider-Man: Across the Spider-Verse, the epic multiverse structure of the next Avengers film makes it simple for Secret Wars to include a cameo appearance.
In Ant-Man and the Wasp, Laurence Fishburne plays Bill Foster, and he seems to have forgotten that he previously became a member of the MCU. Laurence Fishburne, who is well-known for his roles in Boyz n the Hood and the Matrix series, is just one of several well-known Hollywood actors who have recently joined the Marvel Cinematic Universe. Fishburne made his Marvel Cinematic Universe debut in 2018's Ant-Man and the Wasp, as Bill Foster, Hank Pym's old SHIELD colleague and Ava Starr's carer.
In an interview for the Phase Zero podcast on ComicBook.com, Laurence Fishburne discussed his love for the MCU while promoting John Wick 4. Fishburne says he can't wait for the next Captain America film and hints that he'd be eager to join the franchise if the opportunity presented itself. Fishburne's language makes it sound as though he forgot he was already an MCU cast member. Have a look at the video down below.
At the conclusion of Ant-Man and the Wasp, Bill Foster, played by Laurence Fishburne, was seen running away from the FBI with his adopted daughter Ava Starr. As Hannah John-Ava Kamen's Starr aka Ghost will be making a return appearance in Marvel's Thunderbolts, it's probable that Fishburne's Bill Foster may make a brief cameo appearance to provide an update on his whereabouts. As Fishburne's character has links to Pym Particles and the Quantum Realm, he might return in some way in future MCU appearances involving Ant-Man.
Whether or whether Laurence Fishburne is being sarcastic about his potential role in the MCU, his enthusiasm for Captain America: New World Order provides a strong hint. Given that Anthony Mackie's Captain America would be eager to promote the visibility of undervalued Black superheroes, Bill Foster's debut in Captain America: New World Order would be a good match. As how Sam Wilson brought attention to Isaiah Bradley's history as a forgotten Super Soldier in Falcon and the Winter Soldier, so too may he bring attention to Bill Foster's background as a shapeshifting scientist who became Giant-Man before Scott Lang ever donned the Ant-Man helmet.
Mark Ruffalo, who took over for Edward Norton as the Incredible Hulk in the MCU during Phase 1, has spoken out about the issue. After the success of MCU starter Iron Man in 2008, the sequel The Incredible Hulk debuted the MCU's Hulk with Norton. After the release of the film, Norton decided to step down from his role as Hulk due to a variety of production concerns; Ruffalo was cast in the character for The Avengers in 2010. Ruffalo has spoken out about the replacement's awkwardness now that characters from The Incredible Hulk have returned to the MCU.
The Incredible Hulk, in which Norton starred in 2008, has been firmly reinserted into the MCU canon, with significant characters from the film making cameo appearances in later films. William Hurt, who played Thunderbolt Ross in The Incredible Hulk, returned to the Marvel Cinematic Universe (MCU) in numerous films beginning with Captain America: Civil War in 2016. The role of Thunderbolt Ross, the United States President in the MCU, had been held by the late John Hurt, but now that he has passed away, Harrison Ford has been cast in the role. His first appearance as Ross will be in the upcoming Captain America: New World Order.
There are persistent rumors that the film featuring Anthony Mackie as the next Captain America, Sam Wilson, would have a significant role for the Hulk. Given that Marvel has already cast Ford as the new Thunderbolt Ross and that Tim Blake Nelson will be playing Samuel Sterns, the villain from The Incredible Hulk, in the MCU (in the form of the fully realized villain The Leader), this makes sense. Fans of The Incredible Hulk will be pleased to know that Ruffalo's Bruce Banner and Tim Roth's Abomination have already met on the Disney+ series She-Hulk: Attorney at Law, so they won't have to wait for the upcoming Captain America picture.
Now that both Banner and Ross are back, the only Incredible Hulk actors still absent from the Marvel Cinematic Universe are Betty Ross (Liv Tyler) and Ed Norton. Neither Norton nor Ruffalo's return to the MCU has been confirmed, although they might potentially play the Hulk together in a next film. The Multiverse Saga of the Marvel Cinematic Universe will continue till 2026's Avengers: Secret Wars, according to Marvel Studios. The Incredible Hulk's primary actor, Edward Norton, may be reconciled with the studio by playing a role in the multiverse film with his pal, Mark Ruffalo.
Dr. Cathy Ryan, played by Gates McFadden in The Hunt for Red October, discusses her dismay at being passed over for future Jack Ryan films. McFadden, along with the rest of the cast from Star Trek: The Next Generation, is presently appearing in the third season of Star Trek: Picard. McFadden, meantime, had a brush with the blossoming Jack Ryan movie genre in 1990, when she made a cameo appearance in The Hunt For Red October. This was while TNG was still airing.
While Gates McFadden only appeared briefly and said a few words at the beginning of The Hunt For Red October, she will be remembered as the first actress to play Dr. Cathy Ryan, a part that has subsequently been played by Anne Archer, Bridget Moynahan, Keira Knightley, and Abbie Cornish. McFadden recalls that Alec Baldwin didn't return as Jack Ryan in 1992's Patriot Games because he "requested for too much money," but this isn't the explanation Baldwin provided for Harrison Ford to replace him.
Baldwin posted a column for the Huffington Post in 2011 in which he explained his side of the story regarding his dismissal from the Jack Ryan role after years of lying "a half-truth about schedule issues." Baldwin said that Paramount "slashed his neck" because the studio owed a famous "actor a big quantity of money for a greenlit project that fell apart," and that "moving me away would assist to lessen that obligation and install someone with considerably more power at the box office than my in the role." Baldwin is making a reference to the decision to cast Harrison Ford as Jack Ryan in Patriot Games. Paramount executive David Kirkpatrick, however, disputed Baldwin's allegation, claiming that Baldwin "withdrew from... Patriot Games, over a problem of script approval."
In an interesting twist, Gates McFadden offers a third reason why Alec Baldwin's version of Patriot Games, in which Gates would have reprised her role as Cathy Ryan, was never produced. McFadden still feels bad about missing out on the opportunity to play the franchise's first female protagonist, years before Star Trek: The Next Generation's cinematic adaptations began with 1994's Star Trek: Generations. Yet Gates McFadden is giving a career-best performance in Star Trek: Picard's third season.
A new poster for Fast X features the film's largest ensemble to date. The main Fast & Furious series will conclude with a two-parter, the first of which, named Fast X, will hit theaters this spring. The marketing campaign for Fast X has ramped up a notch with the publication of the colossal Fast X trailer last month, as the highly anticipated release date draws nearer.
Here, check out the latest piece of promotional material released by the high-octane franchise in anticipation of Fast X:
The Fast X ensemble is lead once again by Vin Diesel's Dominic Toretto, who will be accompanied by fellow regulars including Letty Ortiz (Michelle Rodriguez), Roman (Tyrese Gibson), Tej (Ludacris), Mia (Jordana Brewster), Han (Sung Kang), Ramsey (Nathalie Emmanuel), and Deckard Shaw (Jason Statham) (Jason Statham). Jakob, played by John Cena, was first seen in F9 as Dom's brother and the film's major antagonist. He will return in Fast X, although this time he appears to be on the good side of things. In addition, Charlize Theron's wicked Cipher returns, and this time she's brought a powerful new ally with her.
Most fans are looking forward to seeing Jason Momoa (Aquaman) and Brie Larson (Captain Marvel) in their new roles as Dante Reyes (son of Hernan Reyes) and Tess (rogue representative of Mr. Nobody's agency), respectively, in Fast X. The poster also features newcomers Alan Ritchson as Agent Aimes, the new head of Mr. Nobody's agency, and Daniela Melchior as a Brazilian street racer in The Suicide Squad. Fast & Furious has proven that a huge cast can work in a franchise picture, and with a lengthy running time, Fast X should be able to do honor to each of the many characters in the series.
After Doctor Strange and the Multiverse of Madness, Elizabeth Olsen hints to Scarlet Witch's return to the MCU. One of the most notable results of Stage 4 was Scarlet Witch's development. While Scarlet Witch made great strides in WandaVision, she took a far more sinister turn in Doctor Strange and the Multiverse of Madness. As the antagonist of the second Doctor Strange film, Wanda eventually turned good and gave her life to wipe out all alternate realities' copies of the Darkhold. Yet, despite the appearance that this was the end for Scarlet Witch, her destiny is still unknown.
Given that Scarlet Witch as portrayed by Olsen has become not just a fan favorite but also a major figure in the MCU, her return is guaranteed. Yet, the how and when remain unknown, especially now that Phase 5 has begun. Wanda's appearance in one of the next movies or TV episodes is inevitable as the Multiverse Saga continues. Wanda may not return until Phase 6 if Marvel Studios is determined to keep fans waiting.
Some fans believe that the Scarlet Witch may make a surprise cameo in the WandaVision spinoff program Agatha: Coven of Chaos. MCU stars have stringent contracts regarding what they can and cannot leak, so it wouldn't be surprising if Olsen's denial that she is popping up is false. As WandaVision is such an integral part of each of their stories, Agatha: Coven of Chaos would be a great pick for Wanda's return to the MCU. If they are talking about Phase 6, she might perhaps return in either Avengers: The Kang Dynasty or Avengers: Secret Wars.
If Scarlet Witch returns to the MCU, the most shocking development would be Olsen's appearance as a new version of Wanda. Many people feel strongly about this particular Scarlet Witch, so whether or not that is the wisest course of action is debatable. Wanda as a mutant may be an interesting alternative, especially considering Marvel Studios' plans to incorporate the X-Men into the MCU. Scarlet Witch's return to the MCU following Doctor Strange and the Multiverse of Madness should be made plain sooner rather than later.
Writer Jeff Loveness hints to the possibility of two new Avengers and two new, more powerful Kang variations appearing in Avengers: The Kang Dynasty. After working with Marvel Studios on Ant-Man and the Wasp: Quantumania, Loveness is back for Avengers: The Kang Dynasty. In Ant-Man and the Wasp: Quantumania, Loveness not only brought the Council of Kangs to life in the mid-credits sequence, but he also introduced Kang the Conqueror to the MCU.
Loveness gave an exclusive interview to Screen Rant in which she described how the new Kang versions are much more hazardous than Kang the Conqueror. Lovelessness casually mentions a hitherto unmentioned Kang dialect. There's a possibility that his remark of two seasoned Avengers might be a tease for their entrance in Avengers: The Kang Dynasty.
When Kang the Conqueror is defeated, the mid-credits sequence in Ant-Man and the Wasp: Quantumania introduces three new villains: Immortus, Rama-Tut, and The Centurion. Loveness portrays these Kang variations as shrewd, cunning, and ultimately terrifying creatures. They are a formidable foe on their own, but when united under the Council of Kangs' leadership, these splinter groups of the Kang race represent an even greater danger.
Loveness alludes to Iron Lad, a character who has not yet been revealed in the Marvel Cinematic Universe. Iron Lad, a fascinating version of Kang, battles alongside the Young Avengers to stop Kang from fulfilling his destiny. With the introduction of Cassie Lang, Kate Bishop, and America Chavez, it appears that the MCU is laying the groundwork for the Young Avengers squad. Maybe Iron Lad will make his debut in Avengers: The Kang Dynasty, which would be a great way to finally get the Young Avengers team off the ground.
In addition to these two, Loveness singles out Hawkeye and War Machine as Avengers who would have a hard time taking on Kang. The fact that he chooses to illustrate his points with these two seasoned heroes is intriguing. Perhaps it's because neither Ant-Man nor Captain America has any special abilities, but he doesn't even name them as potential leaders in the fight against Kang. Given Kang's boasts about murdering Avengers, it would make more sense to face a more formidable foe like Hulk, Doctor Strange, or Thor if he wants to prove that he is more strong than the other Avengers. The fact that Loveness mentioned War Machine and Hawkeye suggests that the two seasoned heroes will play a significant role in Avengers: The Kang Dynasty
Guy Ritchie has spoken out about the ten-year delay in making Sherlock Holmes 3. Ritchie's 2009 picture starring Robert Downey Jr. as the legendary detective created by Sir Arthur Conan Doyle was well-received by critics, won a Golden Globe for Downey Jr.'s performance, and was nominated for two Academy Awards. The film's success at the box office led to the production of a sequel, 2011's Sherlock Holmes: A Game of Shadows, which earned $543 million worldwide and prompted the order of a third feature, which is now stuck in development purgatory.
Despite a quick turnaround between the first two films, Sherlock Holmes 3 has been in production for quite some time. The major reason for the delay, according to several updates supplied by Downey Jr., co-star Jude Law, and producers Joel Silver and Lionel Wigram, has been waiting for the greatest script possible before moving forward with the threequel. It makes reasonable that they would try to redeem themselves with a stronger follow-up after Sherlock Holmes: A Game of Shadows was so close to receiving a "Fresh" rating on Rotten Tomatoes.
Many people have wondered if a third Sherlock Holmes film would ever be made because of Robert Downey Jr.'s involvement in the MCU as Iron Man. Recently, though, there have been some encouraging developments for the project, including Paramount's appointment of Rocketman's Dexter Fletcher to helm the picture. Confirming the actor's continued interest in the concept, it was reported in late 2020 that Downey Jr. and his wife, Susan, would be working with Warner Bros. to extend the Sherlock Holmes brand to include offshoot TV projects at HBO Max.
In spite of Ritchie's departure, fans of the first two films can rest certain that Downey Jr. will be keeping a careful watch on the production of Sherlock Holmes 3 to ensure that it lives up to its potential. Now that the actor's contract with the MCU has ended, his schedule should be much more amenable to a major production like a new Sherlock Holmes. But he also has Play Dirty, based on a novel by Shane Black, and an adaptation of The Sympathizer in the works, so it might be a while before we see Sherlock Holmes 3 in theaters.
After Ant-Man and the Wasp: Quatumania, writer Jeff Loveness hints to more deadly Kang versions with a wider range of abilities. In Ant-Man and the Wasp, Kang was formally introduced to the MCU; the stories of Quantumania and Loveness will continue in Avengers: The Kang Dynasty. Kang is a strong and perceptive Nexus Being that can travel through time and has connections to other universes that are rare.
Loveness hinted about potential "omnipotent powers" for Kang in an exclusive chat with Screen Rant. The debut of Kang in Ant-Man and the Wasp: Quantumania was likened to Loki in Thor, he said. Loveness has also dropped hints about these upcoming powers and the increased threat posed by the Kang versions.
I'm Jeff Loveness, and I'd like to say: In particular, I wished to avoid coming into contact with any more of his unlimited abilities. There's plenty of time to deal with that later. I think the major potential here was to say, "Let's save all that time travel stuff, let's keep all that crazy multiverse stuff for later," in the same way that the first Thor movie allows you get to know who Loki is before he takes it to 11 in Avengers.
Why Kang the Conqueror Wore Blue Clothes and Makeup is a Relevant Topic.
How Deadly Are Other Possible Varieties of Kang?
The statue of kang the conqueror from the closing episode of season one of loki
Those that seemed powerless in the face of the villain's might, like He Who Remains and Kang the Conqueror, ultimately prevailed. A Loki offshoot named Sylvie murdered He Who Remains, ripping the universe apart and setting in motion events like Spider-Man: No Way Home and Doctor Strange: The Multiverse of Madness. While Ant-Man and the Wasp were able to defeat Kang the Conqueror, both of these variations made attempts to warn their opponents of a far more serious threat: their counterparts. In the comics, Kang is powerless, but his technology is so advanced that it makes him seem like he has superhuman skills.
The Council of Kangs is interested in the "primary" timeline of the MCU, particularly after Kang the Conqueror was defeated and banished. Loveness has hinted to abilities the Council of Kangs has that the other two Kang types do not, setting the stage for them to become even more destructive. As a hub, Kang is a nexus. Being capable of time travel and other multiversal feats of power. Kang the Conqueror failed to deliver on his fantastic promises and terrifying threats, but he did demonstrate some of his potential might.
Killing Cassie and forcing Scott to repeat the event over and over again is horrible, but in comparison to the universes he destroyed, it feels like a trivial parlor trick. The power to travel through time, Kang's intelligence, and his variations are his strongest weapons. He can deploy a time-traveling army of variations, employ cutting-edge technology, and strike at any point in history. If the forms of this figure shown so far, such as He Who Remains in Loki and Kang the Conqueror in Ant-Man and the Wasp: Quantumania, are any indication, the variations to come will be really tough for the MCU heroes.
The Haunting of Hill House and Midnight Mass creator Mike Flanagan has hinted at his concept for a new A Nightmare on Elm Street film. One of the finest horror movies of all time, the 1984 original of A Nightmare on Elm Street is still largely regarded as such. The film spawned an entire horror series with the same title; eight further installments were released between 1985 and 2003. The 2010 remake of A Nightmare on Elm Street, directed by Samuel Bayer, was a financial failure, and since then there has not been another cinematic installment in the franchise.
From its inception with Wes Craven's groundbreaking original film, the Nightmare on Elm Street series has seen a number of directors, writers, and producers put their own spin on the nightmare-based horrors. Director Renny Harlin went all-in on the grandiose special effects for A Nightmare on Elm Street 4: The Dream Master, while writer David Chaskin, who has denied writing any homoerotic subtext into the script, gained a cult following in the LGBTQ+ community for A Nightmare on Elm Street 2: Freddy's Revenge, directed by Jack Sholder.
Nonetheless, recent attempts to bring Freddy Krueger to life have met with varying degrees of success. Freddy vs. Jason was directed by Ronny Yu, who also directed Bride of Chucky, and has a slick, borderline-MTV look for the finger-gloved killer after Craven returned to his origins with the satirical 1994 sequel New Nightmare. In contrast, Samuel Bayer's Nightmare on Elm Street remake, which was panned for its lack of sympathetic characters and inadequate replication of the original, tried to go too deep in the dark.
Nonetheless, Flanagan's horror approach would undoubtedly add something fresh to the long-running Nightmare on Elm Street franchise, with an emphasis on ambient terror rather than dependence on jumpscares. Flanagan has already demonstrated an understanding of the type of psychological terror that made the original film by Wes Craven so effective; examples include the anthology film Haunting and the single-shot Midnight Mass. Flanagan's interest in directing a new A Nightmare on Elm Street film may help get the project moving forward, even if no such plans currently exist.
Actor Corey Stoll thinks director Zack Snyder is great, calling him a "actor's director" for his work on the film Rebel Moon. Snyder's Rebel Moon, set for distribution via Netflix in December of this year, was inspired by a script he submitted to Lucasfilm years ago. Originally conceived as a single picture, Snyder's ambitious vision for the franchise necessitated its division into two movies.
Snyder is no stranger to working inside large properties, having been a part of the DC Universe back in its infancy. Yet, since Justice League's release, Snyder has been hard at work creating his own film worlds for Netflix. After launching the franchise with 2021's Army of the Dead, the director went on to create a live-action prequel feature called Army of Thieves and an animated series called Army of the Dead: Lost Vegas. In addition to finishing Rebel Moon, Snyder has announced that production on the sequel Planet of the Dead will begin as planned.
Snyder has ambitious intentions for his Army of the Dead film franchise, and it appears that Rebel Moon is ready for growth, too. Snyder's planned space opera, which was inspired by Akira Kurosawa and the Star Wars saga, has been split in two. Even so, it might serve as inspiration for future installments and spinoffs. While Disney+ has already begun cashing in on the Star Wars brand's success with a slew of spinoffs of its own, Netflix may have a chance to level the playing field with the Rebel Moon universe.
The key issue is whether or not Snyder's space opera can be considered as more than a cheap knockoff of Star Wars. Although the film's inspiration came from George Lucas's work, it is up to Synder to demonstrate that his world-building abilities are sufficient for Rebel Moon to succeed on its own. If the faith of his cast in his ability is any indicator, though, science fiction fans may be in for a real treat
Louis Leterrier, who took over for Justin Lin as director of the franchise's concluding installment, Fast X, put a premium on physical effects and actual stunts.
Speeding down a cliff in F9
When creating Fast X, director Louis Leterrier relied heavily on realistic effects and actual stunts.
Fast X, the tenth installment in the Fast & Furious film series, will kick off a two-part conclusion to the franchise that has been in production since 2001.
Fast X director Justin Lin left the project just weeks into production due to creative differences, and now Leterrier, known for Transporter and The Incredible Hulk, has taken over. It remains to be seen what Leterrier, an action director known for his work on those films, will bring to the franchise, which is known for its epic set pieces and increasingly insane stunts.
Leterrier discussed his approach to the tenth episode of the Fast and the Furious franchise, highlighting his emphasis on realistic effects and actual stunts in a recent Empire article that debuted a new look at the film.
The director of Fast X wanted to bring the series back to Earth after F9 memorably (and perhaps controversially) sent it into space in a rocket-powered automobile.
Have a look at what he wrote down below:
I brought it down to earth by being more realistic than previous filmmakers.
Our stunts are authentic and will be bolstered by CGI.
Our locations included Los Angeles, London, Rio, and Portugal.
Around Rome, we detonated a number of Humvees in the air.
This one will have some unforgettable pictures.
Dom Toretto can accomplish anything, as you will soon learn, as long as he is driving a fast automobile.
The fact that the director of Fast X prefers actual stunts and realistic effects shows just how well he understands what makes the franchise successful.
Fast Five, released in 2011, was a watershed moment for the Fast & Furious franchise since it marked the introduction of Dwayne "The Rock" Johnson and the introduction of a greater emphasis on realistic stunt work in the films.
Before now, most of the automobile stunts in the movies were done using computer-generated imagery (CGI), which looks terrible compared to actual cars.
Lin, who helmed five installments in the Fast & Furious series, was also an outspoken critic of the franchise's use of computer-generated imagery (CGI) for automobile stunts.
Even though real effects are frequently complicated logistically and expensive (the Fast X budget is allegedly over $340 million), it is heartening to hear Leterrier keeping a dedication to what makes the franchise great.
Leterrier is bringing the Fast & Furious franchise down to Earth despite the enormous push to make it bigger and better with each chapter (thus F9 travelling to space).
Super Bowl LVII was the first public showing of the first Fast X teaser, which features Leterrier's own vision and aesthetic.
In order to generate excitement for the next and final film, the franchise's new characters and several thrilling action sequences will be featured prominently.
Leterrier may be requested to return to helm the last installment of the Fast film series if the May 19 release of Fast X proves to be a financial and critical success.
Andrew Schulz, who played a supporting part in You People, claims that the kiss between Jonah Hill and Lauren London was a CGI creation.
In the movie You People, Jonah Hill and Lauren London lock lips.
Actor Andrew Schultz from the show You People has revealed that the kiss between Jonah Hill and Lauren London was fake.
You People, directed by Kenya Barris and premiered on Netflix last month, has received generally unfavorable critical reception.
The plot of Hill and London's romantic comedy centers on the couple's (Ezra, played by Hill) attempts to manage the challenges posed by their different races and cultures.
In addition to Schulz, Eddie Murphy, Julia Louis-Dreyfus, David Duchovny, Nia Long, and Nia Long's cousin Avi are included in the cast of You People.
On his podcast, Brilliant Idiots, Schulz recently discussed the CGI work that went into the last kiss between Hill and London in You People.
The actor and comedian says that Hill and London moved in for the kiss but stopped, and that CGI was utilized to finish the scene.
Here is the rest of Schulz's comment:
I don't know whether it's appropriate to tell you this, but at the very last moment, they don't even kiss.
The visual effects are computer-generated.
Boy, on your life.
I'm on set for the wedding and I catch the couple locking lips.
Also, their mugs end approximately where my fingers are right now (about six inches apart).
And I'm thinking, "Hmm, I wonder how it will be portrayed in the film."
They'll probably only make a quick incision there; don't worry.
In the film, however, their faces were clearly seen to get near one another before gradually changing into a false kiss.
More and more is being disclosed about how extensively visual effects are utilized in movies to enhance or modify what viewers are seeing on the screen, and Schulz's revelation that Hill and London never locked lips in that particular sequence in You People is just the latest example.
According to recently released statistics, "digital makeup" (the term used to describe the employment of visual effects to make actors look younger) is employed in about 85% of films.
Because of how subtle and believable the effects are, they are often overlooked.
In the 2018 film Tag, VFX were utilized to replace Jeremy Renner's arms when the actor shattered them just days into production.
However, CGI has been utilized for years in methods that may go unnoticed by spectators, such as covering up imperfections and injuries.
In Dark Shadows (2012), VFX were utilized to make Johnny Depp's vampire persona scarier by eliminating his blinking, while in The Social Network (2010), VFX were employed brilliantly to have Armie Hammer portray a set of twins.
Now that Schulz has let the cat out of the bag regarding the kiss in You People, it's easy to see, but it's still illustrative of how frequently visual effects are utilized for what can seem like inconsequential moments in current films.
Characters in recent Marvel films frequently do things that real people just can't do, making it simple to recognize the usage of CGI.
However, it's a much trickier to identify when VFX are employed to do things like make performers seem younger, change the scenery, or, curiously enough, finish a kiss.
A new lava-filled poster for Nintendo's The Super Mario Bros. Movie depicts Charlie Day's Luigi being held captive by a band of Shy Guys.
In a billboard for The Super Mario Bros. Movie, Luigi nervously surveys a group of cowardly males.
Luigi, played by Charlie Day, has been captured by Shy Guy goons in a new promotional poster for The Super Mario Bros. Movie.
The Super Mario Bros. Movie is a collaboration between Nintendo, Illumination Entertainment, and Universal Pictures based on the popular video game series created by Nintendo.
Chris Pratt plays Mario, Jack Black plays Bowser, Anya Taylor-Joy plays Princess Peach, Keegan-Michael Key plays Toad, Seth Rogen plays Donkey Kong, and Fred Armisen plays Cranky Kong in the film, with Day as Luigi.
Seeing as how the premiere date of The Super Mario Bros. Movie is rapidly approaching, the official Twitter account for the film has shared a fresh look at Luigi, this time depicting the character in a troublesome predicament.
The Super Mario Bros. Movie's poster depicts Luigi in chains as a prisoner, with what looks like Bowser's castle in the backdrop.
Day's portrayal of Luigi's fear is consistent with his appearance in a previous ad and has viewers wondering what the gang of Shy Guys have in store for him.
The plot of The Super Mario Bros. Movie has yet to be revealed, although the bromance between Mario and Luigi may play a significant role.
Condensing a lengthy, action-packed journey into a manageable two-hour plot is one of the challenges inherent to adapting a video game.
Because Nintendo's original games typically lack narrative intricacy and true emotion, this is an especially challenging challenge for The Super Mario Bros. Movie.
In order to present an interesting plot, the future film will need to flesh out popular characters like Mario, Luigi, and Princess Peach.
The Super Mario Bros. Movie will succeed if it has entertaining characters worth pulling for in addition to amazing visuals, game-accurate mythology, and exciting Easter eggs.
The Super Mario Bros. Movie may be able to explore broader issues of friendship by delving further into the friendship between Mario and Luigi.
It didn't take long for the teaser for The Super Mario Bros. Movie to spark heated debate about Pratt's casting as Mario.
However, if Mario is developed further as a character and a strong relationship is established between him and Luigi, fans may be able to see past Pratt's voice in the end.
The voice actors in The Super Mario Bros. Movie will play a crucial role in selling the connections between their characters and providing emotion to the plot, despite the fact that their performances may not be 100% game-accurate.
To promote her upcoming action comedy Cocaine Bear, director Elizabeth Banks has hinted that she might be interested in making another film about animals attacking people while high on cocaine.
Photograph of Elizabeth Banks with a Poster of a Cocaine Bear
Elizabeth Banks, who directed the drug comedy Cocaine Bear, has teased that she would tackle another animal film next.
The film's release date is February 24. It is based on a genuine story.
The plot centers on what happens to a bear after it consumes cocaine that was thrown in the woods by a drug runner's plane, and has an ensemble cast including Keri Russell, O'Shea Jackson Jr., Alden Ehrenreich, Jesse Tyler Ferguson, Brooklynn Prince, Margo Martindale, and the late Ray Liotta.
After a New Zealand news item said three tons of cocaine were drifting in the water, the concept of a film called Cocaine Shark went viral, and people started talking to Banks about making it.
After the success of Cocaine Bear, she was asked whether she planned to create Cocaine Shark "Yes, I read that [article].
Of course, if there's a fantastic tale to tell."
She said, "I don't see how that loses, Jaws with cocaine."
Cocaine Bear is upfront about the fact that it is a farcical comedy.
The bear's coke-fueled rage and the extreme damage it inflicts are completely unrealistic.
Although the film is based on genuine events, the actual situation was significantly less dramatic but nevertheless devastating.
A drug runner did, in fact, ditch some merchandise in the woods in December 1985 so that their jet wouldn't have to carry as much fuel.
After opening 40 vials of the substance, a black bear was discovered dead beside the stockpile.
The bear's skeleton may be seen at the Kentucky Fun Mall in Lexington.
Despite the sad origin of Cocaine Bear, the concept of a bear high on the drug never ceases to fascinate visitors and residents alike.
It's understandable that the incident's inspiration would lead to a cinematic adaptation, even though the actual events were somewhat dull.
To make matters worse, Cocaine Shark, should it be completed, would be based on an even less genuine event than the first film was, but it's still an intriguing concept that appears tailor-built to pique the interest of those who desire a Cocaine universe following the first film's release.
The deadly confrontation between Anakin and Obi-Wan in Revenge of the Sith may have gone quite differently, and without Anakin's now-famous "high ground" statement.
Obi-Wan and Anakin's split picture on Mustafar from Revenge of the Sith.
Star Wars: Episode III - Revenge of the Sith almost had an entirely different ending, with Ewan McGregor's Obi-Wan Kenobi facing off against Hayden Christensen's Anakin Skywalker. The stars favored the other ending.
Even though the future is continuously changing in Star Wars, those who viewed the prequels already knew how the saga will wrap up.
It was inevitable that Anakin Skywalker would turn to the dark side and ultimately lose a fight to his old master, Obi-Wan Kenobi.
The last fight was certainly exciting, but it has been critiqued for a number of reasons by fans. One of these is a peculiar piece of speech in which Obi-Wan claims victory simply because he is on higher ground.
In an interview with Star Wars Theory, stunt coordinator Nick Gillard for the prequel trilogy revealed a different version of the final combat was planned, sans the high ground sequence.
Gillard claims that both Hayden Christensen and Ewan McGregor favored that cut, but George Lucas vetoed it.
"But we had a version where that didn't happen and Obi cut off his arms and legs in a different way...right away, Anakin just grabbed him by the - he disarmed him, grabbed him by the throat, you know he's got him and Obi's saber is down on the ground, and Anakin says, "I'm sorry it has to be this way, my master," and actually lets (the lightsaber) go.
Obi ducks to avoid it, swallows his saber up, and almost accidentally slashes through Anakin's arms before chopping through his knees, sending his corpse tumbling.
Rather than a successful offensive maneuver, it was a misguided defensive one.
It had a lot of force."
This is a very different take on the conflict between Obi-Wan and Anakin than the one Lucas chose to depict, and it fits better with the contrasting tenets of the Force (the dark side being more offensive and the light side more defensive), but Lucas chose to focus on the conflict from a more introspective angle.
If this version of the battle on Mustafar from Star Wars: Episode III - Revenge of the Sith had actually happened, it seems like it would have been considerably more dramatic.
It would have been more in keeping with the protective procedures of the Jedi Order and likely would have increased Obi-Wan Kenobi's sense of remorse about accidentally maiming Anakin.
However, Lucas favored making the mutilation intentional by including the bizarre sequence in which Obi-Wan claimed victory from a position of superiority.
Given that Obi-Wan had never hesitated when physically inferior to an opponent, this was both illogical and hasty (nor had any other lightsaber duelist for that matter).
An alternative duel on Mustafar portrays Anakin as a more proficient fighter who disarms his old master and is only defeated by accident.
Conversely, Obi-Wan is never shown to have been in command of the fight; he is pinned early on, and his eventual victory is as much a fluke as a calculated move.
However, the performers' preference for this version suggests that the performance would have been less effective because of the muted emotions displayed throughout the confrontation.
One of the most important lightsaber duels in Star Wars history occurred at the conclusion of Episode III: Revenge of the Sith, yet the film was far from faultless.
Specifically, the high ground scene became one of the most popular Star Wars memes, and Gillen appears OK with that fact, claiming the moment "has since found its place" in the Star Wars mythos and fan culture.
It's intriguing to speculate about what might have been, and what might have been if Ewan McGregor and Hayden Christensen had their way.
When asked about the film's humorous tone, director Rhys Waterfield says that nobody made an effort to inject comedy into Winnie the Pooh: Blood and Honey.
Movie review: "Blood and Honey," starring Winnie the Pooh
The movie's director, Rhys Waterfield, has commented on the film's odd sense of comedy.
However, Winnie the Pooh: Blood and Honey takes the character in a different route from the rest of the series, which is often aimed at children and has a beloved bear protagonist and a zoo of entertaining and thrilling critters.
Because of Christopher Robin's departure for university, the animals in the woods are now resorting to murder in order to prevent malnutrition.
Winnie the Pooh: Blood and Honey keeps the character's ridiculousness despite the fact that Winnie isn't a teddy bear like previous adaptations.
Instead of poking fun at the absurdity of making a dark adaptation of Winnie the Pooh, the film takes itself very seriously.
According to an interview with Entertainment Weekly, Waterfield adds that the shocking aspect of the Blood and Honey premise was on purpose.
Take a look at the words he chose:
"In all honesty, we gave it our best go at being serious.
That was indeed one of my stage directions.
I said, "Look, I don't want you to take this the slightest bit lightheartedly; I want you to take it very seriously indeed.
You don't need to add to the comedy; it will come naturally given that Winnie-the-Pooh is involved.
But the whole cast and crew couldn't help but laugh at the absurdity of the situation throughout most of the shoot.
Whenever a director was attempting to direct a scary sequence and looked over to his right and saw a six-foot-man dressed as Winnie-the-Pooh listening to him, we would burst out laughing."
With its astounding $1 million take thus far, Winnie the Pooh: Blood and Honey has more than covered its budget of less than $100,000.
Only Mexico has shown the film so far, but on February 15 it will open in theaters across the country.
The notion of a violent Winnie the Pooh, which has already been successful in one nation, follows a strong trend at the box office of low-budget horror flicks.
Waterfield rightly points out that the idea of a bleeding Pooh bear is sure to grab people's attention, which is great news for the horror series.
The fact that the serious kind of humor is doing so well at the film office is evidence of the feasibility of the concept, which Waterfield hopes to exploit by creating a universe of bad children's characters.
Though it was panned when it was unveiled, Winnie the Pooh: Blood and Honey succeeds by poking fun at its detractors.
The comedy helps it stand out from other horror films, which is especially important since that the slasher genre has become increasingly stale and formulaic.
Despite the fact that Winnie the Pooh: Blood and Honey has a lot going against it, it has managed to thrive in the post-pandemic world.
Waterfield's understanding of the absurdity of the endeavor is a strength that will help Winnie the Pooh: Blood and Honey do well.
Concept art from Avatar: The Way of Water features an extremely realistic depiction of Pandora's deadly shark. More than a decade had passed after the events of Avatar, and the plot of the sequel finds Jake and Neytiri fleeing to the reef-dwelling Metkayina clan to protect their Na'vi family from the hybrid Quaritch. As the name of the sequel implies, the seas, coral reefs, and the amazing animals who call them home receive a lot of screen time.
A new piece of concept art for Avatar: The Way of Water reveals one of these creatures in greater depth. Recently, Avatar sequel concept artist and chief creature designer Zachary Berger posted some concept art of Pandora's killer shark, the Akula, on Twitter.
Following a few hundred "blue sky" experimental variants of the Akula for the sequel, Berger settled on the "triangular, bifurcated, rattlesnake-meets-great white mouth" design featured in Avatar: The Way of Water, as he recounts in the Twitter thread above.
The creature design in Avatar: The Way of Water is a high point of the sequel along with the visual effects and technological accomplishments. A prime example of this is the terrifying Akula, which appears during one of the most exciting underwater action sequences in Avatar: The Way of Water, in which Lo'ak is left alone by Aonung and his allies to try to escape the hazardous marine predator. Lo'ak narrowly avoids certain death on many occasions, and the Tulkun called Payakan is largely responsible for his survival.
The Tulkun, like the Akula, is one of the most memorable animals in Avatar: The Last Airbender. Space whales, as these animals have been affectionately called, became an instant hit with moviegoers as soon as the sequel was released. Humans in the Avatar universe go whale hunting because the Tulkun have a fluid in their brains called amrita that slows human aging. The Tulkun are strong, compassionate, and knowledgeable beings. This allows the sequel to further emphasize its powerful anti-whaling message by making the Tulkun into sad heroes.
James Cameron's love of the water is evident in his films like The Abyss and Titanic, but the imaginative creature design in Avatar: The Way of Water is the clearest demonstration of his enthusiasm. Both Avatar films were enormous financial successes, thanks in large part to the meticulous attention to detail that made them into the visually arresting spectacles they are. The Art of Avatar: The Way of Water, a book by Tara Bennett, is now available for those interested in learning more about the creative process behind the creatures in the film.
Puss in Boots: The Last Wish unexpectedly validates Guillermo del Toro's bold declaration regarding animation from the 2023 Golden Globes. Guillermo del Toro's first Golden Globe triumph since The Shape of Water was for Pinocchio, which took up the award for Best Animated Feature at the 2023 ceremony. Del Toro made an impassioned acceptance speech after winning the prize, praising 2022 as a banner year for film, which he argued reflected positively on the animation industry since "animation is not a genre for kids, it's an art."
Puss in Boots 2, the Shrek spinoff, provides evidence that animated films can be financially successful. Much of the dialogue in Puss in Boots: The Last Wish is written with a younger audience in mind, and the film is clearly intended for them to enjoy. The sequel's animation and plot are still enjoyable for those with a mature disposition. Because of this contrast, Puss in Boots: The Last Wish has been well received by critics, demonstrating the breadth of animation's popularity. That sums up Guillermo del Toro's point that animation is a medium and not a genre beautifully.
The aesthetics and plot of Puss in Boots: The Last Wish contribute significantly to the film's wide popularity. As with another Dreamworks film, The Bad Guys, Puss in Boots 2 takes inspiration from Spider-strongest Man's visual and narrative components in its art and animation style. Adult audiences have given Into the Spider-Verse a lot of acclaim despite the fact that they are not the target demographic since the plot contains heart and maturity not often found in DreamWorks movies. Puss in Boots 2 profited greatly from DreamWorks' dedication to a degree of excellence everyone could enjoy, even if such elements weren't technically required for a children's film.
Because of its franchise placement, Puss in Boots 2 has achieved remarkable success.
Film series like Shrek and Puss in Boots: The Last Wish
The popularity of Puss in Boots: The Last Wish is all the more remarkable when considered in the context of the whole Shrek series. Puss in Boots: The Last Wish, the sixth installment in the Shrek film series, is the first to come out after fans have been waiting for what seems like an eternity for another subpar entry. Every film in the Shrek film series since Shrek 2 has been met with lukewarm at best critical reviews, fueling widespread belief that the quality of the DreamWorks franchise has steadily declined over time. With the production of Shrek 5 having delayed, the series has relied heavily on memes and nostalgia for the first two films to keep it afloat, despite the fact that even the first Puss in Boots film was completely disregarded.
When you consider all of these factors, Puss in Boots: The Last Wish seems like an even more incredible success story than it currently is. In addition to being a fantastic film in its own right, Shrek Forever After demonstrates that audiences remain enthusiastic about the Shrek series and that the franchise can continue to win over both adults and children. Story-wise and visually, Puss in Boots: The Last Wish already does a lot to illustrate how much animation has to offer, and shockingly, it may just achieve the same by setting up Shrek 5.
Some of the Modern Box Office's Biggest Mistakes. A comparison of current box office figures to those of some past blockbusters indicates a significant difference in the performance of Hollywood's greatest movies, showing a significant loss in box office health despite some recent major hits as crowds return to cinemas.
While Avatar: The Way of Water's initial box office take was lower than expected, it has subsequently surpassed most of the other films in the top 10, demonstrating that the massive success of some of the biggest successes in cinema history is more skewed than previously thought. Avatar: The Way of Water and James Cameron's other top 10 films had more in common with the box office juggernauts of yesteryear, and their success serves as a useful reminder of what a successful box office run looks like.
The second installment of "Avatar" has broken records at the box office.
Even though 2019 has already broken records for film office income, cinemas were already struggling before the epidemic hit. Ticket sales have been on the decline for decades, and any recent income rise may be attributed solely to price hikes brought about by inflation. The majority (8) of the top 10 domestic grossing movies were released in 2018 or after, and half (5) were released in 2012 or later. Adjusting for inflation immediately reveals this problem. When it was opened in theaters in 1997, Titanic made $600 million in North America alone. Inflation-adjusted, that's $1.12 billion, which puts it ahead of every other film ever (even before factoring in the $57 million it made from its 3D re-release in 2012).
Shrek 2 earned $441.2 million in the domestic market in 2004, which is equivalent to $707 million in today's values and would place it ahead of Black Panther as the sixth highest domestic earner of all time if we exclude movies that are currently in the top 10 on this list. Earning $431 million in 1999 (equivalent to $778.7 million in 2018), Star Wars: The Phantom Menace is now the fourth highest grossing film of all time, passing Top Gun: Maverick in the process. If we convert 1993's $357 million box office total to 2017's $743.1 million, Jurassic Park would still rank #5 in North America. Inflation-adjusted earnings for 1982's E.T. the Extra-Terrestrial, at $359.2 million, placed it ahead of James Cameron's Titanic by almost a billion dollars.
So, even though new movies are joining the top 10 domestic earners list almost every year, pushing older movies down the list, it's clear the actual economic value of these movies isn't climbing drastically, it's just that the measuring stick used to gauge their success (the dollar) is changing. Despite the undeniable success of modern blockbuster movies, viewing the box office through the counterbalancing lens of inflation reveals that blockbusters like Avatar: The Way of Water and Top Gun: Maverick aren't necessarily massive breakouts as their inflation-driven numbers would suggest, but rather, examples of what a historically healthy box office should look like.
James Cameron has addressed the argument about Titanic's notorious door for the first time in 25 years. The historical romance drama followed Rose (Kate Winslet), a privileged young woman, and Jack (Leonardo DiCaprio), an impoverished orphan, as they fall in love despite their social differences onboard the titular ocean liner. Titanic, starring Billy Zane, Bill Paxton, and Kathy Bates, among others, is one of Cameron's most recognizable films. It was a box office triumph, generating over $2.195 billion over numerous theaters and became the first picture to exceed the billion-dollar barrier.
At the Television Critics Association 2023 panel Titanic: 25 Years Later, James Cameron addressed Kayla Cobb of Decider's long-standing question about the film's notorious door.
Cameron adds that the piece of paneling on which Jack and Rose appeared to be floating was really from the ship's first-class lounge, making it much more cramped for them to be in there. The writer/director of Titanic also detailed the scientific study that went into the sequence, including the fact that Jack "would have been unconscious" after eight minutes due to hypothermia, regardless of space.
The last minutes of the original film's plot see Jack and Rose seeking shelter from the bitter cold of the Atlantic after the ship has smashed into an iceberg. This is the time period from which the famous Titanic door conundrum originates. For years, viewers have argued about whether or not Jack and Rose could have fit on the floating "door," with many criticizing Winslet's Rose for being "selfish" for taking up the entire space, leaving DiCaprio's Jack to perish in the cold and water. In an episode appropriately titled "Titanic Survival," MythBusters investigated this question in honor of the film's 15th anniversary. They concluded that Rose and Jack could have survived hypothermia by staying afloat on the paneling until they were rescued, though they would have needed to use Rose's life jacket to keep the door buoyed above the water.
After a pigeon was killed on set of 6 Underground, director Michael Bay, who has directed most of the Transformers films, was arrested and prosecuted. After gaining recognition with the releases of Bad Boys and Armageddon, Bay went on to establish himself as a successful Hollywood filmmaker, being widely recognized for his lavish special effects and extensive use of pyrotechnic displays and CGI animation. The Transformers movies have been Bay's primary emphasis as of late, although he has also directed the Netflix original 6 Underground and collaborated with Universal Pictures on the horror film Ambulance.
Bay ran afoul of the Italian authorities during filming of 6 Underground when rumors spread that a pigeon had been slain on site. Since pigeons are a protected species in Italy, law enforcement has intervened to examine whether or not the death of the homing pigeon was caused by the film, which was produced by Netflix and starred by Ryan Reynolds. Bay told The Wrap that the allegations against him would likely be dropped because he believes they are baseless. Below is his explanation:
The footage is unmistakable and provides proof beyond a reasonable doubt. There are a ton of eyewitnesses and cops on the scene who clear us of any blame. And it debunks their one, misleading paparazzi shot. Due to an ongoing legal battle, I am unable to provide any details, but I am optimistic that we will be successful when my day comes. The Italian authorities gave me the option of paying a minor payment to resolve the situation, but I rejected since I did not want to admit culpability for harming an animal.
Bay denies that any animals were hurt in the making of 6 Underground or any of his other films, and he is devoted to defending the charges. Bay dislikes contemplating his filmic legacy, although he strongly objects to being labeled an animal abuser, claiming instead to have been a dedicated advocate for animal rights throughout his whole life. On three separate occasions, Bay's legal team has requested that the allegations against their client be dropped; each time, however, these requests have been denied by Italian authorities, and the case now looks to be headed to trial.
Although Bay is not believed to have been the dolly operator at the alleged event, he is nonetheless being investigated as a suspect in Italy because of his role as the film's director. Bay plans on using testimony from witnesses, surveillance footage, and legal testimony to disprove any responsibility he may have had in the pigeon's untimely demise. Eiza Gonzalez, who played a major role in the film Ambulance, has said that Michael Bay's "mischievous" and "mostly harmless" demeanor is the most unexpected aspect of his character. Bay plans to defend his honor by any means necessary.
It's possible that what happens to Iron Man and Captain America in Avengers: Endgame will play into what happens to Thor in the MCU. When the dust settled on Endgame, Thor was one of the few remaining founding Avengers and the lone survivor of the Big Three. In order to be with Peggy Carter, Captain America traveled back in time, killing Iron Man and Black Widow along the way. Thor's tale has continued through the Multiverse Saga alongside Hulk and Hawkeye.
It's possible that Thor's adventure is coming to a conclusion. He's beaten Thanos, Gorr, and plenty of other foes. Chris Hemsworth's MCU future has been discussed since the film's polarizing reaction, and the actor has hinted that his leave may occur in his next appearance. Moreover, if this is the case, there remains the question of when it may occur and, more importantly, how. Will he follow Tony Stark's lead and sacrifice himself by falling on his own God-killing ax? What if he didn't have to wind up like Steve Rogers? It's possible that the answer is both.
Whether or not Thor appears in Avengers: The Kang Dynasty remains to be seen, but it would be shocking if he didn't. He's one of the MCU's most potent heroes, and he's been around since the beginning as one of the founding Avengers. He should be an integral part of the squad against Kang the Conqueror because of his extensive background in countering threats of global destruction. With Thor still active in the MCU, there's no practical reason for him not to be part in what looks to be one of the Avengers' toughest challenges yet.
And there's good reason to believe that Avengers: The Kang Dynasty will be Thor's last appearance in a Marvel Cinematic Universe film. Since he has been in more Avengers films than any other character (apart from the Hulk and Hawkeye, who should potentially return), and since he has also had more of his own films, his tale may be coming to a close. After all, an Avengers film is still the pinnacle of the Marvel Cinematic Universe, and Thor should be afforded the same honor.
A new promotional image for Ant-Man and the Wasp: Quantumania shows Kang the Conqueror looking better dressed than ever. The third Ant-Man film will introduce the Marvel Cinematic Universe to Kang the Conqueror, a multiversal warlord who plans to conquer all realities. The stunning, comically accurate and elegant outfit he wore has now been shown.
Kevin Feige, the MCU's executive producer, recently spoke with Empire about the forthcoming role of Kang and how he differs from prior villains in the MCU.
In this interview, Feige mentions a time machine that Kang has but can't use since it's broken. The new promotional image of Kang features not only his stylish attire but also his Time Chair, the same equipment from Marvel Comics that lets its owner to travel through time and space. Feige has commented as follows:
"When we first meet Kang, he is in a situation where he needs to regain his authority. If he can connect his spacecraft and gadget to the internet, he can travel to any location at any time. If only he could get his hands on some Pym particle-wielding, smart scientists."
The Avengers are a strong group comprised of many different heroes and entities, yet they are not indestructible on their own. Even though they were ultimately successful in defeating Thanos and reversing the Snap in Avengers: Endgame (with a significant assistance from Ant-Man himself), their setback in Infinity War shows that they can be beaten. With his vast reach and power, Kang the Conqueror can alter history itself. When the Avengers eventually meet each other in Avengers: The Kang Dynasty, they will have their hands full.
He will be more formidable than Thanos, the previous major enemy in the MCU. If he could once defeat the Avengers, then Kang certainly might as well. Now that the multiverse is accessible in Phase 4, there are numerous excellent and terrible versions of Kang. To prevent the more militarized versions from spreading havoc across all realities, Loki has already developed He Who Remains, a somewhat beneficent variant who acted to protect the Sacred Timeline. Sylvia's murder of him signaled the end of that shield, and now Kang the Conqueror's potential release from the Quantum Realm poses a danger to the whole material universe.
Kang's superpower is his ability to move freely through time and space. To employ time travel against the Avengers, he must first use Ant-Man to obtain the MacGuffin he needs to reactivate his Time Chair. Although the Avengers utilized time travel to erase Thanos' victory, Kang may turn this strategy against them. Kang the Conqueror might pose a significant threat to the Avengers if he acquires superior technology, has a keen strategic mind, and develops an insatiable desire for bloodshed. Although it will be some time before Kang encounters the Avengers, I expect that Ant-Man and the Wasp: Quantum Mania will demonstrate the time traveler's formidable might.
Only a few short months remain until the release of Guardians of the Galaxy Vol. 3, and in the recently released Disney+ special, James Gunn has already foreshadowed the film's emotional toll and disturbingly high body count. It's becoming more apparent that not every member of the spacefaring Guardians crew will survive their next battle with the High Evolutionary, portrayed by Peacemaker's Chukwudi Iwuji. Despite the generally optimistic tone of the MCU, this film is guaranteed to make audiences cry.
Despite the overall positive tone of the remainder of the Guardians of the Galaxy Holiday Special, this one phrase from Drax seems to hint that he and maybe other Guardians will be killed off in the next movie. Outside of Avengers: Endgame, the only other appearance of the whole Guardians team in which every member of the squad survives is the Christmas special. Not only does this sentence disclose the sad conclusion of Guardians of the Galaxy Vol. 3, but it also emphasizes this point.
The Guardians Holiday Special not only shows the crew closer than ever before, but it also verbally teases the death of a significant member in the next feature. Even the cold and aloof Nebula seems to have strong affections for the rest of the Guardians of the Galaxy, setting the stage for a heartbreaking loss for all of them. The Guardians, at the pinnacle of their heroic careers, are on the verge of experiencing the worst setback in all of their MCU appearances to yet.
Fan art for Avengers: Secret Wars features Tobey Maguire's Spider-Man and Hugh Jackman's Wolverine. Marvel Studios' exploration of parallel universes and alternate timelines continues in Phase Five of the Multiverse Saga. The Marvel Cinematic Universe has barely begun, with Phase Four having already utilized the multiverse in a number of films and television series. Quantumania, starring Ant-Man and the Wasp and focusing heavily on Kang the Conqueror, will be a major turning point in the Multiverse Saga. In the end, both Avengers: The Kang Dynasty and Avengers: Secret Wars may be traced back to Phases Five and Parts Six, respectively. The two next Avengers movies will reveal whether the Multiverse Saga or the Marvel Cinematic Universe's Infinity Saga is more impressive.
Since there is no limit to the number of universes in existence, fans are curious as to whether characters from alternate realities will make an appearance in either of the two Avengers films. A new fan poster for Avengers: Secret Wars features Spider-Man (Tobey Maguire) and Wolverine (Hugh Jackman).
The 2021 film Spider-Man: No Way Home included Maguire's return to the role of Peter Parker, alongside Tom Holland and Andrew Garfield's versions of the character. To play Logan in Ryan Reynolds's forthcoming Deadpool 3 film, Hugh Jackman is coming out of Wolverine retirement. In the film, Wade Wilson will make his permanent Marvel Cinematic Universe (MCU) debut.
Before the MCU, there wasn't much in the way of live-action superhero films in the early 2000s. Prior to the tremendous success of the Marvel Cinematic Universe, the concept of shared worlds in film was not very widespread. Sam Raimi's Spider-Man trilogy and Bryan Singer's first X-Men films have been credited with revitalizing the superhero film genre for many years. Superhero films like Batman & Robin (1997) and the X-Men (2001) didn't start gaining mainstream traction until the early 2000s. Their commercial success is proof of this; Spider-Man made over $825 million worldwide in 2002.
As a result of legal disputes, crossovers between X-Men and Spider-Man were never produced. When you consider how legendary Maguire and Jackman are in their respective roles, it's easy to understand why their meeting in Avengers: Secret Wars would be a historic event. Both the X-Men and Spider-Man film series became staples of the superhero film genre, with many installments in each series before being rebooted. This might have the same impact in Avengers: Secret Wars as the reunion of three generations of Spider-Man in 2021.
A new trailer for Luther: The Fallen Sun has revealed both the streaming and theatrical premiere dates, ending years of anticipation. Starring as the title character, Elba led the cast of the BBC crime thriller series as he struggled with his obsessive behavior for solving the crimes presented to him, including his complicated relationship with murderer Alice Morgan, from whom he gained insight into the mind of a psychopath and tracked down multiple criminals. Elba received a Golden Globe and four Emmy nods for his role as Luther during the course of the show's run, and his performance was so well received that many fans have been eagerly awaiting the long-awaited film continuation since the show's fifth season began four years ago.
Idris Elba has taken to Twitter to unveil a brand new trailer for Luther: The Fallen Sun, with just a few months left till the film is available to stream.
Although it doesn't feature any actual film material, a new trailer has announced that the Elba-led drama will debut in cinemas on February 24 and on Netflix the following month on March 10. A March debut on Netflix was all that had been announced about Luther: The Fallen Sun.
Luther: The Fallen Sun was planned for a streaming release, so it will be intriguing to see why Netflix wants to put it to theaters first. The streaming service typically reserves theatrical releases for its high-profile projects or those they are trying to promote to awards season voters, such as Guillermo del Toro's Pinocchio, which won the Golden Globe for Best Animated Feature, Glass Onion: A Knives Out Mystery, which received two Golden Globe nominations, and Noah Baumbach's White Noise, which received one Golden Globe nomination for Adam Driver's lead performance. However, Rian Johnson's whodunnit sequel has been the main topic of conversation regarding Netflix's theatrical distribution strategy, with many reviewers and moviegoers expressing dismay that the picture was only allowed a one-week release despite the original film grossing over $311 million at the box office.
Johnson has said he'd want to try to have a bigger theatrical release for Knives Out 3, and Netflix may be trying that theory out with Luther: The Fallen Sun. In light of the fact that Glass Onion: A Knives Out Mystery apparently earned Netflix its greatest box office haul to date, the streaming service may be optimistic that the excitement around Elba's return will help the picture earn more money than Johnson's much anticipated follow-up. At this moment, however, it is unknown if Luther: The Fallen Sun will have a wider or longer theatrical distribution than Glass Onion: A Knives Out Mystery.
The producer of both films has addressed the possibility of crossover between Happy Death Day and Freaky. The 2017 original Happy Death Day was immediately followed by the 2019 film Happy Death Day 2U, which combined the time loop premise of Groundhog Day with a traditional college campus slasher film. Both films were directed by Christopher Landon, who went on to direct the slasher hybrid Freaky Friday in 2020, prompting calls for a crossover between the two franchises. The producers of both films have given their OK to the proposal.
The creator of Blumhouse, Jason Blum, and M3GAN's director and producer, James Wan, recently spoke with The Hollywood Reporter about their impending killer doll film. The topic of discussion shifted to the Freaky Death Day crossover and whether or not it will actually happen. In regards to the project's prospects, Blum was quite pessimistic, saying, "I wouldn't have very great hopes," yet he was careful not to completely dismiss the idea. See the rest of his words below:
Blum's suggestion that the crossover between Freaky Friday and Death Day was more likely to occur a few months ago is noteworthy. It's hard to say what could have changed in that time to dampen enthusiasm for the picture, beyond the obvious truth that audiences age and lose interest with time. Although the exact context of the comment may never be known, there is a glaring reason why a Happy Death Day/Freaky crossover may never happen: the cast and crew of both franchises are extremely busy.
Kathryn Newton, who portrays last girl turned killer and back again Millie Kessler in Happy Death Day and Freaky, is a major roadblock for the continuation of the crossover between the two films. Cassie Lang, formerly played by Abby Ryder Fortson, will be portrayed by her in the forthcoming MCU film Ant-Man and the Wasp: Quantumania, and her character's arc might continue in future films. Due to their schedules, the show's main creatives are unlikely to be able to work together for weeks at a time on a single set.
The late Stan Lee's 100th birthday is celebrated by James Gunn, who pays tribute to him. The enormous success of the Marvel Cinematic Universe is entirely due to the contributions of the legendary comic book creator. Lee was famous not just as the creator of some of the most famous comic book characters of all time, but also for his outsized presence and instant recognizability. He became well-known after making several guest appearances in Marvel movies and TV series. One month shy of his 96th birthday, Lee passed away in 2018.
Even now, four years after his death, Lee is universally celebrated as a legendary figure in the comic book industry. Gunn, who helms the MCU's Guardians of the Galaxy flicks, sent a tribute to Lee on Twitter on his friend's birthday. The note was brief and straightforward, containing "We wish Stan Lee a joyous centennial! Friend, you will be sorely missed." Gunn also included images of the two of them together with the icon who, although playing a little role in the development of the Guardians of the Galaxy, proudly portrayed them and kept his habit of making a cameo in those films.
Lee always wanted to see his works adapted on the big screen. TV studios were the only ones willing to adapt his characters in the beginning. The Incredible Hulk, starring Lou Ferrigno and Bill Bixby, was created as a consequence and ran for five seasons. Unfortunately, not all adaptations met with success; a Doctor Strange TV movie, Captain America flicks, and spinoffs of The Incredible Hulk starring Thor and Daredevil all bombed. Spider-Man was adapted for television, but critics and even Lee himself were not happy with the results.
Because of the box office bomb that was Howard the Duck, Lee was having problems greenlighting any further cinematic adaptations of his work. Not until Blade and X-Men hit theaters, anyhow. Soon after, Sam Raimi's Spider-Man reached theaters and paved the way for the creation and financial success of subsequent big Marvel films. When Kevin Feige was put in charge of Marvel Studios with the intention of creating a shared world in the vein of the comics, Lee was completely on board. In addition, Feige has kept up Lee's practice of making brief cameo appearances in films by having him show up in Guardians of the Galaxy Vol. 2 to lend credence to the widely held fan notion that he has been the same character in all the Marvel movies this whole time.
Despite his passing, Lee is still celebrated for his contributions to Marvel Comics and the Marvel Cinematic Universe. There have been suggestions that Marvel may continue his cameo habit even after his death, although this seems doubtful and could be seen as disrespectful. Gunn, along with the rest of the Marvel cast and crew, has nothing but admiration for Stan Lee and the happiness he provided to fans all around the world. Along with news of a documentary on the Marvel comic book creator premiering on Disney+, it seems that Stan Lee will never be forgotten.
Vin Diesel gives an update on the release of the first Fast X trailer. Beginning with 2001's The Fast and the Furious, the franchise has come a long way since then. It has now grown into a massive blockbuster series that has spanned the world and continues to expand with each new film. Fast X, scheduled for release in 2023, will mark the beginning of the end for the franchise, with Fast & Furious 11 scheduled to wrap up the main series a few years later.
Diesel announced the release date of the first Fast X trailer on Instagram. Sharing a selfie of himself and his on-screen sister, Jordana Brewster, he hinted at the surprise. With the release of the FastX trailer now less than two months away, the countdown is on. The author was Diesel. Given that the Super Bowl is scheduled to take place on February 12, that timing might indicate the first Fast X teaser will release at the NFL contest.
The next Fast film, Fast X, will mark the beginning of the end for the popular auto racing series. It's been estimated that Fast X cost $340 million to make, which is a substantial sum. With that sum, Fast X would be on par with another enormous film ushering in the conclusion of a franchise, Avengers: Infinity War. The $316 million production featured numerous A-list actors, cutting-edge CGI, and intense action sequences. We can probably expect to see all of things in plenty in Fast X, especially in the action scenes.
Fast X will include the return of various fan-favorite characters from previous installments of the Fast & Furious franchise, as well as the introduction of new characters who are expected to have an influence on both of the series' conclusion films. Jason Momoa, who will play the antagonist, is a fresh addition. Actor Jason Momoa has described his character as "extremely cruel," making him a formidable foe for Vin Diesel's Dom and his gang in Aquaman. Beyond that, information about the characters is being kept secret. Brie Larson, Alan Ritchson, Daniela Melchior, and Rita Moreno will all make their first appearances in the Fast film series in Fast X. So far, not much is known about them either, but Moreno's role as Dom's grandma has been confirmed.
Despite the title, Black Panther: Wakanda Forever only showed a small portion of Talokan, Namor's city. Wakanda Forever, the sequel to 2018's Black Panther, picked up after T'Challa (Chadwick Boseman) was killed off. The loss of their monarch threw the great city of Wakanda into chaos, and they had to deal with a new enemy that had emerged from the sea: Tenoch Huerta's Namor.
In order to ensure the safety of his people, Namor, who governed the undersea kingdom of Talokan for hundreds of years, sought for an alliance. Although Talokan was crucial to the plot of the film, viewers didn't get to see it very much. The majority of the movie occurred on land, however there were a few underwater sequences that featured Namor and Letitia Wright's Shuri exploring the city. The designs of Talokan and its warriors required extensive prep work that viewers never got to witness. That's why Wt FX animation supervisor Sidney Kombo-Kintombo assured ComicBook that Talokan isn't done yet.
"In other words... Only 10% of the [Talokan] plan has been revealed to you. None of the residences next to Namor's throne room were accessible to us. It's easy to overlook the fish swimming in and out of the throne room's clusters on the walls. The city is enormous, by any standard. Amazingly, the art team created a stunning fly through that let us explore the city and select a specific region to highlight."
Marvel has announced that Namor cannot have a standalone movie due to licensing difficulties with Universal Pictures, but there has been no official indication on when Namor or his city would feature next. As with the Hulk, Marvel sold the rights to Namor before the MCU was established, limiting his appearances to supporting roles. However, Namor and his undersea warriors do have a chance to make a difference in a few strategic areas.
Given his prominence as a villain in the comics, the King would fit in well as an opponent in the Fantastic Four film. Namor is one of the Fantastic Four's longest-running antagonists; he'd be a great first opponent in the Marvel Cinematic Universe. For a group that has to create its own heroes, a proven villain is ideal. There's only so much screen time in a movie, so focusing too much on the antagonist might detract from the strength of the heroes' squad. Given Kevin Feige's previous statement that Marvel's Fantastic Four won't be an origin narrative, there is still opportunity for a figure like Namor to arrive.
Namor and Talokan might return after Fantastic Four in the forthcoming films Avengers: The Kang Dynasty and Avengers: Secret Wars. Namor's return to action would be most appropriate during the last battles with Kang the Conqueror, much to how all of Marvel's heroes banded together in Infinity War and Endgame to take on Thanos. The people of Talokan must be present to support their fellow heroes, since Wakanda will inevitably be pulled into the conflict as their major ally. It's also an excellent chance to expand upon Talokan's portrayal in Black Panther: Wakanda Forever.
The December 16, 2022 release date for Black Adam on HBO Max is quickly becoming anticlimactic. With the star power of Dwayne Johnson and the unexpected return of Henry Cavill's Superman, Black Adam was widely anticipated to be a financial success for Warner Bros. Discovery when it was released in theaters that October of 2022. Black Adam was supposed to be a step in a new direction for the DCEU; it featured a new antihero as well as another flagship superhero team in the form of the Justice Society of America; but, it underperformed both critically and commercially.
Black Adam, which grossed less than $400 million worldwide in theaters, will now debut on HBO Max barely two months after its theatrical debut. Since Black Adam has a high production cost and a large marketing effort, it's possible that DC Studios and Warner Bros. Discovery will take a financial hit from the movie. However, it's impossible to overlook the fact that the DCU has undergone a major management change in the two months between Black Adam's theatrical premiere and its appearance on HBO Max, and that this change will effect not only this film but everything else that DC Studios still has on its release plan.
Forgoing the character's tie to Shazam's mythos, Dwayne "The Rock" Johnson has previously stated that Black Adam would be a stepping stone to a Black Adam and Superman face-off. The likelihood of a Black Adam sequel has diminished due to the film's weak box office showing. James Gunn and Peter Safran, the new leaders of DC Studios, have already made it clear that they will be taking the DCU in a completely different path by rejecting Patty Jenkins' proposal for Wonder Woman 3 and confirming that Henry Cavill will not be returning as Superman in any future films.
The movie has strong ties to known narrative strands and characters from the former administration, even if Black Adam is a new character for the DCU. Both Superman and Viola Davis's Amanda Waller made cameo appearances in Black Adam, forever connecting the franchise's future to other contemporary DC concepts that are expected to be phased away within the next months and years. The future of Black Adam on HBO Max appears bleak at best, given the service's own worrisome cancelations and quick deletions as of late, unless the show experiences unforeseen success.
Given that Henry Cavill's comeback as Superman was a significant selling point for Black Adam, it's hard to imagine that the film would do better on streaming services. Cavill's return to the big screen as Superman was praised as a triumph and provided spectators optimism for the character's future, despite merely being a part of a post-credit sequence. This sequence was so confident in Superman's bright future that it even featured John Williams's famous Superman music. Unfortunately, this was not to be, as it has since been confirmed that Cavill will no longer play Superman.
However, there is less of a draw to see Black Adam only for that scenario because it seems less plausible that Black Adam would ever actually meet Superman. Black Adam works fine as a stand-alone adventure, and not every comic book film needs to be part of an overarching continuity. However, the film's story was met with lukewarm reviews, and audiences were won over by the movie's large-scale action sequences, which are more impressive on the big screen than on a home theater system.
Sigourney Weaver, who plays a new character in the upcoming film Avatar: The Way of Water, has spoke up about the inspiration behind her role. A fantasy adventure sequel to 2009's Avatar, 10 years after the Na'vi defeated the Resources Development Administration, the film follows Jake Sully (Worthington) and his Na'vi wife Neytiri (Zoe Saldana) as they fight to preserve their loved ones and their nation from a new enemy. Jake and Neytiri have four biological children: Neteyam (Jamie Flatters), Lo'ak (Britain Dalton), Kiri (Weaver), and Miles "Spider" Socorro (a human they saved).
Weaver was recently interviewed by ComicBook.com, and in that interview, she explained where the character of Kiri came from in Avatar: The Way of Water. A year after the first film's premiere, the actress and Avatar writer-director James Cameron had an early chat about how to include her in the sequel. Weaver went into depth about her pre-employment preparations as well. See what he had to say down below:
"In 2010, we met for lunch to brainstorm ideas for the film, and one of those ideas was a female character who was in a relationship with Grace but preferred to be in the woods. To that end, we discussed our initial impressions of her. Jim is insane enough to cast me as a 14-year-old, and as he stated that day and countless times subsequently, "This is your natural age." Neither of us knew anything about Spider [a new character in Avatar 2], and we certainly didn't know any of the specifics, but just the notion. That's how immature a 14-year-old can be. That's just who you are; I recognize that."
"Jim is also aware of the fact that I perform as a clown. To be honest, I don't believe he was as concerned as I was when he informed me; I remember thinking, "Alright, how am I going to do this?" But fortunately I had plenty of time to figure out not just how to do it, but how I wanted to do it, which was not copying a 14-year-old, but rather discovering, uncovering, and allowing my sad 14-year-old self to remain in this place."
With almost $2.8 billion earned at the box office, 2009's Avatar was the highest-grossing picture of all time. In the film, Weaver played the role of Dr. Grace Augustine, the leader of the Avatar program on Pandora and an exobiologist who developed a strong rapport with the native Na'vi. The RDA and the military attack the Na'vi village and start a full-scale battle with the local tribe in order to control a rich resource area, resulting in the deaths of many civilians and natives, including Augustine.
Recent revelations by Cameron have established that Kiri is the offspring of Augustine's avatar. The filmmaker said that Augustine's corpse gave birth naturally. Kiri believes that as she matures, she is able to feel her mother's presence through Eywa, and she has begun to suppress some of her mother's traits. Weaver said that Kiri, like certain other Na'vi, has heightened perceptions that let her to hear and feel things that others can't. The actress theorizes that Kiri's heightened awareness is due to the child's close relationship with Eywa, her spiritual guide.
Kiri will play a pivotal role in the interaction between Jake and Neytiri in Avatar: The Way of Water, which features heavy themes of the significance of family. Weaver's centrality to the film's broader storyline has been evident even though elements of the film's overall plot involving the Metkayina (Pandoran water tribe) and Colonel Miles Quaritch's (Stephen Lang) return as a Recombinant have been kept under wraps. As the debut of Avatar: The Way of Water approaches, fans won't have long to wait to see Weaver's return to Pandora.
It hasn't even been 24 hours since Henry Cavill's shocking departure from the role of Superman, and already Rahul Kohli, star of the indie film Midnight Mass, is suggesting that Cavill should make a movie based on the Warhammer fantasy series. Superman made a brief appearance in this year's Black Adam and was formally announced as returning in October, but when James Gunn and Peter Safran began the work of articulating their vision for the franchise, questions were raised about the Man of Steel's future in the DCU. Gunn recently announced on Twitter that the DCU would like to produce a younger version of the character sans Cavill in the cape, proving that fans' worst fears were correct all along. Cavill has also addressed his departure from the role after posting a message on Instagram.
Kohli didn't waste any time thinking of a great project for Cavill to start working on as fans began responding to the news. Cavill, who is well-known for his devotion to the Warhammer tabletop game, recently paid a surprise visit to the Games Workshop headquarters in the United Kingdom. In light of this, Kohli, who shares Cavill's enthusiasm for the game, suggested the two work together on a Warhammer film or TV series. Within a few hours following Kohli's presentation to Cavill, it was revealed that the actor will be starring in an Amazon series based on the Warhammer franchise. Read Kohli's thoughts on the matter down below:
Fans of Cavill, who just quit the critically acclaimed fantasy series The Witcher on Netflix, are understandably concerned about his future after this latest setback. Though some activists have taken it upon themselves to demand his return to Geralt of Rivia. It's quite improbable, though, given the tone of his new Warhammer series. Similarly, producer Barbara Broccoli's claims that they'll be seeking for "a thirty-something" actor capable of heading the brand for many more years make fan requests for Cavill to succeed Daniel Craig as the next James Bond appear unlikely.
Even after making his Warhammer declaration, Cavill will not be constrained by it. The British actor is expected to participate in both the forthcoming Apple TV+ spy thriller Argylle and Guy Ritchie's World War II spy picture The Ministry of Ungentlemanly Warfare. Both are scheduled for release in the next year. Meanwhile, Chad Stahelski (John Wick) is set to direct Cavill in The Highlander revival, another long-gestating movie.
The desire of Kohli and other fans for a Warhammer series is no longer wishful thinking. Cavill is an ideal leader for Warhammer because to his famed passion for the pastime. Fans won't have to wait long to witness Cavill perform what he does best, even without the cape and cowl of Superman.
Despite the fact that it's been almost a decade since James Cameron debuted Avatar, the sequel Avatar: The Way of Water more than lives up to audiences' expectations that sequels will inevitably be worse in quality. Cameron, together with Rick Jaffa and Amanda Silver, returns to Pandora with more breathtaking graphics, a more intimate, emotionally engaging plot, and astonishing underwater sequences that put all previous films' technical achievements to shame. The Avatar sequel is gorgeous, with lush world-building and characters who give depth, but the tale is too lengthy and thinly stretched.
Two decades have passed after the events of the first film, and Jake Sully (Sam Worthington) and Neytiri (Zoe Saldana) are doing well. Jake and Neytiri's family has grown over the years to include five members: adopted daughter Kiri (Sigourney Weaver), biological daughter Tuk (Trinity Jo-Li Bliss), and sons Neteyam (Jamie Flatters) and Lo'ak (Britain Dalton), and Spider (Miles) who was left behind on Pandora and raised with Jake and Neytiri's children. Jake and Neytiri's joy is cut short when they see Colonel Miles Quaritch's (Stephen Lang) avatar, which is loaded with the memories of Quaritch's clone. Jake and his sister Neytiri are forced to seek refuge with the Metkayina, a water tribe, after Quaritch becomes obsessed with exacting vengeance on Jake and his family.
Cameron, rather than remaining in the wilderness, seizes the chance to learn about the other inhabitants of Pandora. In the long run, this helps prevent the Avatar sequel from becoming stale. The film mostly focuses on the younger Na'vi generation, which frees up time to go more into Pandora and the Na'vi, without relying as heavily on Jake's point of view or introducing the customs. Rather, the addition of the Metkayina provides the plot a new perspective and gives Neytiri and Jake's family plenty of material to deal with, as well as some challenges to conquer. Since both the elders and the teenagers are strong-willed and determined in their own ways, this also lends the drama a true push-pull dynamic. The return of Colonel Miles Quaritch as an antagonist brings a feeling of continuity to the sequel without rehashing old material.
Despite this, Avatar: The Way of Water delves deeply enough into new plot beats and ramps up the stakes for its characters via tension to warrant a continuation of the tale from the previous film. Returning to Pandora was well worth the wait thanks to The Way of the Water, which is not only one of the year's most visually stunning films, but also one of the most interesting and entertaining.
Jack Sparrow, played by Johnny Depp, has been a fan favorite since the first film, and Jerry Bruckheimer, the film's producer, has addressed whether or not fans can expect to see him in the sixth installment. Depp's con artist pirate first appeared in 2003, and he has since appeared in every film in the series. The franchise was effectively placed on hold after the underwhelming reaction of 2017's Pirates of the Caribbean: Dead Men Tell No Tales and Depp's following legal difficulties with ex-wife Amber Heard. There has been speculation about a sixth film in the franchise for years, but it has never been made and Johnny Depp has stated that he has no interest in returning.
Bruckheimer has addressed the possibility of Depp's return as Sparrow in the next Pirates of the Caribbean episode, following the recent revelation that the film starring Margot Robbie has been placed on hold. Bruckheimer is cautious in a recent interview with AP Entertainment, although he does hint that development is continuing behind the scenes. Read on for Bruckheimer's entire response to a question about a possible Depp return:
We're still trying to figure things out. Even though we haven't made any major progress toward a script just yet, we're still taking tiny steps in that direction.
If Pirates of the Caribbean 6 is going to recapture the series' lost enchantment, Jack Sparrow can't be expected to do it all by himself. Both Elizabeth and Will made a cameo appearance in the most recent episode, although they had minor roles and ultimately had little impact on the plot. Either make an effort to give both of these original characters larger roles in Pirates of the Caribbean 6, or leave them out entirely to make place for new characters. The first two movies made an effort to introduce some new characters for fans to cheer for, but they weren't quite as interesting as Will and Elizabeth.
Depp's comeback would undoubtedly please many fans of the franchise, albeit the fate of Pirates of the Caribbean 6 has yet to be determined. It's also conceivable that Depp won't want to return at all, in which case the picture would have to figure out how to continue without Sparrow, which is easier said than done. Bruckheimer's confirmation that the script for Pirates of the Caribbean 6 has not even been written means that it will be a while before fans learn about Depp's comeback.
The filmmaker of the Grinch parody horror film The Mean One, Steven LaMorte, has dropped indications that he may have finished the script's framework for a sequel.
The Grinch, portrayed by David Howard Thornton, in The Mean One
The forthcoming Grinch-inspired horror thriller The Mean One has a plan for a sequel, according to the film's director.
The planned film joins a growing trend in modern horror of reimagining beloved children's characters in a slasher context.
The Mean One may be ushering in a new, very weird, horror subgenre with 2019's The Banana Splits Movie and 2020's Winnie-the-Pooh: Blood and Honey (which transforms famous A.A. Milne characters like Pooh and Piglet into homicidal villains now that they have entered the public domain).
Before the December 9 release of The Mean One, EW conducted an interview with the film's director, Steven LaMorte.
During their discussion, he dropped several hints that the sequel's full outline is already finalized on his end.
Though he wouldn't confirm it outright, he did say that "if there was to be a second Mean One, the narrative would be insane."
See the rest of his words below:
Can I offer any suggestions for expanding The Mean One?
All the characters, most or all of the settings, and several sketches are planned out, and I may or may not have written many pages of the outline.
Honestly, I'm not sure.
As of right now, I have no idea what, if anything, I actually possess.
It would be a crazy narrative if there were a second Mean One, though.
Allegedly.
If it exists.
And I'm not claiming that it does!
Since the premiere of The Mean One, the fourth film version of Dr. Seuss's How the Grinch Stole Christmas, has not yet occurred, LaMorte is unable to discuss his plans for future installments.
So far, what is known about the narrative of the first film is that it follows Cindy You-Know-Who (Krystle Martin) as she returns to the town of Newville after seeing a terrible murder on Christmas Eve when she was a youngster.
Now that she's returned, the murdering has began anew, and she sets out to stop the huge green murderer, who has come from the mountains above the town.
Chase Mullins, John Bigham, Erik Baker, Flip Kobler, and Amy Schumacher also feature in the movie.
David Howard Thornton, who played the renowned indie horror villain Art the Clown in Terrifier 2, will take on the role of The Mean One in this film.
In addition to being directed by LaMorte (who previously experimented with existing IP in the 2018 live-action short Powerpuff Girls: The Long Way Back), the film was co-written by Finn and Flip Kobler.
Flip started his career writing screenplays for Disney sequels like "Pocahontas 2: Journey to a New World," whereas Finn has less experience writing.
One thing that may limit The Mean One from receiving a sequel is the box office success of the original picture, which doesn't debut in theaters for two more days.
Even though indie horror films seldom succeed at the box office, Terrifier 2 showed that it may be worthwhile to take a chance on a smaller production like this.
If it does well at the box office this weekend, a sequel will appear more plausible, and LaMorte will have to finally start working on that outline.
In The Empire Strikes Back, Luke hints at his connection to the Force and Yoda by telling R2-D2 that Dagobah seems familiar to him.
Yoda and Luke from Empire Strikes Back on Dagobah
Luke's comment to R2-D2 that Dagobah looks and sounds familiar is one of the most out-of-place moments in all of The Empire Strikes Back.
He has already mentioned that their current situation resembles a dream.
Even though Dagobah is immense, Luke feels instantly at home there, and he also manages to land close to Yoda.
As so, it seems like something—aside from Obi-Wan’s ghost—guided him to where he needed to be.
Luke has a stronger connection to the Force than other Jedi because of his family's lineage.
Since the planet Dagobah has significant links to the Force, it seems natural that Luke gets a curiously familiar feeling while there that he can't quite identify.
Yoda tells him that via the Force he can see the past, which is presumably why he gets a sense of déjà vu when on the planet.
Dagobah heightens his senses in a way that is natural to someone powerful with the Force—which is one of numerous reasons why Yoda opted to exile himself on the odd planet.
In episode 6 of The Clone Wars, Qui-Gon Jinn brought Yoda to Dagobah for the first time.
According to Qui-Gon, Dagobah has a stronger Force connection than any other planet since it is one of the cleanest locations in the galaxy.
All living things have some measure of the Force, but Dagobah serves as a very potent channel for the Force compared to other planets in the galaxy.
To understand why Luke sees himself confronting Darth Vader in a cave on Dagobah, we must first understand why Luke gets this vision.
This is also the reason why, many years earlier, during a trip to Dagobah, Yoda had a premonition of the destruction of the Jedi Order.
The cave on Dagobah is more attuned to the Force than any other location on the island since it lies deeper below and closer to the island's very center.
In Rebels, Ezra Bridger experienced a similar sensation when he was attracted to a Jedi Temple on Lothal.
The Lothal temple, like the Dagobah cave, is located under the surface.
Similar to Luke's experience on Dagobah, Ezra got a vision of his greatest fear while in the temple.
The two may feel an instant bond, and Luke may begin to sense his connection to Yoda.
Luke's feelings of closeness on Dagobah might also have been the result of his relationship with Yoda.
Due to Yoda's presence during both Luke and Leia's births, their encounter on Dagobah was not their first.
Yoda's desire for Luke to remain on Dagobah and finish his Jedi training makes sense, given that he has witnessed Luke's whole trip.
In The Empire Strikes Back, Luke decides to leave Dagobah and Yoda despite their importance in his life.
The year 2023 will see the release of Transformers: Rise of the Beasts, often known as Transformers 7.
Learn all we know about the film adaptation of Beast Wars so far right here.
Here is all we know about the upcoming Transformers film, Rise of the Beasts, including its cast, release date, plot specifics, and continuity with the other Transformers films.
Paramount started the Transformers film series based on Hasbro's renowned toys in 2007 with Michael Bay directing and Shia LaBeouf's Sam Witwicky in the lead.
There have been five films in the main franchise, the last two of which Mark Wahlberg has led, and now the Autobots have a new path that will be continued in Transformers 7.
The next Transformers film will, for the first time, incorporate elements from the Beast Wars animated series.
After the disappointment of Transformers: The Last Knight, Paramount employed Bumblebee as a soft relaunch for the Transformers franchise.
With a tiny budget and emphasis, the movie was a smash, with Hailee Steinfeld recognized as a brilliant new star.
Bumblebee provided the company confidence to push the brand forward, with numerous prospective movies created simultaneously before Joby Harold's script was picked, and Creed II's Steven Caple Jr. was tapped to helm.
Paramount hopes that the addition of Maximals, Predacons, and Terrorcons to the Transformers franchise in Transformers 7 will provide new life to the film franchise, much as Beast Wars did for the original animated series.
Everything we know about the next Transformers movie, Rise of the Beasts, and the message it intends to convey is outlined here.
The sequel's title, "Transformers: Rise of the Beasts," was revealed alongside the news of the film's production.
The title alludes to the film's adaptation of the Beast Wars tale from the Transformers mythos.
Originally, this term alluded to a fictional future set 300 years after the events of the original Transformers animated program, in which the Autobots and Decepticons no longer existed and animal-themed Transformers called Maximals and Predacons dominated.
These Transformers and the Terrorcons first appear in the 1994 storyline of Transformers: Rise of the Beasts, which has its origins in Brooklyn, New York.
Brooklynites Noah and Elena, archeologists, will play a significant role in the tale as they become entangled with the new Transformer factions of Maximals, Predacons, and Terrorcons.
However, beyond this concept, much of the tale of Rise of the Beasts is still shrouded in obscurity.
Preview for "Transformers: Rise of the Beasts" Now Available
The latest trailer for Transformers 7 has dropped, and it tells a lot about the film.
Optimus Prime meets Optimus Primal, a massive mechanical gorilla, at the beginning of the Rise of the Beasts trailer. Optimus Primal warns the Autobot that a danger from both their history and their future is looming.
Following the revelation of Bumblebee, the video cuts to Noah's car, Mirage, which has taken over and is leading him on a high-octane police pursuit replete with dummy holograms.
Once Cheetor, Airazor, and Arcee are introduced, audiences may see them in action.
Last but not least, we witness the Maximal Rhinox transform into a beast for a showdown with the new major antagonist dubbed Scourge.
The teaser concludes with an all-out battle between the Transformers, promising the same heart-pounding action scenes fans have come to expect from the Transformers franchise.
Here, at last, comes Elena, who has been trying to convince herself the whole time that this is really happening.
Performers in "Transformers: Rise of the Beast"
The human cast of Transformers: Rise of the Beasts is headlined by Anthony Ramos (Hamilton), who portrays an ex-military family guy named Noah.
Dominique Fishback (Judas and the Black Messiah) is the second main human character, and she'll portray an artifact researcher named Elena.
And Dexter's Luna Lauren Vélez (in a part we don't yet know) will also be appearing.
The human cast for Transformers 7 is rather small, with just a few minor parts being officially confirmed at this time.
Nonetheless, the number of new Transformers is impressive, and several old favorites are included.
Many brand-new Transformers make their big-screen debut in Rise of the Beasts.
Robots in disguise: Optimus Prime and Primal from Transformers: Rise of the Beasts
Autobots, both new and old, will be featured alongside the human characters that have been mainstays of the Transformers series.
Of course, Bumblebee is back, and Peter Cullen is back to voice Optimus Prime in his G1 form.
Mirage, voiced by Saturday Night Live's Pete Davidson, has returned with a stunning new look that's more faithful to his G1 days.
As for Arcee, she's back, too, with voice work by Liza Koshy (Work It).
And Cristo Fernández, who voices Wheeljack, is coming back, too (Ted Lasso).
There are also several new Transformers, in addition to the classic ones.
The Terrorcon forces will include Michaela Jaé Rodriguez's (Pose) Nightbird and the new supervillain Scourge (Peter Dinklage, Game of Thrones).
Michelle Yeoh (Everything Everywhere All At Once) will portray the Maximal Airazor, while the Maximal Cheetor has been unveiled, although no voice actor has been confirmed.
Along with the Terrorcon Battletrap, David Sobolov lends his voice to the Maximal Rhinox.
Finally, the commander of the Maximals, Optimus Primal, will be voiced by none other than Ron Perlman (Sons of Anarchy) (Sons of Anarchy).
Can Michael Bay's Films Be Linked to Transformers 7?
Given the extensive changes made for Transformers 7, it is unclear how the film relates to Michael Bay's previous five installments.
Transformers: Rise of the Beasts is confirmed to expand on Bumblebee's storyline, although Michael Bay's Transformers movies are also still regarded official.
Since the new picture takes place more than a decade before Bay's initial Transformers movies, it should have the opportunity to avoid immediately linking itself to prior entries in the franchise.
Even though Bumblebee retconned some of the narrative he constructed, Michael Bay's Transformers movies might undergo more revision in the upcoming seventh installment.
Release Date Announced for "Transformers: Rise of the Beasts"
A look at the similarities and differences between Optimus Prime's appearance in the first two Transformers films and in Rise of the Beasts.
The release date of Transformers: Rise of the Beasts, a prequel/sequel to the original film, has been scheduled for June 9, 2023.
The original release date for Transformers 7 was the summer of 2022, which seemed reasonable given that development was set to begin in the middle of 2020.
Paramount later revealed the movie's release date was postponed, with Transformers: Rise of the Beasts now set for June 9, 2023.
After five years have passed since the release of Bumblebee, fans may be eager to see another Transformers film, especially one that promises as big of a departure from the established template as the Beast Wars movie does.
Charlize Theron, who played Furiosa in Mad Max: Fury Road (2015), said that making the movie was one of the most challenging experiences of her life.
Furiosa, played by Charlize Theron in "Mad Max: Fury Road,"
Charlize Theron, who plays Furiosa in the film Mad Max: Fury Road, muses on the difficult conditions in which the movie was shot.
Tom Hardy plays Max in the 2015 George Miller action/adventure picture, while Charlize Theron plays Furiosa, a new character in the series.
Most of Mad Max: Fury Road takes place during a single extended vehicle pursuit, and it follows Furiosa as she tries to aid the wives of a cruel warlord by leading them to safety.
The movie did well at the box office and with critics, so the producers decided to make a prequel called Furiosa.
In a recent interview with THR, Theron reflects on her time filming Mad Max: Fury Road, which she called "one of the toughest of my career," as excitement grows for the upcoming Furiosa prequel starring Anya Taylor-Joy.
The actor acknowledges that the difficult filming conditions may have been exactly what was required for the movie to turn out as well as it did.
Read on for the rest of Theron's commentary:
Even though I stated, "Oh, as an actor, you want to be pushed," you don't want it to be that horrible.
(Laughs.)
The filming took a very, very long time.
I don't believe I'll ever accomplish anything again that requires that kind of stamina.
I have no idea how intensive the making of the prequel was, but I hope it was not too much like the original.
I feel terrible saying this because I never want any young actor or storyteller to think they need tragedy or sacrifice to be successful, but there was something about the circumstances around that film that I think gave it the magic.
This doesn't mean that similar circumstances will always present themselves, but I believe that the elusive "lightning in a bottle" actually occurred with that film.
However, it was really difficult.
Although Mad Max: Fury Road has received widespread praise as not just the finest in the genre, but also one of the best action pictures of all time, a genuine sequel has yet to be realized.
Mad Max: The Wasteland was said to be in production after the success of the original film, but there have been no official updates on the project in years.
Miller is currently in the post-production phase of Furiosa, but the plot he began in 2015 should be continued with Theron and Hardy reprising their roles.
When Max and Furiosa first meet, they are antagonists.
Due to their shared motivations, they form a hesitant alliance, but at the film's conclusion, they've amicably parted ways and Max has decided to pursue a nomadic existence.
Though many have speculated that Hugh Keays-Immortan Byrne's Joe would reappear in the prequel, played by Chris Hemsworth, the villain is actually killed off at the conclusion of the 2015 film.
Max and Furiosa may have to work together again to defeat a new enemy in the sequel, deepening their friendship in the process and giving fans a chance to learn more about Furiosa's rise to power inside Immortan Joe's society.
Hardy's straight-faced, man-of-few-words is perhaps best served when he is partnered with another more expressive character, however it would be intriguing to see a Mad Max: Fury Road sequel that instead focused on Max's life on the road in the post-apocalyptic wasteland.
A sequel would benefit from exploring how each character has developed in the previous seven years, putting their on-screen cooperation to the test once more, despite the real-life conflicts between Hardy and Theron.
Black Adam 2 is unknown at DC Studios despite Dwayne Johnson's promotion of Superman's return and his position in the DCU.
Black Adam features Dwayne "The Rock" Johnson as Teth Adam, who floats far above the city (2022)
There is some doubt that DC Studios would greenlight a sequel to Black Adam due to reservations about the film's financial performance and the fact that Dwayne Johnson failed to win over management.
On October 21, Black Adam debuted, making Johnson's Teth-Adam (a.k.a. Black Adam) casting official after the character had been linked to him since 2014.
Furthermore, Superman (Henry Cavill) returned to the big screen for the first time in five years in the film's post-credit sequence.
For this reason, many saw this as a setup for a Black Adam sequel in which Superman would finally have his revenge.
According to THR, DC Studios is no longer considering making a sequel to "Black Adam."
The success of the picture at the box office is a primary factor.
Despite generating $385 million at the box office, the picture featured a costly budget of $190 - $230 million.
With the budget, the extra expenses, and the profit split, Black Adam will, at most, only generate a little profit, certainly not enough to warrant a sequel.
Also, Johnson's attempts to take matters into his own hands by disputing Black Adam's box office reports and maintaining that his and Cavill's future positions in the DC are a done thing, supposedly haven't been well-received by management.
Many changes are on the horizon for DC, including the possibility that a sequel to Black Adam won't be made.
Fans had been promised a Black Adam versus. Superman film by Johnson after the release of Black Adam, since the concept behind the character, was to battle Black Adam against Superman.
But there are some disturbing changes in Black Adam 2 and Man of Steel 2.
Wonder Woman 3 has apparently been canceled, and many speculate that DC's new plan under co-CEOs James Gunn and Peter Safran would also result in the cancellation of Man of Steel 2.
After Black Adam, it was speculated that a sequel will be made.
Black Adam vs. Superman seems even less likely if the rumors about Black Adam 2 being cancelled and Cavill's Superman not being a part of DC's new future are accurate.
Reasons Why The Black Adam 2 Can Still Work In The New DCU
Black Adam stars Dwayne "The Rock" Johnson.
In Black Adam, Dwayne Johnson plays the title role.
The DCU is experiencing radical changes, and one of them may be the retirement of several heroes from the previous administration.
Black Adam 2 may still operate within the parameters, though.
Despite the fact that Superman and Wonder Woman (Gal Gadot) haven't played prominent roles in the DCU in years, Black Adam is still new and exciting to viewers.
Another element that might lead to Black Adam 2 is Safran's status as co-CEO.
He not only serves as co-CEO but also as the film producer, for Shazam!
Deity-level wrath.
This might suggest that Shazam (Zachary Levi) will continue to be a part of Safran's long-term plans.
With Shazam and Black Adam being bitter enemies, it's possible that a Black Adam sequel will be made if both Shazam 2 and Safran's plans for the future of the DCU pan out.
Finally, Johnson's dedication to the project is encouraging since it means he won't give up on Black Adam 2 easily.
The fate of Black Adam is still up in the air; nevertheless, it is currently being seen as unlikely.
Henry Cavill has filmed his appearance as Superman in The Flash, but it may not end up in the movie due to a reorganization inside the DCU.
Superman (Henry Cavill) with the Flash (Ezra Miller)
Henry Cavill's cameo as Superman in the forthcoming DC picture The Flash has already been shot.
Man of Steel (2013) marked Cavill's debut as Superman in the DC Cinematic Universe; subsequent films, Batman v Superman: Dawn of Justice (2016) and Justice League (2017), both saw him return to the character.
For years, Cavill's future with the Man of Steel was in question until he made a cameo appearance in the after-credits sequence in Black Adam this year.
However, James Gunn and Peter Safran, the new co-CEOs of DC Studios, have recently revealed intentions to make some substantial changes to the DC Universe. These changes might involve a significant re-tooling of the DC heroes cast in the early days of the DCEU.
The Flash, starring Ezra Miller, will be the next solo Justice League movie to hit theaters on June 16.
Cavill has reportedly already shot his appearance as Superman for The Flash.
In addition to Jason Momoa's Aquaman making a cameo, Henry Cavill shot his scene back in September.
Studio executives are allegedly debating whether or not to keep Cavill's appearance in the film, given that Gunn and Safran plan to make significant changes to DC in the coming weeks.
Superman's appearance may be scrapped if Gunn and Safran decide to completely remove Henry Cavill's version of the Man of Steel from the DCEU, with the goal of preventing DC from making promises it cannot keep.
No decisions have been made on whether or not Cavill's cameo will be included in The Flash's final edit.
DC still plans to release The Flash, a film that has been in development since 2014, despite the fact that the Justice League's future is unclear at the present.
Though Miller's legal difficulties have caused some concern for the film and Miller's character, and the film's release date has been pushed back multiple times, the June 16 premiere is still still set in stone.
The cameos of Henry Cavill and Jason Momoa, as well as Ben Affleck's Batman, firmly anchor the picture in the present continuity of the DCU and the Justice League.
DC fans were pleased to see Henry Cavill reprise his role as Superman in Black Adam, and his cameo appearance at the film's conclusion was welcomed with much enthusiasm.
Although this might build up Superman's eventual showdown with Black Adam in future DC films, Superman's presence in The Flash could be more comedic in nature.
In Justice League, Clark Kent and Barry Allen had a lighthearted rapport, and the film ended on a comedic note with the two of them racing across the United States.
To What Extent Will Henry Cavill Be Used in Future DC Films?
In Zack Snyder's Justice League, Superman looks up and back in bewilderment.
Due to the publishing of Cavill's Black Adam cameo before Gunn and Safran took over, it should not be seen as a guarantee that Cavill will remain a part of the DCU, especially in light of the several future changes that have been speculated upon.
Despite the excitement around Cavill's comeback, DC's future is unclear due to varying reports about the financial success of Black Adam.
In spite of The Flash's June premiere, viewers may not have to wait long to find out what the new DC Universe will look like, since Gunn and Safran are scheduled to meet with Warner Bros. Discovery CEO David Zaslav next week to lay out their new DCU strategy.
The director of John Wick: Chapter 4 has disclosed that the film was inspired by three unexpected sources. The first film in the John Wick series, released in 2014 and starring Keanu Reeves as the title character, followed his quest for vengeance against a criminal organization responsible for the death of his dog and the theft of his automobile. This expanded universe of assassins has been explored in two sequels, with a third installment scheduled for release on March 24, 2023, and many spin-offs now in production.
Chad Stahelski, who has directed every John Wick picture since co-directing the first with David Leitch, was interviewed by Empire for their most recent edition. Chapter 4 was inspired by an unexpected trifecta, as he said in our conversation: "if you took The Good, The Bad And The Ugly, combined it with Zatoichi, and put a Greek story into the mix." He spoke enthusiastically about how much he enjoyed directing the series since it gave him the chance to blend so many different styles. Here is the entirety of his words:
You may get something like this by crossing The Good, The Bad, and The Ugly with Zatoichi and tossing in a Greek story. What other f—- says phrases like that? You've finally figured out my secret passion for John Wicks.
When compared to the typical style of a contemporary action movie, Stahelski's common influences are somewhat shocking. The first is the spaghetti Western The Good, the Bad, and the Ugly from 1966, in which Clint Eastwood plays the Man with No Name, one of three bandits looking for buried Confederate riches in New Mexico during the Civil War. But zatoichi is a whole other form of creative expression. The Blind Swordsman is a fictional character who was originally developed by Japanese writer Kan Shimozawa in 1948 and has since appeared in over two dozen films and one hundred episodes of television.
Modern action movies like Zatoichi also owe a lot to the samurai culture of Japan. Considering that the subgenre also include the culturally seminal 1977 film Star Wars and more recent works like 2007's Sukiyaki Western Django, it's clear that projects fusing samurai and Western themes aren't all that rare. The addition of Greek mythology, however, suggests that John Wick: Chapter 4 will take a very different approach to these themes than the previous installments.
John Wick: Chapter 4 has the potential to reach the pinnacle of the action franchise's already colossal nature if it takes the risk of turning its plot into true myth. The film already has a massive scope as it follows Wick as he strives to overthrow the High Table as his worldwide alliances alter unpredictably due to the appearance of a new adversary. However, these factors suggest that John Wick's universe will not only grow; instead, it will merge into a world of gigantic characters who are duty-bound to opposing groups, therefore bringing them into unprecedented confrontation with one another.
Tenoch Huerta, who plays Namor in Black Panther: Wakanda Forever, discusses the potential romance between his character and Letitia Wright's Shuri.
With the death of King T'Challa, the country of Wakanda must contend with Namor and his underwater realm of Talokan in this sequel to Ryan Coogler's critically acclaimed 2018 film, Black Panther.
Shuri assumes the Black Panther mantle in Black Panther: Wakanda Forever, and she soon comes into conflict with Namor and his forceful methods for protecting Wakanda.
The film has been well received by reviewers and moviegoers alike, with many praising Huerta's nuanced turn as the MCU's newest foe.
Huerta addresses whether or not there are romantic undertones to the relationship between Shuri and Namor in Black Panther: Wakanda Forever in a recent interview with Rolling Stone.
Despite being at odds for the most of the film, Namor and Shuri appear to finally understand one other during a scene in which they go to Talokan.
It's been speculated by fans that these two characters have love affections for one another, but Huerta isn't persuaded.
Read Huerta's whole remarks down below:
"My impression is that it wasn't a romantic gesture on their part.
More of a human, personal touch, if you ask me.
I mean they have the same origin in the history of their kingdoms and their peoples, and the same source of danger.
Vibranium, a natural resource, puts them both in danger from Western powers like the United States and France.
They're similar in that respect, at least, my opinion.
If you meet someone and hit it off, it doesn't matter if they're your preferred gender or not; your connection with them will always be unclear.
This occurs naturally.
We may safely assume that it is human.
Consequently, I believe that this is what transpired with both of them.
If it's possible for it to develop into something romantic.
To be honest, I have no idea.
Nothing of the kind was intended.
Something like that might occur, but it might not.
The best aspect about this connection is that it doesn't have to be romantic to be meaningful.
Beautiful, bright, and intimate may exist without romance.
An intimate relationship isn't the only possible outcome of a man and a woman connecting on several levels.
That's so lovely, you have any idea?
Simply put, I can't stand romantic love.
If I had to guess, I'd say it's poison.
There's something they make up with these people...
I have no idea.
Even though it was enchanting, I wouldn't call it romantic."
Black Panther: Wakanda Forever's success raises hopes for a Black Panther 3, but whether or not that film will actually be made remains to be seen.
Given that the film ends with Shuri accepting her loss and becoming the new Black Panther, it's possible that she'll find love in one of her future appearances.
Namor's future in the MCU is up in the air, but his relationship with Shuri, whatever its nature, could be explored further in either Black Panther 3 or another MCU film entirely.
According to Dwayne "The Rock" Johnson, who plays Black Adam, Henry Cavill's Superman is crucial to the expansion of the DC Cinematic Universe. Cavill reprised his role as his version of Superman in the Black Adam film after being missing from the DCU (previously known as the DCEU) since 2017. Despite the fact that it was a last-minute addition, the British star dressed up as Superman for a key moment after the credits rolled, in which he confronted Johnson's antihero. Cavill has stated that this is only the beginning of his interpretation of the DC icon.
Soon after the unexpected digital release of Black Adam this week, Johnson rushed to Twitter to give a video message on the future of his series. Johnson praised Cavill's Superman, but he didn't reveal any upcoming plot details or give any suggestions about what to expect in the next several years. The actor who plays Black Adam, who said that Superman's presence in the film was a major battleground, said the following about Henry Cavill's portrayal of the character:
"It is imperative that we restore the universe's most potent and unstoppable force. Yes, I'm speaking of Superman, a figure well-known to you all. Henry Cavill, to be precise. This has been years in the making, getting Henry Cavill back with strategic dialogues, and we weren't going to take no for an answer when the studio said they weren't bringing him back. Without the most potent force and the greatest superhero of all time sitting on the sidelines, it is impossible in our opinion to construct the DC Universe as we would like it to be. Where is Superman? is the question that will remain unanswered no matter how many times you draw a Venn diagram of the situation. We pushed hard to get Superman reinstated because he is an essential element of the DCU."
While Man of Steel (2013) starring Henry Cavill as Superman was the catalyst for the DC Cinematic Universe, the franchise has continued without him with Justice League (2017). Although Cavill's future involvement in the DCU remained unclear for very some time, the franchise continued to use Superman by having faceless body doubles perform the role in Shazam! and Peacemaker. Despite the DCU's expansion with the introduction of new characters throughout the years, Superman has been severely underutilized, even going without a starring role in a standalone film since 2013.
Superman has always been the shining star of the DC Universe, whether in comic books or any other medium. The DC Cinematic Universe (DCU) as a film series, and much of what DC has been and is now, would not exist without Superman. In recent years, however, Superman has played a more prominent role on television because to Tyler Hoechlin's portrayal in The CW's Arrowverse franchise, where he serves as one of the series' main protagonists in Superman & Lois. Superman's importance to the films is greater than ever, especially if a future Justice League film is to be included in James Gunn and Peter Safran's 10-year plan for the DCU.
There has been no official word from Warner Bros. Discovery or DC Studios, but development has begun on Man of Steel 2, and Cavill's contract is still up in the air. Although Gunn and Safran have not yet revealed their specific plans for the DCU, Superman is clearly a major priority for their road map, so it is only a matter of time before more is revealed about Cavill's future. In the latter days of 2022, we can only hope that the wait until 2023 to find out what the future holds for Superman and Cavill's involvement in the DCU is short.
Ryan Coogler, co-writer and director of "Black Panther: Wakanda Forever," writes an impassioned open letter to the movie's audience. On Rotten Tomatoes, an aggregation of critics' opinions, the film has been given the designation Certified Fresh. Black Panther: Wakanda Forever has received an 84 percent approval grade from reviewers and has made over $300 million at the domestic box office and roughly $561.7 million globally as of this writing.
Director Ryan Coogler has publicly thanked moviegoers and anyone who have helped spread the word about Black Panther: Wakanda Forever. His letter was released by Marvel Studios. He then expresses gratitude to the audience for bearing with the film's long running duration, its use of many languages, and its dark subject matter, all of which he acknowledges may have alienated some viewers. Here is a copy of the open letter that Coogler wrote:
Given the personal connection that Coogler established with Chadwick Boseman, it's difficult to picture anybody else directing Black Panther: Wakanda Forever. The choice to honor Boseman's off-screen death with T'Challa's demise was a strong indicator that Black Panther: Wakanda Forever would be a fitting sequel to the first film. Coogler's personal experience with losing Boseman served as inspiration for one of the film's central themes. Just like he had hoped in his open letter, the movie was a great way to get his feelings out. Black Panther: Wakanda Forever benefited from Coogler's direction because to both his thematic understanding and his familiarity with the Creed movies' impressive combat choreography.
For Black Panther 3, will Coogler be back?
Actress Letitia Wright as T'Challa in "Black Panther" Black Panther: Always and Forever a Wakanda Man
Given his work on Wakanda Forever, Marvel Studios will probably make an effort to have Coogler return for Black Panther 3. The studio will want to draw on his capacity for emotional nuance, which he shown in the first two films, because Nakia and T'Challa's son Toussaint's grieving journeys haven't been explored to their full potential, despite their intimate link to the character. They don't appear to have any issues with Coogler's directorial or creative vision, so it's doubtful that they'll make any major changes to the formula for the third feature if it gets the go-ahead. It's not official yet, but Black Panther 3 might be in the works in the near future.
Coogler and his creative team surmounted significant obstacles to deliver a fitting homage in Black Panther: Wakanda Forever. As a fan, it warms my heart to see that Coogler is willing to share even more of his vulnerable side with his supporters. Coogler was the perfect choice for Black Panther: Wakanda Forever, and he is the right option for future sequels, as evidenced by his expressing thanks and acknowledging the movie's many difficulties.
Chinese theaters have started showing Avatar: The Way of Water.
Since the beginning of the COVID-19 epidemic, China has been intensifying its control of American films.
Many blockbuster movies, including every MCU film released in 2019, have avoided the area as a result, losing out on significant potential earnings.
According to Variety, James Cameron's Avatar: The Way of Water, the long-awaited sequel to 2009's mega hit Avatar, will be one of the few American productions to play in China during the epidemic.
On the same day that it debuts in the United States and many other countries around the world (December 16), the film will also open in that region.
The original was a big financial success, in no little part due to its IMAX release.
There is little doubt that Avatar: The Way of Water will be a huge financial success when it is released in 2022.
One thing that helps is that it is the long-awaited sequel to the picture that made the most money of all time.
In addition, early projections show that it will have an opening weekend that is twice as successful as the debut of the first Avatar in 2009.
While Avatar: The Way of Water's prospects are bright, the film will need to perform exceptionally well at the box office if it is to generate a profit.
The epic science fiction project has a price tag of around $400 million, making it one of the most costly films of all time; this does not include the massive publicity and advertising costs that a picture of this magnitude would incur.
According to the general rule of thumb for estimating a film's entire cost, the reported budget must be doubled, which in this case would bring the film's initial cost to roughly $1 billion.
Cameron has stated that the next Avatar sequel must become the "third or fourth highest-grossing film in history" to be profitable.
Although the first Avatar did well at the domestic box office, it has since been surpassed by other films like Star Wars: Episode VII—The Force Awakens, Avengers: Endgame, and last year's smash hit Spider-Man: No Way Home; the only reason it remains on top is the success it had overseas, particularly in China.
The territory's decision to allow Avatar: The Way of Water in is a major victory for the film, as China is a large market for American tentpole blockbusters.
It's possible that this boost will be the only thing standing between the sequel and box office ruination, and it could help the film become the highest-grossing American film of 2022, giving it an edge over huge tentpoles without Chinese releases like Top Gun: Maverick and Black Panther: Wakanda Forever.
Ryan Coogler, who directed Black Panther: Wakanda Forever, has said that Chadwick Boseman was enthusiastic about bringing Namor into the Marvel Cinematic Universe.
Ryan Coogler, director of Black Panther: Wakanda Forever, has said that late franchise star Chadwick Boseman was excited about the inclusion of the kingdom of Talokan. In 2016, Captain America: Civil War marked Boseman's first appearance as T'Challa/the Black Panther. The 2018 standalone film he headlined, Black Panther, was a smashing success that established Boseman as a major player in the MCU and landed it at the sixth slot in the domestic box office's all-time list. Boseman tragically passes suddenly in 2020 from colon cancer, and the focus of Black Panther: Wakanda Forever has switched to be on mourning the loss of the actor and the character. When Namor (Tenoch Huerta) and his people find themselves at conflict with Wakanda in the sequel, they become a new franchise character.
Coogler shared Boseman's reaction to the Talokanil people's entrance in Black Panther 2 during an interview with Entertainment Weekly's Around the Table video series. The filmmaker claims that Boseman knew about the plans to incorporate Namor and his realm into the MCU and that he was "blown up about" the opportunity for Indigenous representation. You can read what Coogler had to say about it down below:
"I had already talked to Chad [Boseman], and he was quite enthusiastic about that part of the screenplay [introducing Talokan]. To put it mildly, he became excited about it. The first time we discussed include Native Americans in the movie, we were at a restaurant in Los Feliz. He beamed broadly, as if to say, "They have no idea what hit them. I can only describe it as "amazing.""
Each film in Phases 1 and 2 of the MCU has been led by a white hero, and the few characters of color who have appeared have been used mostly as supporting cast. Along with this, the storyline of Captain America: Civil War relied on the suffering of Black individuals and communities (T'Chaka's death, Rhodey's paralysis, the Lagos bombing) which is a worn and problematic cliché. That's why the release of Black Panther was such a game-changer for the series.
Black Panther achieved a lot of things well: it had a largely Black cast with a lot of ability, it showed off Wakanda's technological accomplishments, it broke stereotypes left and right, and it showed that the Black community is not a homogenous whole. Since then, the MCU has made great steps in redressing past wrongs, giving more characters of color starring roles and promoting earlier supporting characters to the forefront. The Falcon and the Winter Soldier featured Anthony Mackie's Sam Wilson as Captain America, whereas Armor Wars will focus on the life of Rhodey (Don Cheadle).
With the exception of Disney+, the audience for MCU features has shifted substantially with the release of Black Panther. America Chavez (Xochitl Gomez) made her MCU debut in Doctor Strange in the Multiverse of Madness, and Shang-Chi and the Legend of the Ten Rings introduced the first Asian superhero to the fold with Simu Liu's eponymous character. To that end, the MCU has made significant progress with its diverse representation, and it certainly intends to continue that in the next films and shows. Boseman's dedication to continuing that legacy by supporting the introduction of historically overlooked indigenous cultures in Black Panther: Wakanda Forever is remarkable, as is the likelihood that any of these uplifting stories would have been feasible without the popularity of Black Panther.
Hiram Garcia, producer of Black Adam, seems to affirm that Noah Centineo's Atom Smasher has a future in the DC Universe.
Without his mask, Noah Centineo stars as Atom Smasher in Black Adam.
Hiram Garcia, producer of Black Adam, appears to have confirmed Atom Smasher's future on DC Universe. Several characters from DC Comics were introduced to the DCU in the debut episode of Black Adam on October 21. Black Adam, aka Teth-Adam, played by Dwayne Johnson, was formally brought into the DC universe and given the title of the film when he attracted the notice of the Justice Society of America, a new superhero squad in the DCU (JSA). Aldis Hodge's Hawkman, Pierce Brosnan's Doctor Fate, Quintette Swindell's Cyclone, and Michael Rosenbaum's Atom Smasher made up the squad (Noah Centineo).
Garcia recently posted a series of behind-the-scenes images from the set of the smash movie Black Adam to Instagram, including one of Centineo in his Atom Smasher suit on a staircase. The caption appears to guarantee Atom Smasher's future in the DCU, with Garcia expressing excitement for spectators to learn more about the character. Read on for more information:
Although Garcia's post shouldn't be seen as official confirmation, it does seem to indicate that the Atom Smasher from the JSA will return to the DCU. Given the ambiguity of the JSA's fate at the end of Black Adam, this is great news, but it does beg the issue of when and where fans could next see Garcia. More plausible than a cameo in one of the known forthcoming DCU films like The Flash or Aquaman and the Lost Kingdom is a cameo in a Black Adam spinoff or sequel.
A sequel or spinoff to Black Adam has not been officially announced as of this writing, but the film certainly laid the groundwork for more than one. The DCU might create a JSA spinoff in the form of a program or film now that the JSA has been presented, giving them a chance to not only better establish the team in the DCU but also to extend it and examine characters like Hawkman, Cyclops, and Atom Smasher. Both Garcia and Johnson have spoken publicly about wanting to make a sequel to Black Adam, so there is reason to believe that a sequel may be greenlit even if a spinoff isn't. If so, that's the most likely way we'll see Atom Smasher again.
The Atom Smasher might also make an appearance in a Suicide Squad sequel. Though it hasn't been officially announced, it's possible that the remake directed by James Gunn may receive a sequel, especially since Gunn is now co-heading the renamed DC Studios and the first picture was a critical success. After getting into some issues with Black Adam, Atom Smasher was imprisoned and enlisted into The Suicide Squad in the comics. Given that Centineo's Atom Smasher is so young and playful in Black Adam, it's unclear whether the DCU would continue this storyline, but there's plenty of room for the DCU to work in Atom Smasher's return, whether in a sequel to The Suicide Squad, another Black Adam project, or something completely different.
Brand new photos of Michael J. Fox and Christopher Lloyd promote the release of Back to the Future apparel, such as shirts, vests, and more.
It starred Christopher Lloyd and Michael J. Fox. The Future Is Here! Merchandise
Back to the Future actors Michael J. Fox and Christopher Lloyd have reunited to promote a new line of gear. Since its debut in 1985, the science fiction adventure film has become a beloved Hollywood staple, inspiring a trilogy and new generations of moviegoers. Lloyd is a veteran actor who has starred in several films throughout the course of his career, such as One Flew Over the Cuckoo's Nest, Clue, and The Addams Family. Fox, who rose to fame in the 1980s and 1990s with shows including "Family Ties," "Teen Wolf," and "Spin City," was just 30 when he was diagnosed with Parkinson's disease. But both actors have reunited throughout the years to celebrate the franchise's continued success as it embarks on an exciting new chapter.
Following rumors of a franchise announcement, Michael J. Fox and Christopher Lloyd have debuted their own line of Back To The Future products with an official web store. Fox and Lloyd created the line of merchandize, which includes T-shirts, sweatshirts, baseball hats, posters, and mugs, with images of the actors modeling the items. In a message posted on the website's front page, Michael J. Fox thanks the audience for their support. "After hearing again and over that customers wanted additional merchandise to honor their Back to the Future fandom, we decided to make them available. Heavy." View a selection from the archive down below:
Although it's been over 40 years since the debut of Back to the Future, Michael J. Fox and Christopher Lloyd have reconnected on several occasions in recent years to celebrate the film's history. In the wake of their emotional reunion at New York Comic-Con, the Back to the Future cast rushed to Instagram to tease a special surprise in the works, but they were careful not to give any specifics, eventually revealing it to be the exciting new merchandise. Fans have shown a lot of interest in the reunions and posts, and celebs like Justin Long and Rob Lowe have added their voices of support and favorite lines from the movie. Fox and Lloyd are both enthusiastically participating in the prank by citing the film in each other's social media postings in advance of the release.
The sequels to Back to the Future have been less well received over time, but the first film is still widely recognized as a classic of the genre and a showcase for its performers. Fox's sarcastic sense of humor and Lloyd's frantic performance as Marty McFly and Doc Brown have aged nicely alongside each other, adding warmth and fun to the crazy and convoluted adventure storyline. The film's "butterfly effect" message of transformation and optimism is universal, and the movie's quotable language and brilliance ensure that it will be enjoyed by people of all ages. And in a time when '80s nostalgia is all the rage thanks to shows like Stranger Things, Glow, and The Goldbergs, Back to the Future looks to be quite at home.
Fox and Lloyd, now in their 60s and 70s, respectively, are wearing graphic tees and bright vests in these images, proving without a doubt that the spirit of Back to the Future has kept them youthful at heart. Many people, from those who watched the film when it originally came out to those who haven't seen it yet, are likely to be thrilled by the new, massive collection of items celebrating the legendary science fiction adventure. Whether it's via Huey Lewis's rousing 1980s theme song or Marty McFly's deft maneuvers on a skateboard, Back to the Future is a timeless classic that successfully transports viewers to another era.
In light of Daniel Craig's exit from the role of James Bond, Henry Cavill discusses if he would be interested in taking it over.
This unique artwork has both Henry Cavill and Daniel Craig as James Bond.
Even if the fate of the James Bond film series is uncertain, Henry Cavill has spoken up on whether he still wants to play the part. After debuting in cinemas in the 1960s, the Bond series has seen several actors, including Sean Connery, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan, and most recently, Daniel Craig, play the iconic character of James Bond. With last year's No Time to Die, an explosive entry that, for the first time in history, concluded with the death of 007. Craig played in a total of five Bond films before saying goodbye to the character.
After the release of No Time to Die, the next actor to play James Bond is still up in the air. Idris Elba, Tom Hardy, Tom Hiddleston, Richard Madden, and Henry Cavill are just some of the actors that have been mentioned as possible future Bonds. The actor recently admitted that he was almost cast as James Bond in Casino Royale, despite fan pleas for him to play the role instead of Daniel Craig. It is still unknown whether or not Cavill will be cast as James Bond given that Bond producers Barbara Broccoli and Michael G. Wilson have stated that the next installment of the renowned British superspy would be a full reworking of the character.
Cavill discusses his interest in reprising his role as James Bond in a recent interview with Josh Horowitz on the Happy Sad Confused podcast (via CinemaBlend). The actor is much busier now than in the early 2000s when he was initially considered for the part of James Bond, but he says he would be open to at least having a conversation about returning to the position. Read on for the rest of Cavill's commentary:
Yeah. This is a really hectic time for me, so please excuse my absence. I adore Mike G. Wilson and Barbara Broccoli. … I have no idea whether I am even being considered for the part. To have that discussion, though, would be a lot of fun. I hope I am, but if I am not, I am still interested in seeing what they do with it.
In many respects, Cavill was the ideal choice to play James Bond, but the actor's career has progressed so much since he was initially considered for the part that it may no longer be a suitable match. Although he had some notoriety in the early 2000s, he became a global superstar after the release of Man of Steel in 2013 and his subsequent performances as Superman. Broccoli and Wilson have said they want an actor who can commit to the part for at least a decade, so it's feasible that taking on Bond might interfere with his ability to portray Superman.
Although Cavill has many of the characteristics that make up a more classic Bond, Broccoli and Wilson's intention to redefine the brand with James Bond 26 signals a departure from some of the more conventional parts of the role. It's possible that the next Bond film would benefit more from a lesser-known actor who hasn't been widely fan cast in the part already if certain features were changed. As for the future of the James Bond series and whether or not Cavill will be a part of it, that is still up in the air. However, he doesn't seem ready to completely rule out playing 007 just yet.
The Baz Luhrmann movie on the director's life Truth is a slippery thing for Elvis, therefore he often fudges the facts. Nonetheless, the film stays true to history in a few key respects.
History of Elvis Presley as Told by His Fans How close to reality does the film get
It's not immediately clear if the new Elvis Presley movie is based on a true event or how accurate the biopic actually is, but Baz Luhrmann's newest extravagance, Elvis, gives a typically showy look at the life of The King. The film's real-life inspirations are evident in the cast, which includes Austin Butler, Tom Hanks, and a host of other actors playing actual celebrities. But as with every Luhrmann production, authenticity takes a back seat to flash. The topic calls for a method like this, therefore it makes sense. Elvis tells the story of The King's rise from relative obscurity to global icondom via the eyes of Colonel Tom Parker (Tom Hanks) in a sequence of flashbacks.
It's arguable that Elvis Presley doesn't give a whole picture of the relationship between Elvis and Colonel Tom Parker, which was tense at times but ultimately fruitful. It's clear that certain moments are completely made up or twisted so that Parker may be portrayed as the villain. The new Elvis Presley film also exaggerates other aspects of the singer's life. Luhrmann's near-idolatrous tale requires some simplifications, both in terms of Elvis's entertainment career and his character. Some of the major deviations from Elvis Presley's actual life are listed here.
There have been a number of alterations made to the Elvis Presley biopic, most of which concern Colonel Tom Parker. In the film, Parker is shown as a completely self-centered and venal guy whose proposals would have led to disaster if Elvis hadn't intervened. Early in the film, for instance, Parker tries to get Elvis to moderate some of his antics in order to appease more traditional audiences. Similarly, he is seen attempting to insert Christmas music and sweaters into Elvis' 1968 return special. Some of these false claims were as far from the reality as Hanks' heavily phony accent.
Author and music writer Alanna Nash, who published a highly regarded biography of Colonel Tom Parker and Elvis in 2010, is a reliable resource for information about those pivotal years. Nash has disproved a number of Elvis's claims in an interview with Variety. Despite Parker's requests that Elvis tone down his more risqué performance antics, Nash claims that Parker "loved it that Elvis performed what pulled folks into the huge tent." She continued by saying, "In Parker's eyes, Elvis was just like the sassy carnival females, so the fact that he performed striptease like a man was a huge plus. Tickets were sold because of that!" The claim that Parker was intimidated by the government in an effort to curtail Elvis' problematic performances was also debunked by Nash, demonstrating the differences between the film and history.
Presley, Elvis, and the Way He Evolved
Elvis-Austin-Butler-Evil
Of all the liberties taken with Elvis Presley in this film, turning Colonel Tom Parker into a clear-cut villain stands out as the most glaring. The new Elvis Presley film, in particular, takes some liberties with the genuine singer's formative musical inspirations and interpersonal connections. For instance, Alanna Nash clarifies in an interview with Variety that according to the film, it is not true that all of Elvis' major musical inspirations were Black. When stated in Nash's words: "As early as seventh grade, Elvis said that he was going to perform at the Grand Ole Opry, demonstrating that he was influenced by both black and white musicians. Just think, as a kid he sang "Old Shep" in a talent show, and crooning about a dog that's already passed away is about as country as it gets." This demonstrates how simplistically Elvis describes the origins of Presley's indisputable skill.
Additionally, Elvis Presley the guy undergoes a number of transformations. Baz Luhrmann's Elvis omits a lot of Elvis's complicated love life. This oversimplified portrayal of The King's romantic life includes his wife Priscilla in a major role but entirely leaves out his subsequent lovers Ginger Alden and Linda Thompson. According to Nash, the film's portrayal of Presley's advances toward 14-year-old Priscilla Beaulieu is "sanitized," which is an argument in favor of a more realistic portrayal of the events. The relationship between Elvis and his manager has also been rewritten to make it seem better than it actually was. Even Nash admits that the sequence in which Presley fires Parker onstage is fictional. Even while it is undeniable that Elvis is not a documentary in any sense, it does give some insight into the guy.
Some of Elvis's past is questioned because of creative liberties taken with the characters. The inclusion of songs by modern artists like Doja Cat and Eminem on the Elvis soundtrack hints that accuracy to the historical record is not a top priority for Luhrmann. Nonetheless, we must stress the significance of a few historical shifts that have a bearing on the plot of the film. The latest Elvis Presley biopic, for instance, centers on Elvis' close relationships with other musicians like BB King, although it's questionable whether or not they genuinely knew each other. Nash elaborates in a another interview [via USA Today] that, "Elvis and B.B. knew one other, but they weren't very close. It's likely that they briefly met each other at Sun Studio for the first time."
Just as some of the details of Elvis' backstory have been changed for dramatic effect, so too have some of the circumstances surrounding these incidents. For example, it's not quite certain that Parker's gambling debts (which were obviously substantial) were directly related to Elvis' Vegas residency. Like Elvis' Army career, which the singer claims was a method to avoid jail time for indecency, was actually more of a PR coup organized by Parker. These are only a few instances of the ways in which the film embellishes the life of Elvis Presley for dramatic effect.
Just How Reliable Is Elvis? Images of Elvis Presley, Colonel Tom Parker, and Big Mama Thornton from the Elvis
Avatar: The Way of Water, the much-anticipated sequel from James Cameron, is said to be unfinished and have a runtime of over three hours.
Avatar 2
The final cut of Avatar: The Way of Water is said to be unfinished, and it runs for more than three hours.
When it came out in 2009, the original science-fiction fantasy adventure wowed critics and audiences with its stunning visuals and tried-and-true story, which people all over the world could relate to.
After a successful run in theaters, Avatar made more than $2.8 billion at the box office, making it the most successful movie ever.
Cameron finally brings the beautiful planet of Pandora back to the big screen after 13 years. The first of four sequels, Avatar: The Way of the Water, comes out on December 16.
Avatar: The Way of the Water takes place more than a decade after the Na'vi rebelled against the Resources Development Administration. It follows ex-Marine Jake Sully (Sam Worthington) and his Na'vi partner Neytiri (Zoe Saldana) as they fight for their family's survival.
Even though their characters died in the first movie, Sigourney Weaver and Stephen Lang were also said to be coming back for more.
Weaver is set to play Kiri, the adopted teenage Na'vi daughter of Jake and Neytiri. Lang will play Colonel Miles Quaritch again.
A new report from Deadline says that the length of Avatar: The Way of Water is likely to be over three hours. This would make it at least 20 minutes longer than the first movie.
A previous rumor from an international publication said that the movie would be three hours and ten minutes long. However, sources say that this is not a true number because the movie's final length has not been decided.
Sources have also told Screen Rant that the final cut of Avatar: The Way of Water hasn't been finished yet, so there's no way to know how long it will be.
Is it right for Avatar 2 to last more than three hours?
avatar 2 flying
Cameron is also known for Titanic, a disaster movie with a big-scale love story that ran for three hours and 15 minutes and made $1.8 billion at the box office, making it the highest-grossing film of that year and, for a while, of all time.
Titanic's success shows that a movie's length doesn't matter if its story keeps people interested.
Also, the original Avatar is still the highest-grossing movie of all time, and re-releases are putting it up against Avengers: Endgame. Cameron has been able to keep audiences interested for that long before, so it's likely he can do it again.
Since Avatar: The Way of Water will pick up a story where its predecessor left off over a decade ago and also set up three more sequels, it will have to do a lot to get people ready for what's to come.
The original Avatar was two hours and 42 minutes long, which was a good length for audiences around the world, though they may have been full.
Since Avatar: The Way of Water is at least 20 minutes longer, people may have to choose between drinks at the concession stand that are very different.
Justin Long says that Vince Vaughn has a funny idea for Dodgeball 2, and he hopes that the cast will get back together for a sequel.
Dodgeball star Vince Vaughn
Justin Long, who worked with Vince Vaughn in the first Dodgeball movie, says that he has heard a pitch for Dodgeball 2.
Dodgeball: A True Underdog Story came out for the first time in 2004. Vaughn played Peter La Fleur, the captain of the Average Joe's Gym dodgeball team, and Long played Justin, one of the team's other players.
Ben Stiller played White Goldman, the owner of the rival gym Globo Gym. Christine Taylor, Stephen Root, and the late Rip Torn played Average Joe's coach, Patches O'Houlihan.
Dodgeball: A True Underdog Story was a big hit with critics and audiences when it came out, and it has become even more popular in the years since.
Even though it is a silly sports comedy, many of its scenes and lines, like "5 Ds of Dodgeball: dodge, duck, dip, dive, and dodge!" have become famous and are often used in other works.
So, people have been talking about a Dodgeball sequel for decades. Most of the cast hasn't said much about a possible sequel, but someone close to the film says one star has a pitch ready.
Justin Long told ComicBook.com that Vince Vaughn has a funny Dodgeball 2 pitch while talking about the digital release of the horror movie Barbarian.
Even though he said that a lot of the sequel's success depends on Stiller's return, the actor said that he hopes the sequel will be made, but he wouldn't say what Vaughn's pitch for the film is.
Here's what Long said:
Life is Short is a podcast I do with my brother. When Ben Stiller was on, I asked him about this because I had just worked with Vince Vaughn again.
Vince wrote this movie, which is kind of a parody of Christmas movies. It's called Christmas with the Campbells, and it's coming out in December. I've been hanging out with Vince a lot, and he's been telling me about this great idea he has for a sequel.
I don't know if he's told Ben yet, but I kind of set up the pitch because I thought I should help.
I would love to do it, and I hope it happens, but Ben told me on that podcast that he's a little nervous about making a sequel to something so loved and enjoyed by so many people.
It's a big risk because you don't want to mess up the original and you want something that's just as good.
So I think he's a little nervous about trying to recreate something that was very specific to that time, but I hope he comes around.
Vince is a very convincing person, so I just hope that Vince's idea will convince him.
I don't want to say what the funny idea is.
Could Dodgeball 2 still work after nearly 20 years?
Dodgeball-White-Goodman
Long's comment makes it hard to know what Vaughn would have in mind for a Dodgeball sequel.
Now that 20 years have passed, the question is whether or not Dodgeball 2 could still be successful. On the one hand, the original movie still has a big enough audience that it could probably still bring people to the theater, but on the other hand, Dodgeball 2 would have to be different in some ways from the original.
For one, Patches actor Torn died in 2019, and even though his character died in the original movie, it would leave the list short of one big name.
Also, the original Dodgeball: A True Underdog Story ended on a pretty happy note for the Joes, so it's hard to see why they would need to be back in the game.
Stiller's concerns about making Dodgeball 2 are also reasonable.
Just based on how long it's been since the last Dodgeball movie, it seems unlikely that a third one will be able to match the energy and flow of the first two.
But the fact that both Vaughn and Long are so excited about the future of Dodgeball is a good sign.
Now, all that needs to happen is for Vaughn to tell Stiller about his so-called funny idea for a sequel and see if that gets him to support Dodgeball 2.
Henry Cavill talks in detail about how his cameo as Superman in Black Adam came about, including how he got permission to stop filming The Witcher season 3.
Henry Cavill stars in Justice League by Zack Snyder.
This article gives away things that happen in Black Adam.
Henry Cavill has explained how Superman's appearance in Black Adam came about.
The movie Black Adam came out in theaters on October 21. Its star, Dwayne Johnson, worked with its director, Jaume Collet-Serra, on Disney's Jungle Cruise.
The DC Extended Universe gives DC fans their first look at the live-action version of the famous antihero from comics, who was first introduced as a bad guy for Shazam.
In the ancient city of Kahndaq, the main character is given godlike powers. After being locked up for 5,000 years, he is released into the modern world.
Black Adam not only gave fans an adventure with a brand-new DCEU character, but one of its credit sequences also gave fans a chance to see an old favorite again.
Henry Cavill hasn't been in a DC movie in theaters since 2017's Justice League, but he's back as Superman, the role he's played since 2013's Man of Steel, which was the first movie in the DCEU.
Cavill recently said that he would be back as Superman in future DCEU projects, and he is now talking about how it all happened.
Related: The DCEU needs to stop following The Rock's ridiculous fight rule
Josh Horowitz shared a clip from a recent 45-minute interview with Henry Cavill on his official Twitter account. The interview was Cavill's first since he said he would be back as Superman.
He talked about what it took to make his Black Adam cameo, like trying to get time off from his busy schedule on The Witcher without telling anyone what he was doing.
He said that putting on the suit again, and in particular the Man of Steel suit, was "one of the best moments of my career."
Read the whole thing below:
I was playing Witcher when I got a call: "Hey, this is going to happen, when can you do it?"
And I thought, "I work six-day weeks. I don't know when I'll be able to do this."
"Look, we have these dates," they said.
And I said, "Okay, cool, sure, I'll do it."
And we had to get permission from the people making Witcher at the time, but what we wanted to do was so secret that we couldn't tell them.
We just said, "Hey, I'm going to do this thing.
Can you give me the all-clear?"...
So I went to Warner Bros. Studios in the UK and got back into the suit on a super-secret set where everything was hidden. It was a very powerful moment for me...
I put on the Man of Steel suit again, which made me feel a lot of things.
And I chose that one because it reminded me of something from my past, and it was very important to me to just stand there and enjoy that moment.
And that was one of the best things to happen to me in my work.
It feels great to be able to put it on again.
How Henry Cavill will play Superman in DC movies in the future
The history of Henry Cavill's Superman and the DCEU
So far, there has been no official word on which future DC projects Henry Cavill will be in as Superman.
But the character could go in many different directions, such as the teased fight between Superman and Black Adam.
Producers have hinted that this fight will go on for more than one movie, but Johnson has said that the next project with Black Adam won't be his fight with Superman, to build up excitement for the showdown.
Considering all of this, the next Superman movie after Black Adam could be the long-rumored Man of Steel 2.
It's been almost a decade since the first Man of Steel came out, and even though Superman has been in other DCEU movies (like Batman v Superman: Dawn of Justice in 2016), fans have been begging for a new story where he's the main character.
Reports have been going around recently that Man of Steel 2 is in the early stages of development and looking for writers. It's possible that they will use that movie to bring back Superman's story before putting him back together with Black Adam.
Barbarian keeps the audience guessing, but it doesn't answer many questions, such as what Frank did to his victims and why he chose the ending he did.
In Barbarian, Richard Brake played Frank and Georgina Campbell played Tess.
This post has spoilers for Barbarian, so be warned.
Content Warning: There will be talk of sexual violence and suicide in what follows.
Barbarian took people on an adventure, but there were still some questions about who the real barbarian was.
The Mother looked like a typical movie monster, but the real barbarian isn't shown until the third act, when Frank is introduced through a flashback.
Frank (Richard Brake) used to live in the house, and he did some really terrible things inside.
Barbarian doesn't tell us a lot, but just enough to see how Frank did his crimes and got away with them.
In the flashback, Frank was seen following a young woman home and then dressing up as an electrician to get into her house.
Once he was inside, he opened the bathroom window so he could get back in.
Frank does this in a steady, smooth way that shows he has done it a lot of times before.
The fact that AJ (Justin Long) found so many tapes showed that he had a lot of victims, and this short flashback showed how he did it for so long without getting caught.
At the end of the flashback, Frank went into his basement and heard a woman screaming.
Even though the flashback is short, it was important to understand who the real bad guy in the movie was and how he got away with his crimes for so long.
The Mother seemed to be the bad guy in the first act of Barbarian.
Even though she killed Keith, she was always hurt by Frank and only knew abuse.
The homeless man Tess met said that Frank was also abusing the children. This means that The Mother, who seems to be his daughter and granddaughter, is the result of Frank's deep incest.
Frank set up the circumstances that led The Mother to do scary things.
The Mother just wanted someone to be her baby, and she got angry when they didn't do that. She probably saw Frank get angry when she or other women did something wrong.
From the many tapes that AJ found, it's clear that Frank sexually abused women often and filmed it for years.
The dirty cages in the basement also suggested that he had trapped the victims, who probably died of neglect.
The Mother didn't get any love, and all she knew were the terrible things Frank did to her and others.
Why Frank had no choice but to kill himself in "Barbarian"
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In Barbarian, Frank is in bed.
At the end of "Barbarian," AJ found Frank in bed and unable to talk.
Frank probably didn't have much time left, but when AJ found his hideout, he decided to end his life.
After seeing the tapes, AJ said he would call the police.
Even though AJ yelled at him and called him sick, Frank probably didn't kill himself because he felt guilty. Instead, he was probably afraid that his secret would finally be found out.
He killed himself to get away from the consequences of not only his sexual crimes, but also of making The Mother and what she did.
Frank thought that killing himself was the only way out of the terrible situation he had put himself in.
Through the character of Frank, the movie's real barbarian was compared to the person who was mistaken for the monster.
Barry Keoghan was set up to be the next Joker by a cameo in The Batman and the release of a deleted scene. However, in those scenes, he was not yet playing the Joker.
In The Batman, Barry Keoghan was not really the Joker.
Barry Keoghan's cameo in The Batman wasn't him playing the Joker, at least not yet.
In The Batman, Keoghan is only credited as "Unseen Arkham Prisoner." In the movie, his identity is hidden by bars and shadows as he talks to the Riddler through his cell door.
Late in March 2022, a cut scene from The Batman that shows a longer conversation between Keoghan and Robert Pattinson's Batman will be made public.
Even though Keoghan is still a secret, the scene shows that he has scars, acid-bleached skin, green hair, and maybe even red lipstick smudges.
Even though his profile is hidden, his blurry appearance and the way he acted differently from Batman in the scene that was cut strongly suggest that he will be the next Clown Prince of Crime.
In an interview with GQ, Keoghan talked about his Joker storyline. He said that he'd love to play the Joker again, even though it might make him a typecast.
He says that it would be "amazing" to "bring him to life... and give you [his] version, which you haven't seen."
Even though neither the movie nor the deleted scene name Keoghan as the Joker, Keoghan doesn't disprove the idea that he will play the role in the Matt Reeves Batman series.
The interesting thing about his interview, though, is that it shows that his Joker could be very different from what has been shown in the movie and in the deleted scene.
All of the talk about the new Joker has been in the form of hints and implication. This gives The Batman 2 a lot of room to make the character even more interesting.
This could make Batman's enemies more interesting than Batman himself, which is a problem that both Christopher Nolan and Christian Bale say is a problem with Batman. However, the Joker needs a strong, unique interpretation.
Keoghan has a lot to prove, especially after Jared Leto's well-known turn as the Joker in Suicide Squad.
It's a valid point to say that Keoghan's Joker came out less than three years after Joaquin Phoenix's version, which makes it seem like the role shouldn't have been played again.
In spite of this, The Batman is a smartly different movie in terms of tone, which has helped it create a more interesting version of its main bad guy, the Riddler.
Seeing how the Riddler is made, The Batman sets up its series to make a Joker that will be interesting and not feel like a rehash or a franchise requirement.
Why Keoghan's change into the Joker is so exciting
Barry Keoghan had a small part in The Batman as the Joker.
Keoghan's comments in an interview suggest that the character he plays in The Batman is either the character before he becomes the Joker or a Matt Reeves-series Joker who is still in the planning stages.
Even so, Barry Keoghan's Joker rule to make the character more human by keeping his natural blue eyes is a good sign that Keoghan's version of the Joker will change the character in a way that stays true to the Joker's core.
His hints of being the Joker are so interesting, which is a good sign for how great his character could be.
If the deleted scene from The Batman is any indication, Keoghan's performance before he became the Joker shows that his full-fledged version will be well-written, well-crafted, and just deep enough as a character to keep the Joker from being a cartoonish parody of himself.
Many of the original characters in the latest Halloween trilogy were ruined, but Tommy Doyle may have been hurt the most because he isn't even in Ends.
Many of the original characters from the Halloween movies were ruined by David Gordon Green's Halloween Ends. Tommy Doyle is a great example.
Tommy was a key character in Halloween Kills, but he was completely ignored in Ends. This continues the recent trend of original characters from 1978's Halloween having disappointing endings in the H40 trilogy.
Doyle isn't the only character to have this problem, but he had a great plot that seemed to be forgotten by the next movie.
In Halloween Kills, Tommy Doyle put together a gang to kill Michael Myers for good.
Even though it wasn't the best choice, it was a good one.
But soon after the mob attacks the killer violently, the killer gets back up and attacks them. He stabs Tommy several times, which seems to kill him.
The mob mentality story in Kills wasn't well done, but Doyle was important to that movie's plot, and he gave his life in the end.
Yet, he wasn't even mentioned in Halloween Ends.
It was like the person had never been there.
Ends wasted people like Lindsey and kept pushing Laurie Strode out of the way by ignoring his death and what it should have meant for the series.
Even though it was annoying that Tommy Doyle was never mentioned in Halloween Ends, there was also a four-year gap between what happened in Halloween Kills and what happened in Halloween Ends.
Michael Myers had been gone for a long time, so most people in Haddonfield thought he was gone for good. They probably just wanted to move on with their lives.
With Corey Cunningham, Ends also wanted to change the focus to a random new character.
Mentioning Doyle could have worked, but the moviemakers probably wanted to change things up so much that they didn't focus on a story from before.
How Halloween's ending threw away the characters from the first movies.
Halloween-Ends-Evil-Dies-Tonight-Fix
Because the story changed in Halloween Ends, the characters who came back were completely wasted.
In the same way that Laurie didn't get much screen time in Halloween Kills, Michael Myers didn't get his due until the third act.
Focusing on a new character like Corey instead of the older ones, like Michael and Laurie, is disrespectful to the legacy of the franchise, since Ends was supposed to wrap up their story.
When a character like Lindsey, who had a bigger role in Kills, is pushed to the side, it tells the audience that they didn't know what to do with her and only kept her in the movie because she was in Kills.
It was touching to see Lindsey play a more helpful role, but the last Halloween movie was a great chance to make her character more interesting instead of wasting her.
Halloween Ends doesn't ruin the legacy characters just by putting them in the background.
Many of these characters do things that aren't like them.
Michael Myers' most embarrassing moment was when a young man in his 20s beat him easily.
Myers is supposed to be almost impossible to stop, and it didn't look like he was even trying to protect himself from Corey.
On top of that, some of Michael's most brutal deaths are shown in Halloween Kills, and Corey gets the best ones in Michael's last appearance in a Halloween movie.
The Halloween legacy characters, including Tommy Doyle, deserved a better ending.
Shelley Duvall, who was in The Shining, is coming out of retirement after 20 years to star in the upcoming horror film Forest Hills.
Forest Hills with Shelley Duvall
In the new horror movie Forest Hills, Shelley Duvall plays a role for the first time in over 20 years. She played Wendy in The Shining.
Throughout her career, Duvall was best known for her role as Wendy Torrance in Stanley Kubrick's psychological thriller The Shining, which was based on Stephen King's novel. She also did well in movies like Brewster McCloud (1970), Annie Hall (1977), and Popeye (1980).
The actress who was nominated for Emmys and BAFTAs also worked as a producer on many children's shows, including the popular Faerie Tale Theatre. She announced her retirement from acting after starring in the independent comedy Manna From Heaven in 2002.
Duvall has a complicated history with Hollywood. Since The Shining came out, he has spoken out against the movie's director, Stanley Kubrick.
Kubrick is known for his unique and intense ways of directing. During filming, both Duvall and co-star Jack Nicholson were pushed to their limits, which often embarrassed Duvall on-set.
Even though things are better between them now, Duvall talked about her struggles with mental illness on a controversial Dr. Phil episode in 2016.
Vivian Kubrick, Kubrick's daughter, said that it was wrong to use someone who was obviously going through mental trauma for entertainment.
But things have changed for Duvall since then. The Razzies took away her nomination for Worst Actress for The Shining, and the industry has realized it was unfair to her.
Now, Entertainment Weekly says that Shelley Duvall will play a role in a horror movie for the first time in over 20 years. The movie is called Forest Hills.
The movie will star Edward Furlong, Chiko Mendez, and Dee Wallace, and it was written by Scott Goldberg.
It will follow Mendez as Rico, a man who starts having bad dreams after getting hurt in the head while camping in the Catskills.
Duvall will play the mother of Rico.
Above, you can see the first picture of Duvall's return to Forest Hills.
Why Duvall's comeback in Forest Hills is a great idea
The Shining starred Shelley Duvall.
Even though Duvall doesn't seem to be the main character in Forest Hills, the part gives the actress a chance to shine as a character similar to the one she played in The Shining, where she played a mother who went through a horrible experience and did everything she could to protect her family.
People say that Duvall's character is a guiding voice to her son, Rico, all through Forest Hills. This is very different from the confused Wendy Torrance that people know and love from The Shining.
Even though Duvall has moved away from horror over the course of her career, she has shown that she has the range of emotions to play such roles.
It's a good idea to have her come back in a thriller like Forest Hills, because it will be exciting to see her in that kind of movie.
Since Forest Hills is an independent movie, there is less pressure on it to do as well at the box office as a big hit.
Indie films often focus more on the art than on how well the movie will sell, which is good for Duvall, who can use her skills to give a performance that people will remember.
Even though it won't be all up to Duvall to make Forest Hills a hit, she will be a big part of how well the movie does and has the star power to draw people in.
Hopefully, Duvall will be able to make the most of her return to acting with Forest Hills and have the last word on her Hollywood legacy.
Tenoch Huerta, who plays Namor in Black Panther: Wakanda Forever, talks about how important it is that Indigenous cultures are shown in the movie.
On the poster for the movie Black Panther: Wakanda Forever, you can see Namor, Namora, and Attuma.
Black Panther: Wakanda Forever star Tenoch Huerta has talked about how important it is that Indigenous cultures are shown in the Marvel movie.
Wakanda Forever, the last movie in Phase 4 of the Marvel Cinematic Universe, is set to come out on November 11.
In the sequel to Black Panther, which came out in 2018, the fictional country of Wakanda will be mourning the death of their king, T'Challa, who was played by the late Chadwick Boseman in the first movie.
After their king dies, the people of Wakanda have to fight to protect their country from invaders and the threat of the undersea country of Talokan.
Namor the Sub-Mariner makes his movie debut in Wakanda Forever. He is one of Marvel's oldest comic book characters (played by Huerta).
Namor has been on the Marvel roster since the company was called Timely Comics. He was once one of Timely's most important characters, along with Captain America and the first Human Torch.
Namor made his debut in the Marvel Cinematic Universe in Black Panther 2. Director Ryan Coogler and his team changed Namor's comic book home of Atlantis to a kingdom from Aztec and Mesoamerican mythology.
Heurta, a Mexican actor, is said to have taught himself Mayan language to prepare for the role.
Screen Rant went to a press event before Wakanda Forever came out, where Huerta praised Coogler and his team for giving Namor a Mesoamerican background.
The actor who plays Namor called the decision "a great idea" and said that "now is the perfect time" to talk about and celebrate the cultural roots of Indigenous people in Latin America.
Read what he said in full below:
"I think it was a great idea for Ryan and the rest of the team to give Namor this background.
Now seems like the right time to talk about it.
We deny our indigenous roots in Latin America, especially in Mexico.
Sometimes it's just like a token, but in general, we don't believe it.
We don't care about genes because almost everyone in Mexico has African or indigenous roots. Instead, we care about culture.
We have moved away from our Indigenous roots in terms of culture.
So, let's honor these two main sources in Latin America, which are African and Indigenous roots, by embracing them.
"I hope this makes it easier for people to accept who we are.
Look at yourself in the mirror and tell yourself that what you see is fine.
They taught us to be ashamed of who we are, but now it's time to stop and say, "Yeah, this is who I am, and there was never anything wrong with me."
The mistake was made by the people who looked at us and judged us.
Most of the time, it was us who did it.
So, it's time to take off the rose-colored glasses and accept our ancestors as part of who we are.
Now, it's happening in a movie like Ryan Coogler's Black Panther.
I think it's the best way to talk about it and the best way to show it.
And that's really cool."
How Black Panther keeps setting a higher standard for diversity in the MCU
Black Panther will always be in Wakanda
The people of Shuri Namor
Even before the first Black Panther movie in the MCU, T'Challa and the made-up world of Wakanda did a lot to promote diversity and inclusion.
Stan Lee and Jack Kirby made Black Panther in the middle of the 1960s. He was the first African-American superhero to appear in a mainstream comic book.
When it was time to give the character his own big-budget movie, the first Black Panther movie was the first Marvel Studios movie with a black director and a mostly black cast.
Because of the film's cultural importance and undeniable quality, it was a big step forward for putting black voices in mainstream movies.
The success of the first movie gave Marvel Studios the confidence to make more different movies with a wider range of directors.
Shang-Chi and the Legend of the Ten Rings and Ms. Marvel might not have turned out the way they did if Coogler and his team hadn't laid the groundwork for them.
Now, Black Panther: Wakanda Forever has the chance to do for Indigenous Latin American voices what the franchise has already done for African voices.
Henry Cavill is back as Superman, and his scene after the credits in Black Adam brought back a familiar musical theme.
Henry Cavill Is Back as Superman in the DCEU
John Williams's Theme
Henry Cavill came back as Superman in the after-credits scene of Black Adam. Instead of Hans Zimmer's new Man of Steel score, John Williams' classic Superman theme was used.
Cavill's return as Superman has been talked about for a long time, especially since the new head of Warner Bros. Discovery told the public that Batman, Wonder Woman, and Superman would be the franchise's main characters in the future.
Cavill's comeback in Black Adam brings him back into the DCEU, but it's not clear where the character will go from here.
There are some hints about what might happen with Cavill's return as Superman, though. The most obvious is that Black Adam's post-credits scene used John Williams' Superman theme instead of Hans Zimmer's.
There are two possible reasons why DC chose Williams' Superman score over Zimmer's for Cavill's return.
It could be because Williams' theme is more well-known to moviegoers in general, or it could be a sign of where DC plans to take Cavill's Superman in the future, a sign of a new era that is less tied to the DCEU's previous version of the character.
There is a lot of information about how hard it was for the DCEU to bring together its famous characters in stories that made sense, and it's possible that Warner Bros.'s new leadership wants to move away from that time.
The famously happy Superman theme song by John Williams could be exactly what the DCEU needs for a soft reboot of Superman, a hint at what's to come.
Cavill has hinted that his version of Superman will be more upbeat and inspiring, more like the comic book character, who stands for the best in people.
Williams' score fits better with that kind of story, which may be why Zimmer's music wasn't used for the scene after the credits in Black Adam.
Man of Steel, in which Henry Cavill played Superman for the first time, was the first movie in the DCEU. It was also the first movie in what is now called the Snyderverse.
Man of Steel was the first movie in a new era for DC movies. It was also a completely new take on the Superman mythos, so Hans Zimmer was brought in to make a score that fit this new Superman.
Zimmer's score is quiet and hopeful, and its crescendo shows how Superman becomes Man of Steel.
Snyder's version of Superman was a good character study, but it sometimes missed the point that Superman is, above all, a symbol of hope who inspires people to be the best versions of themselves.
Zimmer's take on Superman is very different from John Williams's Superman score from 1978. Williams's score is immediately happy and unapologetically positive, just like a hero should be.
If DC wants to go in a different direction with Henry Cavill's Superman, one that is closer to the source material, there is no better way to show that change than by using Williams' original theme.
Both Zimmer and Williams wrote music that was perfect for the kinds of Superman movies they were writing for, but one version will work better for the story that is being told now.
How well does John Williams' music go with Henry Cavill's Superman?
Superman
Henry Cavill Henry Cavill
Christopher Reeve was a famous actor.
John Williams's Theme
It's important to remember that a movie's soundtrack is an important part of the whole.
If Black Adam's composer Lorne Balfe and DC's executives thought that Williams' theme was the way to go, it's easy to see why.
It all depends on how the character is shown on screen.
If DC wants to take Superman in a boldly optimistic direction, the music should reflect that, and Williams' theme is their best choice right now.
It's not clear yet if Williams' music will be used in all future DCEU Superman projects, but that was the plan.
Since it's just a short scene in Black Adam, the music only had to convey a certain feeling, not Superman's whole past and future.
Cavill's comeback as Superman in Black Adam is definitely something to celebrate, no matter what music is playing.
Jonathan Majors, who plays the complicated adversary Damian in Creed III, has released a series of teasers revealing fresh information about the character.
Jonathan Majors, wearing a white t-shirt, stands on the side of the road in Lovecraft Country, intently thinking about something.
New information regarding Jonathan Majors's antagonist in Creed 3 has been revealed.
After a slow start, Majors is on a roll thanks to Loki's introduction of Kang the Conqueror, who will play a significant part in the next stages of the Marvel Cinematic Universe.
Meanwhile, he'll be taking on a totally different kind of challenge when he co-stars with Michael B. Jordan in Creed III.
Of course, Michael B. Jordan's portrayal of Adonis Creed, the son of Rocky's late friend Apollo, was the impetus for the Creed series, which itself was a spinoff of the Rocky franchise.
Since Sylvester Stallone's Rocky is not anticipated to return for Creed III, Michael B. Jordan's Creed will have to go it alone.
This time around, Jordan is taking on even more of the franchise's workload than usual, serving as both director and star.
And with Majors joining the cast as Damian, Jordan's Adonis will have a formidable foe to spar with in Creed III.
Related: "Rocky Balboa Already Gave Rocky an Ending," so "Creed 3" doesn't have to.
As could be expected, details about Majors' participation in Assassin's Creed III are being kept under wraps for the time being.
But in a recent interview with Men's Health, Majors did drop a hint regarding Damian's past and how he acquired the tiger's eye.
Below, you'll find Majors' comments:
You may be building muscle for a variety of reasons.
As a result of her losses, Dame has a strong body.
Something was missing in his life, and filling that void was what drove him to achieve so much.
Seeing Dame's corpse makes you think, "Ah, that explains it."
If you look like that, you can't possibly be happy.
Where Does Majors' Damian Rank Among Previous Antagonists in the Rocky Films?
To What Degree Does Creed 3 Have a Villain?
Author of the SR Character Theory, Jonathan Majors
Of course, there have been a lot of memorable bad guys in the Rocky and Creed movies.
As the major adversary in both Rocky and Rocky II, Apollo Creed can rightfully claim to be the first true bad guy.
By Rocky III, however, Creed had become Balboa and Stallone's Balboa's best friend, laying the stage for Apollo's sad demise in Rocky IV.
Although Apollo Creed is the quintessential example of the enemy-turned-friend, Rocky fought plenty of other foes who were not as interesting.
Clubber Lang, portrayed by Mr. T in Rocky III, stands out as the most infamous of these because of how one-dimensional a villain he is.
The portrayal of Lang in the first Rocky film is often cited as the source of accusations that the franchise is racist.
The villain of Rocky IV, the monstrous Russian Ivan Drago, who is responsible for the death of Apollo Creed, is the ultimate caricature.
Thankfully, Florian Munteanu's portrayal of Drago's son Viktor in Creed II helped redeem him somewhat.
The Dragos were given more development in Creed II than they had had in the first film, elevating them from one-dimensional villains to genuine threats to Adonis and Rocky.
Based on Majors' latest comments regarding Damian, it appears that Creed 3's nemesis will be more in line with today's nuanced antagonists and less of a collection of wrestling-heel tropes.
The odds of Majors being the most iconic villain in the Rocky/Creed saga are greatly increased as a result of this.
Halle Berry, who played the title character in 2004's box office flop Catwoman, jokes with a fan online who recently learned that virtually everyone despises the film.
Movie star Halle Berry plays Catwoman in her own film.
Halle Berry laughs off the critical and commercial failure of her Catwoman superhero film.
Michelle Pfeiffer's portrayal of Selina Kyle from DC Comics in Tim Burton's Batman Returns made her a household name.
But when Warner Bros. attempted to film a movie about Catwoman on her own in 2004, it all went horribly wrong.
However, neither Pfeiffer nor the original Catwoman, Selina Kyle, appeared in that film.
Instead, Berry will play Patience Phillips, a new character created especially for the comic.
One of the many problems with the 2004 film that led to a $81 million gross and a current Rotten Tomatoes score of 8% was an attempt to reimagine Catwoman as a new character unrelated to the one from the Batman universe.
This also explains why Michelle Pfeiffer's Catwoman spinoff film from Batman Returns was never made.
Despite the passage of over two decades, Catwoman continues to be ranked among the worst movies of all time and the largest financial failures in the history of the cinema industry.
But Berry doesn't seem to be running away from the movie's reputation as a bomb, instead using it in Twitter jokes.
Berry recently responded to a fan's tweet about how much they loved the movie as a kid and how much they still enjoy it as an adult, with a cute and amusing quote reply.
Have a look at the conversation below:
When will Catwoman ever get her own movie?
Berry's Catwoman was a box office bomb, but happily it didn't kill off the character forever.
Actually, just a few years later, in Christopher Nolan's The Dark Knight Rises, the Selina Kyle version of Catwoman returned to the big screen.
A more illustrious achievement is that Kyle had a significant and engaging part in this year's The Batman, starring Matt Reeves as the Caped Crusader.
After seeing Zo Kravitz in The Batman, many viewers have hoped that the character of Kyle will be given her own film.
In all likelihood, the moment has come for a story to be told about Catwoman that makes use of the whole range of her psychological and moral complexity (the same way they always do with Batman).
And after Kravitz's stunning turn in The Batman, it looks like they've found their man for the role.
However, while the time may appear right for Catwoman to get a good standalone movie, there are reasons behind the scenes that could derail the project.
Warner Bros. Discovery's recent actions, including as the contentious cancellation of the Batgirl movie, have cast a shadow of suspicion over the entire DCEU.
It may not be wise to draw broad conclusions from a single action, but this is perhaps not the best time to pitch a solo superhero movie starring a woman.
Perhaps the storm will pass and Catwoman will be recognized for her own merits apart from Batman, but it's also possible that WB's most risk-averse employees will view Selina Kyle as too much of a gamble and insist on keeping her linked to Batman.
So far, Halle Berry's Catwoman is the only time the character has been given her own movie, and it's a total failure.
Jamie Lee Curtis addresses a meme that mocks the way she promotes the Halloween films by focusing on pain.
Concerned, Laurie Strode
Jamie Lee Curtis, who stars in the new Halloween film, addresses the internet meme that supercuts her promotional interviews in which she discusses the traumatic events that inspired the film's relaunch of the Halloween franchise.
With Halloween Ends, Curtis will officially retire from her legendary role as Laurie Strode, completing the newest trilogy of Halloween films that began in 2018.
The film will debut in theaters on October 14 and can be viewed for 60 days on Peacock's premium tiers afterward.
After Michael Myers vanished after his final rampage in Halloween Kills, Laurie finally confronts him four years later in Halloween Ends.
The trilogy follows on from the 1978 original and explores Laurie's post-traumatic growth in the wake of Myers' first murdering spree.
The 2018 Halloween's thematic heft gave it depth beyond that of your standard slasher flick.
Connecting the dots: How the Unmasking at Halloween's End Backs Up the Silver Shamrock Theory
Pop Crave tweets a video of Curtis at New York Comic Con, where she addresses the online meme depicting her promoting the film.
The meme in question is a compilation of her various uses of the term "terror" to describe aspects of Halloween; the word's unusual pronunciation contributes to the hilarity.
She then repeats that she has seen the meme, deems it "funny," and uses some colorful language to describe the individual who created it, prompting raucous laughing from the crowd.
Here is what she had to say about that:
I'm thinking of Laurie and her traumatic experience.
And, yes, I've seen that f***ing meme.
It was amusing.
The film, however, made a ton of money, so screw you.
The Future of Halloween's Exploration of Trauma.
In the Halloween Ends poster, Laurie and Michael are seen embracing.
Due to the film's high profile, Curtis has been doing the press circuit as the franchise's face, and the meme comments on the repetition that can occur when interviewing stars.
It's evident that Curtis is unbothered by the meme because her reaction to it is one of dry enjoyment and because Halloween made over $250 million at the box office.
It would definitely take more to surprise the seasoned performer after such a remarkable career.
The film's treatment of trauma and post-traumatic stress disorder (PTSD) is a product of its time; such issues wouldn't have been addressed before 1978.
Art is one of the best methods to transmit ideas and deeper meanings, so don't discount the concepts just because the meme is hilarious.
With any luck, Halloween Ends will avoid Halloween Kills' pitfalls while still carrying the same conceptual weight as the original film and giving Laurie's tragedy a fitting denouement.
In her new autobiography, Geena Davis describes how Bill Murray terrified her right from the start of their time together on the set of Quick Change.
starring Bill Murray and Geena Davis, Quick Change
On the set of Quick Change, Geena Davis says she was intimidated by Billy Murray.
In 1990, Murray directed and starred in the film Quick Change starring Viola Davis.
Critics were divided on the film, although they did agree that Bill Murray turned in among of his finest performances.
Despite this, Quick Change was a financial failure at the box office, grossing only $15.3 million worldwide on a budget of $17 million.
Actors and staff members have been coming out with allegations of Murray's alleged abusive behavior on set for years.
Richard Dreyfuss has referred to Murray as a "drunken bully," while his co-star in Ghostbusters, Harold Ramis, has described him as "irrationally cruel."
Murray and Chevy Chase, his Saturday Night Live co-star at the time, got into a heated debate that escalated into a fistfight in 1978.
A worrisome altercation between Lucy Liu and Murray on the set of Charlie's Angels was rumored to have occurred in July 2021.
In April of this year, Murray was a part of the film Being Mortal, which marked the directorial debut of Parks and Recreation star Aziz Ansari.
The production of Being Mortal was interrupted on April 21 after a complaint was filed against Murray for inappropriate behavior.
Murray acknowledged his involvement, adding, "I did something [he] felt was hilarious and it wasn't viewed that way."
Production on the movie has halted for the time being.
Related: Bill Murray and Lucy Liu's Fight in Charlie's Angels Exposed
Davis writes about how Murray tortured her on the set of Quick Change in her new memoir, "Dying of Politeness," as reported by The Times.
Davis recounts meeting Murray for the first time in a hotel suite, when he insisted on massaging her with The Thumper despite her strong objections.
Davis was waiting for her clothing and recalls that Murray yelled at her in front of the entire cast and crew for being late on set.
Davis made the following comment to The Times:
That's not good.
When we initially met, he acted in such a way that...
Neither staying nor vehemently defending myself would have helped me get the part; instead, I should have just left.
If I had known what to do or how to react during the audition, I could have prevented that treatment.
But you know, I was so passive-aggressive that I just didn't...
The actor has been facing allegations of inappropriate behavior since the 1970s, though they have only recently come to light.
Murray has been accused of both verbally and physically abusing his coworkers in the past.
The director of Charlie's Angels, McG, alleged that Murray head-butted him on set and nearly broke his nose.
Where does Bob fit into this?
Laura Ziskin, a producer, claimed that Murray smashed her sunglasses by hurling them across the parking lot and threatened to do the same to her.
Perhaps Murray's ability to get away with questionable choices in behavior over the years is attributable to the fact that he is best recognized for playing likeable humorous characters.
Following the Being Mortal complaint, Murray stated his willingness to adjust his approach, saying, "Sadly, I believe this dog has reached the end of its educational potential.
I have no plans of becoming a sad dog."
Only time will tell if Murray has actually changed after more than 40 years of charges of inappropriate behavior; Davis claims he still hadn't learned his lesson by the time of 1990's Quick Change.
Actor Noah Centineo reveals how he had to get his Atom Smasher costume surgically opened after getting hurt on the set of Black Adam.
The Black Adam Atom Smasher
During production of Black Adam, Noah Centineo was injured and required the costume from Atom Smasher to be sliced open due to the severity of the wound.
Black Adam, the latest anti-hero prepared to reset the DC Universe's current structure, will soon be introduced to audiences in the DC Extended Universe.
Dwayne Johnson will play the title role in Black Adam, and the film features an impressive supporting ensemble that also includes Pierce Brosnan, Viola Davis, Aldis Hodge, and Quintessa Swindell.
In Black Adam, we'll learn how the wizard Shazam bestows on the comic book hero Black Adam the abilities of the Egyptian gods.
In addition to this, the film will introduce the Justice Society of America, a formidable superhero team lead by Brosnan's Dr. Fate.
To All the Boys I've Loved Before will be portrayed in a movie.
Centineo has previously starred as Atom Smasher, a member of the Justice Society of America with extraordinary strength and the ability to modify his size by adjusting his molecular structure.
This is connected to how Black Adam's Justice Society muddles the DCEU timeline.
During a recent appearance on The Tonight Show Starring Jimmy Fallon, Centineo discussed an experience he had while filming Black Adam.
The actor revealed that he had to be taken out of his skintight costume for a hilarious take during an action sequence because he had dislocated his arm.
Then Centineo hilariously described how, after thirteen tries, he finally got his arm back into its socket, only to dislocate it again in his elation.
You can read the whole of Centineo's quote down here.
Everything's covered, right? It's 100 degrees outside and Atlanta is humid, so of course you're going to wear your full uniform.
Complete skin coverage may look awesome, but it's not practical for running wind sprints.
They asked if we could do one more take after we had already completed six, and I replied, "Sure, why not?"
Count me in
You only have a limited number of opportunities to experience this in your lifetime.
So I'm running and thinking, "this time let's make it funny, let me try and make it funny," so I run off the curb, there's a parked car, and I pretend to hit my knee on the parked car as I run, then I spin around like, "argh!" like, "that hurt," and my arm goes up and then dislocates, like fully out-of-socket, and I'm like, "it'll go back in, hold on,
You can't put it back where it came from.
My current state of mind is "hang on, stop stop stop."
Keep in mind that the outfit fits like a glove, so snugly that they seem concerned.
I yelled, "My arms are out of their sockets!" and they came down to attempt to put them back in, but it wasn't happening. They eventually had to cut the suit open.
In the meantime, I sat there thinking, "I can't believe this; this is hilarious." as they open it and then remove it.
After thirteen failed attempts and a foot pressed firmly into my armpit followed by a man's push from behind, it went back in properly, and I threw my arms in the air, shouting, "IT WENT BACK IN!"
My dislocated shoulder keeps happening every time I throw my arm in the air.
When I said, "Fire in the hole!" they said, "Let's do it again."
On the third try, they succeeded, and the part was reinserted.
Although Centineo's involvement in the film's promotional push has left some questions unanswered about Atom Smasher's precise position in the events of Black Adam, it is assumed that the character will play a significant role.
Actor Noah Centineo has said that his character, Atom Smasher, is in a "transitional phase" in Black Adam, and director Jaume Collet-Serra has said that the film will follow the JSA as they try to keep this new anti-hero under control, so it's not surprising that Centineo's character will be uncertain of his place within the JSA.
It's possible that Centineo's hero's introduction to Black Adam's anti-hero methods will have an effect on the simmering internal struggle, given the character's somewhat detailed biography and the fact that Atom Smasher appears in several action-packed moments.
Though it's good news that Centineo has made a full recovery from his wounds, it's still entertaining to learn about the young actor's antics on set, even if they may have cost the wardrobe department a suit.
Several Black Adam trailers have included Atom Smasher in what appear to be thrilling action scenes, but it is unclear what role he will play in the film as a whole.
It's reasonable to suppose that, going forward, Centineo will exercise a modicum of caution whenever he attempts a comedic perspective.
Jacob Batalon, who plays Spider-best Man's friend Ned Leeds in the MCU, regrets suggesting that his character will undergo a specific development.
Spider-Man: Homecoming is where Ned finds out the truth.
Jacob Batalon, who played Ned Leeds in the latest Spider-Man film, No Way Home, and hinted that his character could become the Hobgoblin in future MCU films, has since apologized.
Ned made his debut appearance as Peter Parker's (Tom Holland) best buddy in the 2017 film Spider-Man: Homecoming, when he learns Peter's secret identity as Spider-Man and eventually becomes Spider-"man Man's in the chair."
Marvel Comics' Ned Leeds is a real person who, after being brainwashed, becomes the villain Hobgoblin. However, the MCU's Ned Leeds is very different from the comic book version.
In the Marvel Cinematic Universe's Spider-Man films, Ned and Peter's friendship has been a driving force, although the two are rivals in the business and in love in the comics.
Audiences' attention was drawn to Spider-Man: No Way Home for several hints to Ned's potential future as an antagonist.
In one scene, Ned inquires of Tobey Maguire's Spider-Man whether he has a best friend, and Peter tells him all about Harry, who tries to kill him before ultimately passing away in Peter's arms.
Ned was visibly rattled up by the exchange, but he assured Peter (Holland) that he wouldn't turn traitor.
Fans of the character have wondered if Ned will eventually mature into his comics portrayal and become Hobgoblin after other hints were dropped about his hidden magical powers and his future in the MCU.
Batalon, apparently pleased by the Hobgoblin ideas, has fanned the conjecture with cryptic comments.
Ned turns into Venom, not Hobgoblin, according to this theory about Spider-Man 4.
Batalon, however, apologizes to Marvel Cinematic Universe viewers during an appearance on The Tonight Show Starring Jimmy Fallon for his role in fueling rumors concerning Ned's future.
The actor implies he has no idea what Ned's future in the MCU holds by referencing statements he made as far back as 2016 and seemed sincerely apologetic for his part in the Hobgoblin speculating.
Read on for Batalon's take on the matter:
I feel the need to apologize to everyone for anything I did.
I made an extremely dumb move in 2016 and I even admitted to it in an interview the same year.
Then, stupidly, I just kept ahead with the story as though I already knew the ending.
And it has become the topic of conversation throughout all demographics.
And I simply wanted to apologize for all the confusion...
Batalon admits in his apologies that he teased a Hobgoblin run during the promotion for Spider-Man: Homecoming, while being unaware of what was planned for his character.
Since the MCU is notoriously secretive about plot and character information, it's probable that most Spider-Man fans didn't take his statements literally, making his apology a hilarious throwback to the teases he has provided over the years.
The fate of Ned in the MCU is uncertain after the events of Spider-Man: No Way Home.
With him having no recollection of Peter or their exploits together, it seems unlikely that we will see him reprise his role as Hobgoblin in any future MCU or Spider-Man flicks.
It's possible that Ned's memory loss may be exploited to turn him into a comically realistic version of Leeds, in which he and Peter work for the same company and Ned is indoctrinated into thinking he's Peter.
The Marvel Cinematic Universe may possibly establish an alternate-universe version of Ned to track down Peter as the Hobgoblin.
The Hobgoblin identity has been assumed by a number of characters throughout the years, so it's possible that a new Marvel Cinematic Universe figure, like Roderick Kingsley or, moving away from the books, Harry Osborn, will don the mask in the next Spider-Man film.
Fans of the Marvel Cinematic Universe who hope to see Batalon in a future Spider-Man film should be encouraged by the actor's stated interest in returning to his role as Ned.
Disney's live-action Snow White star Rachel Zegler had the perfect response to the criticism of Halle Bailey's The Little Mermaid.
Portrait of Rachel Zegler and Halle Bailey
Actress Rachel Zegler, who played Snow White, has spoken out in favour of Halle Bailey's choice to play Ariel in The Little Mermaid.
Recently, Disney has made efforts to increase the number of live-action films that are based on their animated classics.
Disney has continued to release animated features starring Lily James since 2015's Cinderella, with 2019's Aladdin and 2020's Mulan.
Live-action remakes and reimaginings of these animation masterpieces sometimes work as direct remakes and sometimes place their own unique perspective on the original stories.
While some audiences may question the need for live-action remakes of classic Disney films, others relish the chance to watch their favourite tales given the Disney touch with a modern budget.
A live-action Hercules, The Little Mermaid, and Snow White are all under production at the moment.
Ziegler will play the title role of Snow White opposite Gal Gadot.
As Ariel, Bailey will take centre stage in the upcoming live-action adaptation of the 1989 Disney animation classic The Little Mermaid.
Bailey has received racist vitriol since her casting because the studio chose to cast a Black actor in the part, and the criticism has only increased since Disney released a trailer for the film.
Those who see themselves in Bailey's interpretation of the Disney princess have responded emotionally to the clip, and she has earned acclaim from fans and fellow actresses, including the original Ariel voice actor, Jodi Benson.
Related:
The Little Mermaid's Original Ariel Actor Explains Why Casting Is Crucial
Ziegler has joined the ranks of many who have taken to Twitter to show their approval of Bailey.
A fan of Zegler's casting as Snow White but not Bailey's, who concluded their tweet with "#NotMyAriel," were quickly silenced by the new Disney star.
Look at her pithy reply down here:
Since Zegler has experienced criticism for her casting as Snow White while being Latina, her support of Bailey is an act of solidarity.
It's inspiring that both performers can keep their cool in the face of criticism for bringing these classic characters to life for a new generation of fans.
The new Disney princesses have shown that the royal franchise is in good hands, and it's inspiring to see the two women support one another despite the hatred directed at them.
For every racist comment made about Bailey and Zegler, there is a strong show of support.
As evidence, she recently posted a movie of her reactions to young girls of colour viewing her Little Mermaid clip with joy, showing that she has chosen to bask in the positivity rather than give in to the negativity.
While Hollywood keeps making baby steps toward diversity in cinema and television, critics will always make themselves heard. This is why it's so crucial for actors of colour to support and stand with one other, as Zegler has done in Snow White.
Audiences who see The Little Mermaid for themselves will quickly forget the criticism after witnessing Bailey's excellent performance in the Disney-released preview.
Paige O'Hara, who voiced Belle in Disney's 1991 animated classic Beauty and the Beast, has revealed that the princess's fashion choices were at first more Hollywood.
In Beauty and the Beast, Belle brightens up her hometown.
Paige O'Hara, who provided the voice of animated Belle in Disney's Beauty and the Beast, has revealed that the princess's appearance was drastically altered before being finalised.
The animated musical masterpiece was directed by Gary Trousdale and Kirk Wise and released in 1991, during Disney's Renaissance period.
The lush and romantic Beauty and the Beast won over audiences of all ages, earning $440 million worldwide.
The story of a young woman named Belle who yearns for adventure but must give up her freedom to save her eccentric father and who develops an unlikely friendship with her jailer, the Beast, was the inspiration for the film, which was based on a 1756 fairy tale by French author Jeanne-Marie Leprince de Beaumont.
The 1991 animated film Beauty and the Beast was a critical and commercial success for Disney, and the company capitalised on the film's enduring popularity with a live-action remake starring Emma Watson in 2017.
Earning over $1.2 billion at the box office, Watson's retelling of the classic character brought the princess into the modern world.
The original Beauty and the Beast, the first animated film to be nominated for Best Picture at the Academy Awards, has had a greater and more enduring impact than any other film.
Audiences adored the likeable, relatable Belle, but she almost had a very different appearance.
A related concept is an idea that both "Beauty and the Beast" and "The Little Mermaid" take place simultaneously in history.
The original voice of Belle, Paige O'Hara, is reportedly featured in the new Emily Zemler book Disney Princess: Beyond the Tiara.
O'Hara claims in the book that the original concept art for Belle resembled Hollywood It Girl Angelina Jolie in terms of glitz and glamour.
Here is what she says about it:
Beautiful, in a way reminiscent of Angelina Jolie.
I couldn't fathom how anyone could relate to such a character.
You would admire her so much that you would put her up on a pedestal.
Her appearance was altered by the animators.
A touch of perfection would have been nice, but she was too good.
Although Jolie had not yet been a household name at the time of the 1991 premiere of Beauty and the Beast, O'Hara's comparison to her shows the enticing appearance animators were originally looking for when they envisioned Belle.
O'Hara is correct in saying that spectators wouldn't have been able to relate to a more glossy take on the heroic princess.
Belle has the same kind of beauty as her other Disney princesses, but it's meant to be more every day because she plays a small-town heartthrob at the beginning of the film.
Though the villagers in the opening song "Belle" gush over her beauty, Belle has trouble making friends and family members because of her odd behaviour, high IQ, and love of literature.
Because of this difference, it is essential that Belle be lovely, but in a more low-key, daily way than the sophisticated, glam style that O'Hara depicts.
Considering the film's impact on Disney's animation canon, it's safe to say the animators made the proper choice in updating Belle's appearance.
What makes Belle and the other Disney princesses so wonderful, as O'Hara points out, is not that they are perfect, but rather that viewers can find aspects of themselves in them.
It was Belle's compassion and yearning for a more fulfilled life that connected with fans at the time Beauty and the Beast were released, earning the film four Oscar nominations and a win for its stirring soundtrack.
It's a relief that the animators went with their guts on Beauty and the Beast, which has become the norm for the mass appeal of recent Disney productions with its more mature take on a children's fairy tale.
When Bond actor Idris Elba said he didn't want to play 007, producers Barbara Broccoli and Michael G. Wilson responded.
The actor Idris Elba, dressed in a suit and coat for his role as Luther, strikes a dramatic pose on a downtown street.
Producers of the James Bond films address Idris Elba's rejection of the role of 007.
In the climactic moments of 2021's No Time to Die, Daniel Craig's James Bond was slain in a spectacular explosion.
This means that, for the first time in many years, the role of 007 is wide open.
Of course, No Time to Die had already introduced a different 007 in the form of Lashana Lynch's Nomi, who briefly assumed the identity before handing it back to Bond.
However, producers have effectively killed any hope of an actual woman playing James Bond 007.
Now, any number of eligible male actors, including Tom Hardy, Henry Cavill, Richard Madden, James Norton, and Tom Hiddleston, might take over for Craig as Bond.
See also: The Flaw in the Original Theory About James Bond's Face Changes.
Elba is another option, and he's a favourite among Bond fans.
If Elba were to take on the role of James Bond, he would make history as the first actor of non-white ethnicity to do so.
Elba just eliminated himself from consideration, suggesting he has no desire to play James Bond 007.
Bond producers Barbara Broccoli and Michael G. Wilson don't appear to be fazed by Elba's comments.
Mr Broccoli told Variety:
Idris is a wonderful person, and we adore him.
However, that time is still a few years away.
And when we cast Bond, we're committing for ten or twelve years.
So, he's probably debating whether or not he needs the item.
Obviously, not everyone is up for that.
The process of obtaining
Moreover, Wilson mentioned that Craig was already in his 30s when he assumed the role of 007 in 2006's Casino Royale.
Elba, on the other hand, is already 50 years old, so he would be in his sixties by the time he was ready to retire from the role of James Bond if he committed to portraying Bond for another ten years.
It's also true that Elba seems to have emotionally moved on from all the chatter about him becoming Bond, despite the fact that it's been going on for years with no results.
Even more recently, the actor said, "I have no more answers for it,” suggesting he is sick of being asked about Bond.
Just "ah, don't ask me that," I always say.
Of course, none of these completely rules out Elba as Bond in the future.
One or both parties may be engaged in secret negotiations at the present time.
However, Elba may be completely serious in his public comments and have no desire to play Bond.
If Elba isn't available, there are plenty of other interesting actors waiting in the wings to meet with Broccoli and Wilson for an audition.
The James Bond franchise has been going strong for sixty years, and the role of 007 still has significant attraction among performers.
Star of the Barbie film franchise Emma Mackey says the script by Greta Gerwig and Noah Baumbach is "one of the greatest" she's ever read.
Dressed all in black, Emma Mackey of Sex Education wore a scarf over her black hair, and her inquisitive expression set the tone.
Actress Emma Mackey, who plays Barbie in the film, says the script is the best one she's ever read. In 2009, Universal began brewing ideas for a film adaptation of the iconic Mattel doll brand Barbie. There have been rumours over the years that Amy Schumer and Anne Hathaway might star as Barbie.
Nonetheless, Barbie's future was not set in stone until 2019 when the brand was transferred to Warner Bros. It was rumoured in July of that year that Margot Robbie would play Barbie. It was also announced that screenwriters Greta Gerwig and Noah Baumbach would be involved. Finally, in 2021, it was announced that Gerwig, who had been nominated for an Oscar, would be directing the picture. Early in 2022, Ryan Gosling was cast as Ken, completing the Barbie cast.
Since the confirmation of Robbie and Gosling as the leads, further cast members have been announced. Mackey, star of Sex Education, has a secret part in the Barbie movie. Mackey just spoke with Total Film (via GamesRadar) about the Barbie script, and he had nothing but praise for Gerwig and Baumbach. She remarked, "It's pretty special," and continued, "It's one of the best scripts all of us have read."
That one of the film's actresses would sing the praises of Gerwig and Baumbach's work on the Barbie storyline is, of course, not unexpected. After all, Gerwig has been nominated for an Academy Award for her writing twice: in 2018 for Lady Bird and again in 2020 for her adaptation of Little Women. Both The Squid and the Whale (2006) and Marriage Story (2020) earned Baumbach writing nominations for the Academy Awards.
Having Gerwig and Baumbach receive their third Oscar nomination for creating the screenplay of a film based on a doll line would be very bizarre. But if you take Mackey at his word, the two authors' efforts on Barbie are admirable enough to merit such high praise. Of course, facts on the narrative of Barbie are scarce, but it has been established that the story involves numerous Barbies and Kens, suggesting that the film is not a typical attempt to mine expensive IP for the sake of humorous screenplay. Involvement from Robbie and Gosling alone automatically raises the film's profile above that of your average popcorn flick. When the movie is out, people will be able to see for themselves whether or not Mackey is correct in her evaluation of Barbie.
Concept art from the Multiverse of Madness features an unpowered Strange variation who appears to be dressed as a lowly street magician.
Dr Strange, played by Benedict Cumberbatch, is depicted in concept art wearing a fez and a ridiculous street magician's costume.
Concept art for Doctor Strange 2 includes Melvyn, a street magician version of Doctor Strange who was cut from the final film.
The arrival of the much-anticipated Doctor Strange sequel in 2022 marked a turning point for the MCU's cosmos.
The chaotic thriller by director Sam Raimi was highlighted by a fight between Elizabeth Olson's surprisingly nasty Scarlet Witch and Benedict Cumberbatch's Stephen Strange.
However, Raimi, the famed director of Evil Dead, wasn't always planned to helm Doctor Strange In the Multiverse of Madness.
There was talk of Scott Derrickson reprising his dual roles as writer and director for the Doctor Strange sequel.
However, Derrickson eventually left the project for personal reasons, prompting Raimi to replace him.
Since Raimi took over for Derrickson, many things have changed for Doctor Strange in the Multiverse of Madness.
After the filmmaker left the project, at least one really funny notion by Derrickson fell by the wayside.
During this meeting, Stephen Strange would have encountered one of his own variants, a kind street magician named Melvyn, as described in the official Doctor Strange 2 audio commentary starring Raimi, writer Michael Waldron, and producer Richie Palmer.
Finally, thanks to concept drawings provided by Darrell Warner, fans have a glimpse of what Melvyn Strange might have looked like in the early stages of development.
Check out the funny and wacky illustration below:
According to the audio commentary for Doctor Strange in the Multiverse of Madness, the first Marvelous Melvyn was an unpowered version of the character who had a "sweet, enlightening" conversation with Strange Prime.
However, it was ultimately decided that the villainous Sinister Strange should replace this likeable version of Strange in the final cut.
If the above concept art is any indication, it would have been great to see Benedict Cumberbatch dress up as Melvyn Strange and play a much kinder and milder-mannered version of Strange than what fans are used to seeing.
The actual Strange isn't necessarily the most appealing figure, even if he's not bad per such. He can be bossy, if not downright arrogant.
Seeing this entertaining Melvyn Strange concept art simply helps to remind us of how many fantastic ideas are conceived throughout a film's protracted production process but do not make it into the final product.
Maybe another Marvel Cinematic Universe film will give Marvelous Melvyn his due.
The overstuffed and fairly dark Doctor Strange 2 that Raimi and colleagues finally delivered left little room for this playful and ludicrous idea.
Now that a Thunderbolts film is actually being made for the Marvel Cinematic Universe, find out what we know about the film's plot, actors, and release date.
Thunderbolts team members in split screen
Here's all we know about Marvel's Thunderbolts so far, including the cast, the release date, and the plot, despite years of rumours to the contrary.
Marvel Studios has a long history of looking to the independent film community for directors, and with the casting of Jake Schreier to helm the Thunderbolts feature, that trend will continue.
The long-rumoured project will eventually become canon after announcements at SDCC and the D23 Expo in 2022.
Fans of Marvel films had long hypothesised that the Thunderbolts would make an appearance in the MCU, long before the film's existence was confirmed and the actors announced.
Part of this is due to Valentina Allegra de Fontaine's subtle recruitment strategy throughout The Falcon and the Winter Soldier and Black Widow, and part of it is due to the stalwart presence of Bucky Barnes/Winter Soldier, who audiences believe deserves more of a leadership role than what he has been given to date.
The introduction of morally ambiguous new characters, Marvel's darker tone in Phase 3, and the commercial success of DC's The Suicide Squad all lent credence to the rumour that a Thunderbolts film would be in the works.
To be expected from a Marvel Studios production, the Thunderbolts MCU film will diverge significantly from the Marvel Comics source material.
However, many of the film's key players have already been confirmed, and much of the necessary infrastructure for a Thunderbolts movie has already been built in the MCU behind the scenes.
Read on to find out all the details regarding the upcoming Marvel film Thunderbolts.
In the comic books, the Thunderbolts are an organisation of former bad guys who have become good.
Baron Zemo formed the original team when the Avengers were eliminated, but the public didn't know that the new Thunderbolts were truly his Masters of Evil.
However, as time progresses, the Thunderbolts come to appreciate the attention they receive as heroes and do away with Zemo as their commander.
Just like every other comic book super team, the Thunderbolts have gone through several rosters and leadership changes over the years.
The Thunderbolts have always had a more morally ambiguous reputation than the Avengers, and this hasn't changed.
Over the years, the Thunderbolts comic book team has had a steady stream of new recruits join the ranks.
However, several actors who have appeared in (or left) the Marvel Cinematic Universe have ties to the comic book team.
This includes former Thunderbolts team leaders including Sebastian Stan's Bucky Barnes/Winter Soldier, Daniel Brühl's Baron Zemo, Jeremy Renner's Clint Barton/Hawkeye, Mike Colter's Luke Cage, Vincent D'Onofrio's Wilson Fisk/Kingpin, and Norman Osborn/Green Goblin (Willem Dafoe).
The official cast of Marvel's Thunderbolts was announced at the 2022 D23 Expo, therefore most of these are unlikely to show up.
Bucky Barnes, Yelena Belova (Floriane Pugh), Red Guardian (David Harbour), Taskmaster (Olga Kurylenko), John Walker/U.S. Agent (Wyatt Russell), Ava/Ghost (Hannah John-Kamen), and Contessa Val (Julia Louis-Dreyfus) are the members of the Thunderbolts.
While more comic book characters may make cameo appearances or be introduced to the team in the future, for the time being, this is the core MCU Thunderbolts lineup.
The Thunderbolts script is still in the works, and at this time we know very little about the film's plot.
Still, the MCU can take a number of different approaches.
Considering how the events of "The Falcon and the Winter Soldier" left the door open for more of Baron Zemo in the future, it's not out of the question that the MCU may adapt the comics' version of the team's origin narrative, in which Zemo recruits a band of villains dressed as heroes.
Now that Contessa Val is involved and Baron Zemo appears to be playing both sides (though he has been conspicuously absent from announcements), it seems more likely that Marvel will skip the villain beginnings and make the squad outright antiheroes and other heroes who have fallen from favour.
It's unknown what they would encounter, but it wouldn't be surprising if the plot of the Thunderbolts movie was established in at least one Disney+ programme.
Director Jake Schreier was named for the 2022 Thunderbolts film, and Black Widow's Eric Pearson is writing the story.
Production on the film is scheduled to kick up in the summer of 2023, with a tentative release date of July 26, 2024.
Marvel has a full slate of projects and a busy release schedule, which means that plans for the future may shift, but hopefully won't.
Marvel's Thunderbolts has a special place at the end of Phase 5 since it stars characters who have been presented extensively but marks the foundation of a brand new team.
So, it will be a major watershed moment for the Marvel Cinematic Universe.
A new film, True Things, stars Ruth Wilson and Tom Burke in a risky affair, and Screen Rant has an exclusive clip from the film to share with you.
The True Things Role of Ruth Wilson
True Things, a spicy and thought-provoking new film, opens in cinemas across the United States on September 9. Screen Rant is proud to provide an exclusive clip from the film.
From the best-selling novel by Deborah Kay Davies, "True Things About Me," the film is adapted by co-writers Molly Davies and Harry Wootliff (Only You), who also serves as the film's director.
Starring Ruth Wilson (Luther, His Dark Materials), Tom Burke (The Musketeers), Hayley Squires (The Essex Serpent), Frank McCusker (The Tudors), and Ann Firbank, the picture is a blazing psychological thriller (Star Wars: Episode IX - The Rise of Skywalker).
Wilson plays Kate, a lady who is sleepwalking through life at her mundane office job in the film True Things.
She has an intense sexual experience with a stranger (Burke) at work, who both challenges and excites her in ways that her routine life cannot.
Kate's attraction to this mystery man grows quickly, and the thrill of a new connection with someone so exciting and interesting propels her onto a path that could ultimately destroy her emotionally.
The wild side of Kate is revealed in this exclusive clip from Screen Rant.
During a heated argument in the car, Kate takes off her clothing and becomes physically hostile toward her date, Rob (Tom Weston-Jones).
But her friends aren't too keen on the idea, so Kate ends up walking home alone, feeling rejected and bewildered.
In the complete video embedded below:
The protagonist of True Things is an outcast who struggles mightily against the gender and social expectations placed upon her.
It delves into the dangers that women like Kate confront when trying to live up to society's expectations of their gendered roles.
Audiences are left to discover for themselves how her trip concludes, but it's an adventure well worth pursuing.
In addition to Attack on Finland, The Royal, and The Art of Love, Samuel Goldwyn Films has released a number of other titles that are sure to appeal to moviegoers.
In addition to True Things, the documentary Blind Ambition, about Zimbabwean exiles who become competitive wine tasters, will also be released in September.
Next month, they will also release in theatres in the United States Possession, a horror film directed by Norwegian filmmaker Henrik M. Dahlsbakken.
After making its world premiere at last year's Venice International Film Festival, True Things will finally hit theatres in the United States on September 9.
Despite all the positive buzz surrounding Olivia Wilde's Don't Worry Darling, the picture has received generally poor reviews from critics ever since its screening at a film festival.
Relax, Sweetheart.
Review Website With a 100% Failure Rate: Rotten Tomatoes
Considering the impressive cast of Don't Worry Darling, it has been met with a surprisingly high percentage of unfavourable reviews.
Booksmart, Olivia Wilde's debut feature as a director, was well received and sparked interest in her foray into the genres of dark drama and suburbia horror.
Don't Worry Darling, which premiered at the Venice Film Festival, has received less enthusiastic reviews than some of Wilde's other films.
Considering the talent of Florence Pugh and Harry Styles, what went wrong with the film?
Alice (Pugh), a 1950s suburban housewife living with her husband Jack (Styles), begins to suspect that things are not what they appear in the beginning of Don't Worry Darling.
This thriller boasts an A-list ensemble including Chris Pine, Gemma Chan, and Nick Kroll.
Moreover, it has been mired in controversy, with rumours of a dispute between Olivia Wilde and Florence Pugh, accusations of dismissal from the film by Shia LaBeouf, and an apparent spitting incident between Harry Styles and Chris Pine at the premiere.
Contextualized: The Debate Over Don't Worry, Darling and Its Rating
Listen to Harry Styles's "Don't Worry, Darling"
Don't Worry Darling initially generated a lot of buzz due to the impressive cast and promising trailers, but it has since been met with a slew of critically poor reviews.
Don't Worry Darling has a 43% on Rotten Tomatoes with an average reviewer score of 5.3 out of 10.
Reviews have been mixed, although the most common complaints centre around Olivia Wilde's direction, the movie's muddled plot and themes, the film's plodding pace, and Harry Styles' acting.
Here are some excerpts from the reviews that have been critical of Don't Worry Darling:
It's in The Guardian.
"The picture, directed by Olivia Wilde, haughtily steals plot concepts and characters from other movies without investigating their success.
It ruins its own ending by revealing it, demonstrating the necessity for extensive rewriting to address inconsistencies and other issues with a brilliantly ridiculous twist-reveal."
Club de Audiovisual
"In the 1990s, before Truman unlocked the prison cell or Neo ingested the red pill, Don't Worry Darling would have been seen as moderately controversial.
Wilde's picture, however, grafts these ideas onto a banal, you-go-girl structure that, alas, feels all too basic."
IndieWire
"Saying "Don't Worry, Darling" has a twist is a stretch because it is so obviously not set in a wholesome 1950s suburb.
Like the picture itself, it begins off well before collapsing into puzzling storytelling decisions that are made worse by the disgusting intents behind them."
BBC
With his flat line delivery and lack of contrast in his interactions with Pugh, "Harry Styles doesn't feel up to the material here."
Every Day Weird
"Styles has trouble keeping up with [Florence Pugh's] all-in fervour.
A scene in which the singer sobs in the car after a very heated argument with Pugh is more replete with crocodile tears than Charlie Sheen's being dragged away from his office by the police at the conclusion of Wall Street (not to mention, his bastardised British accent is distracting)."
Why You Should See Don't Worry, Darling with Florence Pugh
Critics think there are positive aspects to Don't Worry Darling, despite the film's generally poor reaction and the issue of whether Harry Styles actually spit on Chris Pine at the premiere.
Reviews have unanimously praised Florence Pugh, saying her performance is the best in the film.
Many have praised cinematographer Matthew Libatique for his work on the film.
Some of the better things said about Don't Worry, Darling include the following:
In Conclusion
Pugh's performance as a woman who won't be gaslit but may find that the alternatives are far terrible anchors the film with her expertly balanced blend of ferocity and scepticism.
The U.S.A. Today
"As she has done in previous works such as "Black Widow," "Midsommar," and others, Pugh improves the quality of every project she is a part of; this is especially important as the plot thickens.
She expertly conveys Alice's wide range of emotions, from constant doting to paranoid conspiracy theorist and back again, making joy and fear feel remarkably real even in a waxwork world."
Rock & Roll
And it is unquestionably beautiful, with cinematography by Matthew Libatique, production design by Katie Byron, and costume design by Arianne Phillips that creates a ring-a-ding '50s fantasy world that is hard not to be beguiled by.
Daily News of Los Angeles
"Perhaps Wilde's most eye-catching visual flourish is a homage to the colourful dancing displays...
These dizzying, fleeting images contribute to a mounting sense of temporal dislocation and support the prevailing impression of a male-orchestrated society in which women exist primarily for the sake of display."
Don't Worry Darling has received mixed to positive reviews, with most critics saying the film is only slightly below average.
Many things are criticised while others are praised; for example, Florence Pugh's performance and photography are praised while Styles' acting and Wilde's direction are criticised.
The critical consensus is that Don't Worry Darling isn't that terrific, despite all the hoopla around the film.
Yet, after the film is released to the masses, opinions may diverge widely.
John Boyega, speaking after Daniel Craig's departure in No Time to Die, gives his reasons for not wanting to be the next James Bond.
Boyega, John
In this case, James Bond
John Boyega explains why he does not believe he will replace Daniel Craig as James Bond.
The Bond film series has been a box office hit since its inception in the early 1960s, and a number of actors have since played the iconic role.
For Daniel Craig, who took over the role of James Bond in Casino Royale in 2006, his final film as Bond was 2016's No Time to Die.
The film's conclusion marked a first for the series, as Bond heroically gave his life to protect his loved ones and the world.
It has been speculated upon who would succeed Daniel Craig as James Bond ever since his final departure from the series.
Tom Hardy, Tom Hiddleston, Idris Elba, and Richard Madden were all frequently fan-cast as James Bond before Daniel Craig left the series.
The next Bond will be a "complete reinvention," as stated by producers Barbara Broccoli and Michael G. Wilson, but the identity of the actors competing for the role remains a mystery.
One month after expressing interest in playing James Bond, Boyega now reveals why he thinks it's highly unlikely that he would get the role.
Correspondingly, Does James Bond's Age Really Matter in 2022?
Boyega initially resists the idea of aggressively contending for the role of Bond, citing his race as a big factor, in a recent interview on Josh Horowitz's Happy Sad Confused podcast.
The actor reveals that he is suspicious of any Black actor playing Bond and that it would be "extremely unexpected" to him if the company went that path.
Read on for Boyega's entire response to a question about the role:
"I'm sorry, but I can't help it; I'm Black.
I don't know how things work out when you're Black.
Since you are a white male, it is natural for you to have experienced life primarily through the lens of your race.
For you, that's the norm.
The term "Black Bond" makes me go "Oh, OK."
Just saying: yeah, I don't necessarily believe it, but if that's what they're doing, then okay, that is extremely shocking to me."
Despite the franchise's 60 years of existence and the dozens of actors who have played Bond over the years, all of them have been white guys.
Although No Time to Die broke new ground by casting Lashana Lynch as the first Black and first female to adopt the 007 designations, only white men have ever portrayed James Bond on screen.
Boyega's comments reflect his scepticism, but they also come as fans have urged Elba to play the role despite the actor's lack of enthusiasm.
Producers have stated that the next Bond film will be a "totally new depiction of the character," leaving the door open for the first time for an actor of a non-white ethnicity to play the role.
Lynch's inclusion in No Time To Die was a significant step toward increasing the franchise's diversity, but it is uncertain if the actor would reprise his role in future instalments.
Boyega has expressed serious doubts about being selected as James Bond, but he hasn't walked back his enthusiasm in the job, so he's still in the running.
The feud between Rooster and Hangman is resolved when Miles Teller and Glen Powell work together again.
Miles Teller and Glen Powell
Reunited in Top Gun 2
An updated photo of Miles Teller and Glen Powell shows that the on-screen tension between their characters, Rooster and Hangman, from Top Gun: Maverick isn't real.
In the sequel to Top Gun, Tom Cruise reprised one of his most recognisable roles.
In Top Gun: Maverick, directed by Joseph Kosinski, the heroic pilot goes back to TOPGUN Academy to lead a fresh mission with a group of his fellow students.
Although Maverick was the primary protagonist, Top Gun: Maverick also included a number of new Navy recruits who were meant to symbolise the next generation of great pilots.
Rooster and Hangman are two of them.
It's easy to draw parallels between their dynamic at the beginning of the film and that of Maverick and Iceman when they were TOPGUN trainees.
The young pilots in the Top Gun sequel all brought something unique to the Navy and the job at hand, but they found a way to cooperate and maybe even become friends by the end.
On the other hand, Teller and Powell don't appear to have ever had any rivalry with one another.
They demonstrated this in a photo Teller posted to his verified Twitter account showing the two of them reuniting at a recent event.
Co-stars from Top Gun: Maverick pose for a photo together, with the Rooster actor making a reference to their respective roles from the Top Gun film series in the photo's caption.
Have a look at this picture of Teller:
The job of Rooster in Top Gun: Maverick eventually went to Teller, but not before Powell tried out for it.
Nevertheless, Cruise was so impressed by the Set It Up actor that he worked something out to have him appear in the sequel.
Powell has been forthright about the situation, and he never gave any indication that he was bitter about his co-star being cast in the position he had hoped for.
Well, things turned out okay in the end.
Teller gave a fantastic performance as the younger Bradshaw, emulating Goose's famous Great Balls of Fire act from the original film.
Powell, meantime, was equally fantastic in the role of the arrogant Hangman.
Despite having a smaller part than his co-star, he managed to steal the show in virtually every scene.
Some even contend that Hangman is the rightful successor to Maverick.
The antagonistic triumvirate of Hangman and Rooster put aside their differences and worked together to achieve a shared objective in the final moments of Top Gun: Maverick.
Both made it through the ordeal unscathed, and with talk of a Top Gun 3 becoming louder by the day thanks to Kosinski's film's popularity, it's likely that they'll play the leads in the sequel, with Cruise may be taking a backseat.
The fact that Teller and Powell get along so well bodes well for Paramount's future action series, since the two actors may end up working closely together in the years to come.
The all-star cast of Knives Out 2 is seen in fresh photos that hint at tensions within the group.
In the film Knives Out 2, starring Kate Hudson, Leslie Odom Jr., and Kathryn Hahn, the three of them may be seen looking intently at a mobile device.
In a fresh trio of first-look pictures for Knives Out 2, things are heating up.
Rian Johnson, director of the epic space opera The Last Jedi, shifted gears to direct the murder mystery Knives Out.
The star-studded 2019 movie ended up being a huge success, earning $311 million throughout the world.
Having signed on with Netflix, Johnson is prepared to turn Knives Out into a full-fledged franchise, bringing back many of the offbeat characters from the first film, including Daniel Craig's investigator Benoit Blanc.
Knives Out's success can be attributed in large part to the calibre of its cast, which will be replicated in the sequel, which will be called Glass Onion: A Knives Out Mystery.
Craig is joined by a slew of A-listers in the sequel, including Edward Norton, Janelle Monae, Kathryn Hahn, Leslie Odom Jr., Jessica Henwick, Madeline Cline, Kate Hudson, and Ethan Hawke.
Empire has released three new first looks for Knives Out 2, giving fans a glimpse at some of the film's biggest names in action.
The new photographs are missing Craig, but they do feature Bautista, Norton, Hahn, Odom Jr., Hudson, and Monae.
Look at the pictures down here:
Multiple Visuals: 3
The stars of Knives Out 2, Kate Hudson, Leslie Odom Jr., and Kathryn Hahn, are all mesmerised by their phones.
Knives Out 2 features a tense stare-down between Ed Norton and Dave Bautista.
In Knives Out 2, Janelle Monae and Kathryn Hahn get into an altercation.
The first picture shows Birdie Jay (Hudson), Lionel Toussaint (Odom), and Claire Debella (Hahn) looking at a very exciting phone.
Then, in a very heated stare-down, Bautista's Duke Cody and Norton's Miles Bron look each other dead in the eye.
Finally, Claire (Hahn) and Cassandra (Monae) Brand (Andi) get into it.
We can see from these pictures that interpersonal conflicts will play a significant role in Glass Onion.
That's hardly shocking because the original Knives Out was all about the drama that ensued among a large, rich family with questionable ethics.
Casting is undoubtedly the most important aspect of any film, and with Knives Out 2, Johnson appears to have done an excellent job creating a cast that will keep viewers entertained with their portrayal of a bunch of people that are always bickering with one another.
In addition to Craig's Benoit Blanc, the murder mystery plot was essential to Knives Out.
It remains to be seen how the hostile characters of Glass Onion become involved in a mystery.
However, fans may have been given a helping hand by Johnson, who has said that the film Last of Sheila had a major influence on him.
Of course, Agatha Christie was also an influence on Knives Out 2, with Johnson intending to repeat the success of the first film while confounding certain audience expectations.
Jason Momoa has hinted that, in light of Ben Affleck's comeback, there may be more than one Batman in his next DCEU sequel Aquaman and the Lost Kingdom.
Possible Inclusion of More Batman in Aquaman 2
Jason Momoa has dropped hints that the next Aquaman sequel, "Aquaman and the Lost Kingdom," may have a Batmen crossover.
Fans were crazy with James Wan's Aquaman film in 2018 thanks to its ridiculous humour, colourful visuals, and nonstop action.
Amber Heard, Patrick Wilson, Yahya Abdul-Mateen II, and Nicole Kidman all played significant parts in the film that featured Momoa as Arthur Curry.
After the incredible success of DCEU's first film to earn over $1 billion at the box office, Aquaman, a sequel was promptly greenlit with Wan and Momoa returning.
While interest in Aquaman and the Lost Kingdom has always been great, it spiked once Momoa announced that Ben Affleck will reprise his role as Batman.
Although Momoa has been mum on plot elements involving Affleck's character in Aquaman 2, he has said that it was great to work with Affleck again.
The release date of Aquaman and the Lost Kingdom has been pushed back from March to December 2023 as a result of the WB Discovery merger, which will not affect Ben Affleck's involvement in the film but may result in other modifications.
See also: Essential News About Aquaman and the Lost Kingdom
Now, at the Red Carpet event for the finale of his Apple TV+ series, he's talking to AP about it.
See, Momoa seems to be hinting that Aquaman 2 will include more than one Batmen.
The actor makes no hard assertions but makes light of the situation by joking that fans have limited information and that Batman's presence in Aquaman 2 maybe even smaller than anticipated.
Take a look at what he has to say below.
Regarding the reunion, I am not at liberty to share any details.
It's possible he won't show there, and there may be anywhere from one to a dozen Batmen.
Who can say?
You are limited in your knowledge.
Before Affleck's involvement was announced, rumours circulated that Michael Keaton's Batman would appear in Aquaman 2.
Apparently, Keaton's Caped Crusader made a cameo in the test screenings, but viewers were confused as to where exactly Keaton's Batman fit into the overall narrative.
Since then, fans have debated whether or not Aquaman 2 has both Batmen, or whether or not Affleck has replaced Keaton as Batman (which was the more plausible scenario prior to Momoa's statements).
However, things are made more difficult by his new taunt.
If Aquaman 2 takes place after The Flash, then having many Batmen in the film makes logical, given fans have known for some time that the DCEU universe will be revealed in that film.
But in the midst of the constant reshuffling of the DCEU release calendar, it is difficult to identify the initial intention for Aquaman 2, since the film has been planned to premiere both before and after The Flash.
Since the new release date is after that, the multiverse may be used to cast both Keaton and Affleck in the film.
Nonetheless, the DCEU's long-term commitment to a certain Batman remains unclear; ideally, this will become clearer as the release of Aquaman and the Lost Kingdom approaches.
Director of "Prey," Dan Trachtenberg, describes his immediate confidence in casting Amber Midthunder for "Predator" and why she was so suitable for the role.
Amber-Midthunder-in-Prey-2
Director Dan Trachtenberg of Prey reveals why he thought Amber Midthunder was the right choice to play the title role in his film adaptation of Predator, which is now receiving widespread acclaim.
The character of strong mutant Kerry Loudermilk, who shared a body with mutant scientist Bill Irwin, propelled Midthunder to fame in the first place. This role appeared in the FX X-Men spinoff series Legion.
The 25-year-old actor has also acted in shows including Roswell, New Mexico on The CW, the second adaptation of Melinda Metz's science fiction drama books, and the Netflix action thriller The Ice Road.
Naru, played by Midthunder, is a brave Comanche woman in Prey who is eager to show her worth as a warrior and puts her talents to the test when a terrible and dangerous extraterrestrial menace emerges and begins hunting down the people she loves.
Dakota Beavers, Michelle Thrush, Stormee Kipp, Julian Black Antelope, and Bennett Taylor join Midthunder in the cast of the Predator prequel film. Dane DiLiegro plays the role of the original film's famous adversary.
Director of the Predator picture, Dan Trachtenberg, looks back on the one thing he knew would be a hit from the beginning, and how it led to worldwide accolades for the film's Indigenous casting, Trachtenberg's direction, and Midthunder's performance. Prey premiered on Hulu earlier this month.
When asked about the making of Prey, director Dan Trachtenberg spoke with The Filmcast.
The Predator film's director discussed his decision to cast Amber Midthunder as heroine Naru, recalling how he knew she was the right choice the first time they met.
Please read on to see what Trachtenberg has to say:
Sincerely, I had already made up my mind the moment we had first met.
Before the outbreak, we held an online audition using either Zoom or FaceTime.
She did a fantastic job, and I found out that in addition to being a casting director, her mom also performs stunts.
And I thought, "Oh, yeah, it must be a part of the equation for her," since her dad is an actor and he's extremely muscular.
After that, there was a chemical quiz.
To sum up, we're talking about an audition with a touch more rigour.
She tried out three alternative interpretations of a conversation she might have with her mother.
She performed it verbally in both English and Comanche, and then again without using words at all.
That's something I'm familiar with doing.
No, I've never done it for an audition, but I have for scenes in productions I've been a part of.
It was fascinating to try to act out a scenario with speech without the benefit of actual words.
And that's why the movie relies so much on visual storytelling rather than dialogue.
Then there was the physical aspect; we brought in a stunt coordinator and set up an obstacle course to observe their movement.
Much of the entertainment in an action film comes from the character's actions on the screen.
That intrigued me, and upon closer inspection, I saw that her emphasis on physical activity was more than simply a means to an end; rather, her endless running, crawling, and leaping served as a means to an end—a means to further develop the tale she was telling.
I guess that proves what I suspected all along.
Starring Amber Midthunder, Naru is the focus of the film Prey.
Prey, like Mad Max: Fury Road, was a far more subdued affair than the first Arnold Schwarzenegger Predator movie, preferring to let the suspense develop and the action do the talking.
Some viewers were let down by the absence of memorable catchphrases in the prequel, but the film has received widespread acclaim for its strong character development, especially in regard to Midthunder's Naru, who is consistently ranked as one of the finest female action heroes.
Trachtenberg's comments on Prey's casting process are consistent with Midthunder's earlier statements on the film's pre-production, namely the extensive training regimen he through in preparation for the film's action sequences.
Prey may have only been the beginning of Amber Midthunder's meteoric climb to fame, which is expected to continue unabated thanks to the success of the Predator picture.
Despite widespread speculation that she has been cast as Princess Yue in Netflix's live-action Avatar: The Last Airbender series, the actor has been tight-lipped about the status of her involvement in the project.
In the meanwhile, fans of Midthunder's performance as Naru in Prey may watch the show on Hulu right now.
In anticipation of the imminent release of Black Adam, a poster has been released that focuses on Doctor Fate and provides fans with a clearer look at Pierce Brosnan in his role as the formidable figure.
Black-Adam-Doctor-Fate-Character-Poster
In a brand-new image that highlights Doctor Fate, DC Extended Universe (DCEU) fans are getting their finest look yet at Pierce Brosnan's portrayal of the character Black Adam.
Teth-Adam, also known as Black Adam, is the titular anti-hero of the upcoming film. He has been freed from imprisonment almost 5,000 years after receiving his powers from the Egyptian gods, and he is now attempting to unleash his own form of equity on the world while attracting the attention of the Justice Society of America.
In addition to Johnson and Brosnan, the film also stars Aldis Hodge, Noah Centineo, Sarah Shahi, Marwan Kenzari, and Quintessa Swindell. It is scheduled to be released in theatres on October 21, 2022.
Fans of the comics are probably already familiar with Brosnan's character, Kent Nelson. Nelson is a powerful sorcerer who wears the magical Helmet of Fate, which was given to him by the ancient entity Nabu. Nelson is also a founding member of the Justice Society of America. Brosnan portrayed Nelson in the film Justice Society of America.
Throughout the course of his publishing history, Nelson/Doctor Fate has faced a variety of challenges related to Nabu's eventual attempts to seize control of his body. Additionally, he has made cameo appearances as a guide to a number of other well-known heroes.
Brosnan alluded to the fearsome nature of Doctor Fate during a recent conversation in which he discussed his participation with Black Adam. In this conversation, Brosnan said that Doctor Fate had the ability to teleport, see the future, and revive the dead.
Now, Johnson, who has been aggressively pushing Black Adam across social media since production began more than a year ago, has turned to Twitter to share the first official character poster for Doctor Fate's appearance in the series.
The actor acknowledged Brosnan's performance in the part before writing that "Fate does not make errors," which is a quote from Kent Nelson.
Below, you can view the brand-new poster that features Doctor Fate that was just released:
Black-Adam-Doctor-Fate-Poster
Brosnan has previously explained how he was able to provide input for the character's costume design, which is prominently displayed on the poster. He noted that director Jaume Collet-Serra was great to work with and would send him different ideas. Brosnan has also previously explained how he was able to provide input for the character's weapon design, which is prominently displayed on the poster.
In a different interview that took place not so long ago, Collet-Serra discussed the reasoning for his decision to cast Brosnan as Doctor Fate. He explained that he needed someone who could infuse the role with a sense of moderation.
He then went on to say that Brosnan is "one of the coolest individuals in the world," after remarking that it would take a "unique actor" to play the role of Fate.
In addition to continuing to provide new information on Black Adam, Johnson has also publicly lauded Brosnan's performance, which has added to the enthusiasm of the fans.
Those who are familiar with the character and the original source material are probably excited to see how the upcoming film portrays Doctor Fate and the Justice Society of America.
However, as seen by this poster, DC Comics has at least been able to effectively adapt the comic book version of Doctor Fate's look for the big screen.
Black Adam will be released in cinemas this autumn, and viewers who are interested in learning more about the character and Brosnan's portrayal of him should make it a point to go watch it then.
A new fan poster for Star Wars: The Rise of Skywalker imagines a different conclusion to the film, one in which the ghosts of those who died in the line of duty stand up against the terrible Emperor Palpatine.
Star Wars
The Ascension of Skywalker, Luke, and Palpatine's Ghost Force
A new fan poster for Star Wars: The Rise of Skywalker depicts an alternate ending to the film that the fan thinks should have really been used.
After Disney's acquisition of Lucasfilm in 2012, fans were overjoyed to learn that Star Wars: Episode VII will be produced, but the film studio has encountered more than a few challenges in attempting to extend the series through theatrical releases.
Although The Force Awakens was met with generally favorable reviews, the film is frequently referred to be a reimagining of A New Hope.
After that point, things went from bad to worse, with The Last Jedi being the most polarising Star Wars picture to date and The Rise of Skywalker garnering mediocre reviews at best. Things only got worse from there.
After what seemed to be his death at the conclusion of Return of the Jedi at the hands of Darth Vader, Emperor Palpatine's appearance in The Rise of Skywalker was one of the most contentious aspects of the novel.
Many people were upset that Snoke was eliminated from the story in The Last Jedi without them getting to know more about his character, and that the major antagonist in The Rise of Skywalker was a clone of Palpatine who had the consciousness of the original Sith Lord.
The conclusion of the sequel trilogy is sometimes criticized for being unsatisfying, despite the fact that the battle between Rey and Palpatine was a magnificent visual spectacle.
A new fan poster imagines that the Force ghosts of Obi-Wan Kenobi, Anakin Skywalker, Yoda, and Mace Windu truly emerge in the third and final act of Star Wars: The Last Jedi. Rey heard the voices of numerous departed Jedi, including Yoda and Mace Windu, among several others.
Along with the poster, the user Italian creative also suggests an alternate ending in which Luke Skywalker, Anakin Skywalker, Obi-Wan Kenobi, Yoda, and Qui-Gon Jinn all have a role in helping to destroy Palpatine once and for all.
Below is the artist's original poster, as well as their concept for the story:
If figures like Qui-Gon Jinn, Anakin, and the others seen in the artwork above had returned to assist Rey, it is plausible that it might have been lambasted for being nothing more than fan service.
Since a lot of people think that Palpatine was brought back as the main villain to make up for what Rian Johnson accomplished in The Last Jedi, it's feasible that injecting the conclusion with even more fan service wouldn't have been received very well by audiences.
In addition, as Force ghosts are often unable to have an effect on the material world, with the exception of a brief sequence including Yoda in The Last Jedi, it is uncertain how much assistance Force ghosts would have been able to offer Rey had they been present.
It would have made sense for them to make an appearance to Rey before she battles one of the most powerful figures in the Star Wars galaxy, even if they wouldn't have been able to assist combat Palpatine.
It was unquestionably a wise financial decision to merely feature these performers' voices instead of paying them to physically film scenes for on-screen appearances because doing so saved a significant amount of money.
Having said that, it would have been quite the show to have so many beloved characters return as Force ghosts in Star Wars: The Rise of Skywalker, even if their appearances weren't absolutely necessary to the plot of the movie as a whole.
Gamora (Zoe Saldana), who plays the role of leader of the Ravagers in James Gunn's Guardians of the Galaxy Vol. 3, is featured in a new image from the film.
A new picture from Guardians of the Galaxy Vol. 3 gives fans a better look at the villainous Ravager Gamora.
Despite the fact that Thanos sacrificed her to obtain the Soul Stone in Avengers: Infinity War, Marvel Studios discovered a means to bring back the character without just restoring her.
Instead, the protagonist we know and love today hails from the year 2014, as seen in Avengers: Endgame. This means that she has no recall of her time spent with the misfit band of cosmic heroes.
This makes it possible for the film's director, James Gunn, to continue using Gamora in Guardians of the Galaxy Vol. 3.
One of the most important aspects of Guardians of the Galaxy Vol. 3 is the predicament that Gamora finds herself in.
When the events of Avengers: Endgame, Star-Lord made the decision to continue looking for her, and it seems likely that this is what the crew undertakes after they say goodbye to Thor in Thor: Love and Thunder.
It was revealed that Gamora has taken over as commander of the Ravagers at the panel that Marvel Studios hosted at the San Diego Comic-Con 2022.
Having said that, however to the fact that the video from the threequel was only shown in an exclusive capacity at the event, the general public is still waiting to see what she genuinely looks like in her new role.
Thankfully, Zoe Saldana has just recently posted a number of photos to her Instagram account, including one that was shot while she was filming Guardians of the Galaxy Vol. 3.
In the photograph, the actress can be seen working on set while dressed as Gamora, and it looks like she is wearing Ravager garb.
Check out the aforementioned video down below:
As Gamora's rise to the position of leader of the Ravagers has not been explained, nor has a date been specified for the publication of the film's trailer, fans are left to speculate about the specifics of this subplot.
On the other hand, it sheds light on how Guardians of the Galaxy Vol. 3 intends to answer the important issue raised by Avengers: Endgame, which is "where did she go after Thanos was defeated?"
After the conflict at Avengers HQ, it is reasonable to assume that Gamora managed to escape Earth in some fashion so that she could rejoin her other cosmic-based characters and hang out with them once more.
After that, she goes on an adventure around the galaxy until she finds herself mixing with the Ravagers.
It is reasonable to presume that Gamora's convoluted journey after Endgame will be handled in the subsequent film given that Guardians of the Galaxy Vol. 3 will mark the end of the road for the original cosmic squad and will be released after Endgame.
However, what occurs after that is a mystery, not just for her but also for the other members of the team.
Gunn has stated that there would be at least one significant fatality in his future picture, and considering the circumstances surrounding Gamora, it would not be shocking if she was among those who perished.
Chris Pratt aided Bryce Dallas Howard in her discussions with the company to get equal remuneration for their roles in the Jurassic World spinoff films.
Taking on the role of Claire, Bryce Dallas Howard stars in Jurassic World: Dominion.
Bryce Dallas Howard discusses how Chris Pratt's involvement with the Jurassic World franchise has increased her salary.
Since the release of Jurassic World in 2015, Howard and Pratt have shared the screen together in the franchise.
Alongside Pratt's Owen Grady, Howard's Claire Dearing serves as a co-lead in the film.
Both of them had cameos in the sequels to Jurassic World, Fallen Kingdom, and Dominion.
In 2018, the high pay of the film's two main actors, Chris Pratt and Bryce Dallas Howard attracted headlines.
It was alleged that Pratt was paid $10 million for the sequel, while Howard was paid $8 million, despite the fact both Claire and Owen contribute equally to the series.
As a result of her contract being negotiated for the entire trilogy, it was recently discovered that Howard's remuneration for Jurassic World: the Fallen Kingdom was far lower than what was claimed.
She made a fraction of what Pratt did, but the disparity between their salaries is indicative of the widespread wage disparity in the Hollywood industry.
However, Pratt attempted to aid his co-star by arguing for equal remuneration for Jurassic World ancillary money.
Howard addressed her discussions with Pratt about their separate incomes for the Jurassic World movie in the same Insider interview in which she detailed the compensation gap.
Pratt promised Howard that he would spearhead discussions for equal compensation for all franchise-related work, including video games and attractions.
See what she has to say in the box provided below:
"I can say that Chris and I have talked about it, and he has told me, "You guys don't even have to do anything" anytime there was a chance to change anything that hadn't already been agreed, like a game or a ride.
All negotiations will be conducted by myself.
We're both getting paid the same, so there's no need to worry about it, Bryce.
That's why he has my undying admiration and affection.
I do because I've made more money doing those things than I did on the film itself."
In Jurassic World: Dominion, Bryce Dallas Howard plays Claire Dearing.
It appears that Howard benefited from this deal if what she is saying is correct.
In addition to being more proof that she was paid significantly less for Jurassic World than was first reported, the news that she was "paid more for" the offshoot content than "ever was for the movie" is astounding.
It was crucial that Pratt advocates for equal pay because else this would have been just another instance of a woman in Hollywood being paid much less than a man for the same work.
What Pratt ended up doing for Howard in Jurassic World is both inspiring and heartbreaking.
On the one hand, it's crucial for Hollywood's most prominent males to support Hollywood's most powerful women.
Even if those women have the same level of fame as males, they may not be taken seriously.
It's unfortunate that Pratt had to "move the needle" since no one at the studios would listen to Howard's discussions or consider paying her equally.
Hopefully, the needle may be moved even farther, and maybe without the need for a male actor's aid, if other great performers like Howard speak up about their experiences working on blockbuster films.
Mark Ruffalo, a star in the Marvel Cinematic Universe, has made some lofty claims about the next film Avengers: Secret Wars, including that it would surpass even Avengers: Endgame.
Secret Wars SR: Avengers Endgame
Mark Ruffalo assures us that Avengers: Secret Wars will be even better than Avengers: Endgame.
Marvel Studios is continuing its epic saga with the Multiverse Saga after the Infinity Saga has come to a close.
Phases 4, 5, and 6 of the MCU's overarching storyline were detailed at San Diego Comic-Con, and the story arc will conclude with the simultaneous release of Avengers: The Kang Dynasty and Avengers: Secret Wars in 2025.
Comparisons to the Infinity Saga persist despite the faster pace of the Multiverse Saga.
Black Panther: Wakanda Forever is the final act of Phase 4, and soon after it will be time for Phase 5.
Fans now know where the current MCU story is heading thanks to Feige's Hall H revelations.
However, this also makes the film more vulnerable to criticism, especially in light of the fact that both Avengers: Infinity War and Avengers: Endgame successfully concluded the Infinity Saga.
As such, some people are wondering what the future holds for Marvel Studios' Saga-ending movies.
Ruffalo is certain that they can surpass the success of Avengers: Endgame with Avengers: Secret Wars despite the mounting expectations.
While promoting her new film She-Hulk: Attorney at Law in Los Angeles, she was asked about it by ET.
The actor acknowledges that this is an ambitious goal, but he is convinced that they can do it.
Check out the entire text of his statement below:
"If I know Kevin and if I know Marvel, it will be incredible, but it will be difficult to match Endgame.
We're going out with a boom, literally."
Season 4 Finale of "Avengers"
To Defeat Thanos, Captain America, Iron Man, and Fat Thor Join Forces
Given the success of Avengers: Infinity War and Avengers: Endgame, producer Kevin Feige has already talked about the need to deliver two more Avengers movies.
The mastermind behind the Marvel Cinematic Universe says that the point of Avengers: Secret Wars isn't to simply accomplish something larger.
It's inevitable that the picture will have a broader scope due to the story's complexities and the MCU's growth as a franchise that incorporates numerous realities into its plot.
You may assume the producer and his staff have a good idea of how the rest of the Multiverse Saga will play out right now.
However, it's unlikely that Ruffalo knows this, as he often unintentionally reveals plot details about movies and TV shows.
Marvel Studios should care more about whether or not Avengers: Secret Wars will have the same emotional impact as Avengers: Endgame than it does about how big the movie is.
The major success of the 2019 picture by Joe and Anthony Russo was ensuring that it benefited the film's characters, especially the original Avengers, despite the time travel adventures and enormous action set pieces.
Both Iron Man and Captain America's last moments were well-executed, despite their vastly different outcomes.
For the finale of the Multiverse Saga, Marvel Studios will hopefully be able to produce something fresh that will still please fans.
Black Adam and the rest of the JSA are featured on the cover of a new magazine, and Dwayne "The Rock" Johnson is proud to show it off.
Capabilities and Forces of the Justice Society of America
A black Adam
Black Adam and the rest of the JSA are featured on the latest magazine cover, which was shared by Dwayne "The Rock" Johnson.
Shazam! is a DC cinematic project that has been in the works since 2007, and the former WWE wrestler turned Hollywood celebrity has been in talks to play Black Adam ever since.
The project's development halted in 2009, but Warner Bros. revived it in 2014 with the announcement of their DC Extended Universe.
Later, it was decided to make two separate films out of the Shazam! concept, with Johnson taking the stage in one as the anti-hero Black Adam.
Johnson promoted the film during the first DC FanDome streaming event in 2020 when he announced the inclusion of the Justice Society of America (JSA), a superhero squad founded by Sheldon Mayer and Gardner Fox in the 1940s.
In the end, Aldis Hodge's Hawkman, Pierce Brosnan's Doctor Fate, Quintette Swindell's Cyclone, and Ray Fisher's Atom Smasher would round out Johnson's on-screen crew (Noah Centineo).
At first, Hawkgirl was supposed to join the JSA as well, but she ended up being replaced by Cyclone due to a complicated web of circumstances.
Johnson has lately shared for his followers a picture of himself and his co-stars on the cover of Total Film magazine.
Black Adam, played by the actor, takes center stage, surrounded by the Justice Society of America.
Read Johnson's full message at the link provided below:
The future of the DCEU is heavily dependent on the reception of Black Adam upon its release.
Johnson has said several times that his addition to the series will permanently alter "the hierarchy of power in the DC Universe," and with so many other DC titles now being canceled or in danger, it is hoped that this new feature will help guide the company onto more stable ground.
Johnson appears more than prepared to have his character emerge as a prominent player in the series going forward, despite worries being raised about the future of DC's big hitters like Henry Cavill's Superman.
There are a number of reasons to be concerned about the future of DC's second superteam, the Justice League, including Ezra Miller's persistent erratic conduct and rumors that Henry Cavill is uninterested in any return to the DCEU.
When Black Adam is finally freed, the JSA may step up to the plate and become an even more integral part of the DC canon.
Hodges' Hawkman and Brosnan's Doctor Fate both have considerable potential for future appearances after the film's release.
Meanwhile, the release date for Black Adam has been set for October 21.
The animated sequel Spider-Man: Across the Spider-Verse has merch that provides new information about Peter B. Parker and Spider-Man 2099 across -spider-verse-merch
Details about the characters and plot of Spider-Man: Across the Spider-Verse have been revealed on newly released items.
The animated film Spider-Man: Into the Spider-Verse introduces Miles Morales' Spider-Man (voiced by Shamiek Moore) dealing with the consequences of the Spider-Verse opening and the arrival of Spider-People from multiple realms in the sequel Spider-Man: Across the Spider-Verse.
Spider-Man/Peter B. Parker (Jake Johnson), one of those Spider-People, becomes a mentor to Morales, helping him establish himself in his own Spider-Verse, before returning to his own universe at the end of the first film.
The third installment, titled Spider-Man: Beyond the Spider-Verse, is the sequel to the first film, Spider-Man: Across the Spider-Verse.
The first one comes out in 2023, and the second one in 2024, and they both star Moore, Johnson, and a horde of other actors like Oscar Isaac (Spider-Man 2099), Hailee Steinfeld (Spider-Gwen), Issa Rae (Jessica Drew), Bryan Tyree Henry (Jefferson Davis), Shea Whigham (George Stacy), Jorma Taccone (Vulture), and Jason Schwartzman ( (The Spot).
Both sequels, written by Chris Miller, Phil Lord, and Dave Callaham, will be directed by Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson.
In light of the upcoming release of Spider-Man: Across the Spider-Verse next year (via ComicBook), a plethora of new gear has begun hitting shelves, providing fans with a closer peek at the film's plot and characters.
One of the new items of merchandise has the tagline "Peter B. Parker is trapped between wanting to defend old buddy Miles and side with his more experienced Spider-Man comrade" on the back of the package.
There will undoubtedly be tensions between Parker, Morales, and Miguel O'Hara, alias Spider-Man 2099, as a result of this.
On the opposite side of the package, it says, "Miguel O'Hara sought to modify the DNA of past Spider-People and mistakenly made himself into the best Spider-Man in the Multi-Verse."
This seems more like a character summary for Spider-Man 2099, given how closely it links to his comic book roots and how probable it is to transfer similarly in Across the Spider-Verse.
In Across the Spider-Verse, Spider-Man 2099 makes use of his spider powers.
Spider-Man 2099 was teased to play a greater part in Across the Spider-Verse than any other character in the film when he debuted in the post-credits scene of Spider-Man: Into the Spider-Verse.
In the previews so far, Spider-Man 2099 has played a significant role, and he has been seen to use the "goober" on his wrist to teleport rapidly between dimensions.
That's a given to be a major factor in introducing Miles Morales and Peter B. Parker to the plot, but beyond the fact that The Spot is one of the antagonists, not much more has been confirmed.
Even though the release of Spider-Man: Across the Spider-Verse is still a year away, fans are already immersed in a year's worth of speculation thanks to the steady drip of hints provided by trailers and merchandising.
Many fans consider the first Spider-Man: Into the Spider-Verse to be the finest Spider-Man movie ever made, even better than the live-action movies.
As Parker, O'Hara, and Morales continue their adventures in the animated universe of Spider-Man: Across the Spider-Verse, the introduction of a fresh dispute between them should make for an entertaining dynamic.
Director Scott Derrickson notices a new fan poster for The Black Phone, which features Ethan Hawke as the psychotic Grabber.
The Phone in Black
Grabber Fan Poster of Ethan Hawke
Director Scott Derrickson of The Black Phone lauds an original fan creation for his scary film.
In the film The Black Phone, based on a short tale by Stephen King's son Joe Hill, Ethan Hawks plays The Grabber, a vicious psychopath who abducts and murders young boys in Colorado.
Since its debut at the end of June, Derrickson's film has received overwhelmingly positive reviews, with many praising the film's plot and Hawke's unsettling portrayal of a crazed serial murderer.
The Black Phone may not have had as many horrors as Sinister or The Exorcism of Emily Rose, but Hawke's performance as the Grabber kept viewers on the edge of their seats without resorting to supervillain clichés.
While the Grabber may have just been a disturbed man in a scary mask, the film's paranormal elements were introduced by the mysterious black phone.
Finney (Mason Thames) was unable to use the wall-mounted phone in the Grabber's muffled basement.
On the other hand, Finney was given invaluable guidance for escaping the Grabber's clutches by the spirits of the Grabber's previous six victims.
A creative piece of fan art has gotten the attention of filmmaker Scott Derrickson, whose 2022 horror picture is one of the most awaited of all time.
In a recent Twitter, Derrickson shared the work of artist Thomas Riegler, who reimagined the movie's poster by adding a screaming face over a black phone.
You can check out both of Derrickson's tweets and Riegler's poster down below:
The phone itself seems to be at the core of the controversy that The Black Phone's open-mindedness has sparked.
The Grabber's remorse and humiliation are represented by the black phone and the masks he wears to hide his identity.
It's not clear if Finney's phone is genuinely ringing or if he's using his imagination to communicate with the dead.
Because of his own guilt, the Grabber can hear the phone ring, and this is one reason why he becomes so enraged when Finney answers it and they have a conversation.
Derrickson's exact motives for using the black phone are moot because it served as a fantastic story device for the growth of both the Grabber and Finney.
It's hard to conceive a sequel to The Black Phone when Finney breaks the Grabber's neck at the end of the film.
If The Black Phone does well at the box office, though, Derrickson has plans to make a sequel based on a pitch from Hill.
Seeing brilliant painters go to such measures to produce their own artwork based on the horror film is a sure sign that it has done well with reviewers and fans.
Even while Derrickson's current film did not receive nearly as much fan art as Star Wars or the MCU, it is apparent that his film left an impression on audiences thanks to posters like the one seen above, which might lead to a sequel.
To Sylvester Stallone's displeasure, Dolph Lundgren answers Stallone's criticism of a Rocky spin-off centering on Drago and his son, Ivan Drago.
Sylvester Stallone's heated comments against Dolph Lundgren's role in Drago prompted Dolph Lundgren to respond.
Rocky was written by Sylvester Stallone in 1975, and he sold the rights to the film to Irwin Winkler and Robert Chartoff with the agreement that he would play the lead role.
Stallone hired Lundgren to portray Ivan Drago in 1985's Rocky IV, nine years after the franchise-starter won Best Picture and made him a superstar.
In Creed II, Michael B. Jordan's Adonis (Michael B. Jordan) faces up against Florian Munteanu's Viktor Drago (Dolph Lundgren's villain's son), who is the son of Lundgren's villain.
The boxing business is now growing at a rapid pace.
Another newly disclosed MGM project revolves around Ivan and Viktor Drago and will be directed by Jordan. Creed III will not star Stallone's Italian Stallion.
Stallone reacted angrily to the news, denouncing the Drago spinoff and accusing producer Winkler of denying him the right to utilise the Rocky name and property.
Related: Rocky the Movie: Who Owns the Rights?
In an Instagram post, Lundgren clarified his role in a potential Drago spinoff.
The proposal, according to the actor, is still in the early stages of discussion, but he had assumed that Stallone was involved in its creation.
The complete post may be seen below:
Stallone's latest Instagram attack on Winkler comes after he doubled down on his previous remarks, claiming that the actor had not gotten a phone call from Dolph Lundgren, who earned his start in the industry thanks to Stallone's casting decision in Rocky IV.
Both have worked on the Expendables franchise and will be reunited in the Expend4bles.
So it's possible that Lundgren assumed Stallone was already aware of the Drago movie prior to the leak, but it's not impossible.
That Stallone may have finally come to terms with their misunderstanding is encouraging, but it's too bad the consequences of a decision he made 47 years ago are still haunting him.
Many other films from the 1970s and 1980s have gone to court for character rights in addition to Rocky.
Screenwriter Victor Miller has regained control of his film Friday the 13th after a legal battle, as has Predator writer John Ridley.
In the end, the two sides were unable to come to an agreement, and Prey, the prequel, will be available on Hulu on August 5.
The news that a Drago spin-off was in the works shouldn't have come as a surprise to fans.
Unexpectedly, Stallone has very no say on the IP (his Rocky prequel series notwithstanding).
However, if he hadn't sold the rights, Stallone's career wouldn't be what it is now.
However, it's natural to wish to leave something to one's family.
Whatever the case may be, Lundgren's supporters can rest easy knowing where he stands in the midst of all the controversy that has erupted outside the ring.
Writer Lawrence Kasdan discusses George Lucas' narrative style and how he would always go after the finest potential plot element.
Lawrence Kasdan, the legendary Star Wars screenwriter, discusses George Lucas' narrative methods.
Following the success of Raiders of the Lost Ark, Kasdan co-wrote the screenplay for The Empire Strikes Back with the late Leigh Brackett, based on the story written by Lucas.
Eventually, he would return to work with Lucas on the film's screenplay, Return of the Jedi.
In a record-breaking deal worth over $4 billion, Lucas sold his production business Lucasfilm and the rights to the Star Wars saga to Disney in 2012.
In order to make the most of their acquisition, Disney quickly began production on the sequel trilogy, and Kasdan was brought on board to work alongside J.J. Abrams and Michael Arndt on the writing for The Force Awakens.
However, Lucas decided not to get involved with the second trilogy, fearing that his absence from the creative process would be detrimental to the filmmaking process.
20th Century Fox nearly axed the Death Star Battle from the film (& Killed Star Wars)
While working with George Lucas at Lucasfilm in the early years was an incredible experience for Kasdan, who just helmed the Disney+ docuseries Light & Magic, he spoke up to Inverse about what it was like working with him.
According to Kasdan, Lucas's storytelling style would have been akin to that of another renowned director had he not been constrained by monetary constraints.
See the rest of his remarks after the break:
When I began working on major motion pictures, I had George lead the way.
He commanded you to do the best you could.
My favorite filmmaker, Akira Kurosawa, often asked himself, "What's the best thing that may happen next?" when he was scripting."
That's where George goes to school, too.
Obi-Wan Kenobi was played by Alec Guinness.
Lucasfilm, Inc.,
Fans and filmmakers alike wonder how George Lucas would handle the continuation of his most famous narrative as the Star Wars property continues to grow with a complete slate of streaming television series and plans for new films.
Fans are apprehensive about a possible "watering down" of his original vision for the series, despite the fact that spectators will be able to enjoy more original Star Wars content than ever before.
Because of the audience backlash to the Mods in The Book of Boba Fett, any additions to Star Wars canon that isn't in line with George Lucas's original films will be fought vigorously.
The remarks of Kasdan reveal that Lucas was always concerned with telling the greatest tale possible, even if it meant going in unexpected directions.
To be sure, Lucasfilm still has the privilege of working with multiple creatives and storytellers who have worked directly with Lucas themselves.
Dave Filoni, for example, is well-versed in Lucas's creative process and storytelling philosophy in addition to Kasdan.
While new filmmakers will continue to contribute to the Star Wars canon, it is arguably more crucial than ever for Lucasfilm to preserve the original creative approach of the franchise's original inventor..
Cyborg Spider-Woman may be a new Spider-Man in the upcoming film Spider-Man: Into the Spider-Verse.
The films merchandising has revealed a new Spider-Man character for the next sequel, Spider-Man: Across the Spider-Verse.
As Kingpin unleashed a vortex to other dimensions that brought in a variety of Spider-Mans, Shamiik Moore took on the mantle of the web-slinging superhero in Sony's 2018 animated film, Spider-Man: Into the Spider-Verse.
The sequel to Into the Spider-Verse, directed by Phil Lord and Chris Miller, is scheduled for release on June 2, 2023, and will see the return of Miles, Spider-Gwen, Peter B. Parker, and Miguel O' Hara/Spider-Man 2099.
In addition to Moore, Hailee Steinfeld, Jake Johnson, and Oscar Isaac, the cast of Spider-Man: Into the Spider-Verse has been announced to feature newbie Issa Rae as Jessica Drew/Spider-Woman.
The primary antagonists of Across the Spider-Verse will be voiced by Jason Schwartzman as The Spot and Jorma Taccone as Vulture.
Sony's sequel is rumored to include 240 characters and take place in six separate realms, while narrative specifics are being withheld.
There will be a number of Spider-Mans in the picture, one of whom has been revealed as a result of the film's merchandizing.
Related:
The Spot: Who Is He?
Explained Who The Villain Is In Into The Spider-Verse 2
The official new merchandise for Spider-Man: Across the Spider-Verse was just shared on Twitter by user @preterniadotcom.
Cyborg Spider-inclusion Woman in the film as a collectible figurine appears to be confirmed based on these images.
With a cannon replacing her right arm, the new character's armor is spectacular yet heavy.
Take a look at it after the break:
To see the original post, please click here.
An item from the Across the Spider-Verse merchandising line previously surfaced, revealing the presence of Spider-Punk in the film.
Cyborg Spider-Woman is a character who has featured in the Ultimate Spider-Man animated series, the 616 Spider-Man comics, and Spider-Man on the PlayStation 4, although very little is known about her.
She hasn't appeared in any animated shorts, and her only appearance in the comics is during the Edge of Spider-Verse arc.
Cyborg Spider-Man did appear in the original comics, though, and he was instrumental in thwarting a villain who was out to eradicate Spider-Man from the multiverse.
Spider-function women in the film necessitate that she be given a gender-swapped version of that character.
Cyborg Spider-big-screen Woman's debut is very certainly going to have her teaming up with the aforementioned Spider-People to take on The Spot.
While such is the case, it is possible that this new version of Cyborg Spider-Man will only appear in the movie's numerous other Spideys, prompting the manufacture of a toy.
Even if she just appears briefly in Spider-Man: Across the Spider-Verse, Cyborg Spider-Woman may steal the show if Lord and Miller cast the right voice actor to play the role.
When it comes to the age-old Star Wars question of "who shot first," Mark Hamill adds his own comedic spin by resurrecting an old Bernie Sanders joke.
It's the largest Star Wars discussion, and Mark Hamill has added the Bernie Sanders meme.
Those who saw the first Star Wars film are clearly enamored with the galaxy far, far away, as seen by their interactions with each other.
Debates among Star Wars fans have always had a heart as burning as Mustafar's lava behind them, from social media to funny cosplay.
As the franchise's fan base grows more and more fervent with each new film, fresh controversies develop.
Han Solo against Greedo at the Cantina at Mos Eisley has been the most long-running and fierce dispute among Star Wars fans, though.
Since the 1977 debut of Star Wars: Episode IV - A New Hope, fans have wondered if Greedo was shot first by the smuggler or his antagonist in the frenzied blaster exchange.
Despite the fact that Han was the only one who survived, the filth from a blaster bolt is still on the wall behind him, making it impossible to determine who fired the trigger first.
If you've ever wondered whose character fired the initial shot, you've been going back and forth for decades now.
Referred to as: Lucas' Early Star Wars Sequels Plan Dispels Your Favorite One Myths
It's now Luke Skywalker's turn to put his own amusing twist to the argument.
Bringing a famous meme from 2021 back to life, actor Mark Hamill took to Twitter to post a fan-made edit of Senator Bernie Sanders sitting at the same table as Han and Greedo.
Adding a final flourish, the actor jots down, "Turns out Bernie shot first," tying everything together with the legendary Star Wars dispute.
See Hamill's tweet and the entire correction at the bottom of this page:
The original post may be found here.
To Hamill's credit, he has never shied away from weighing in on Star Wars arguments and speculations, so his contribution is all the more valuable.
When it comes to Harrison Ford's Han Solo, the actor has provided fans with a slew of fascinating tales.
This latest contribution to the Han vs. Greedo Star Wars argument is no exception, thanks to Hamill and Ford's lively connection, which has allowed him to unleash his real humorous personality whenever Ford is involved.
Luke Skywalker actor Mark Hamill continues to add a heart to jokes like these, proving that he isn't too far removed from the character he portrays.
The heart of Star Wars is a passionate and funny one like Hamill's, which the franchise has proven itself through references and quips to other galaxy-spanning events.
Moments like these enhance the Star Wars fandom, encouraging people to take a step back and tackle themes like this with a new and lighthearted perspective so many years after the publication of A New Hope.
Sanders will not be the winner of the debate, but Hamill's Star Wars joke will stand out among the many other Star Wars gags he has provided to audiences over the years.
Actor Robert Patrick, well known for his roles in Terminator 2 and Peacemaker, tells who of James Cameron and James Gunn was the most enjoyable to work with.
Robert Patrick, who starred in Terminator 2: Judgment Day and Peacemaker, discusses which director he enjoys working with the most: James Cameron or James Gunn.
Of the two, Patrick was most recognized for his performance in Cameron's Terminator 2 as the T-1000.
Cameron was able to push the frontiers of VFX with the T-1000 Terminator model since it was constructed of liquid metal, and the character's demeanor was heavily reliant on Patrick's athletic yet robotic performance.
In the film Peacemaker, Patrick plays the father of John Cena's lead character.
Reuniting on screen for the first time since 2006's WWE film The Marine, the two actors featured in Peacemaker, which was written and directed by Gunn.
On top of being a racist and homophobic criminal mastermind, Auggie Smith is also a supervillain in Peacemaker who goes by the moniker White Dragon.
As a follow-up, Walking Dead's latest Terminator cameo references Robert Patrick's episode.
Patrick took part in a rapid-fire Q&A session at the end of the Inside of You with Michael Rosenbaum podcast.
After he was asked a pointed question regarding two of the biggest filmmakers he's worked with, Cameron and Gunn: which director is more enjoyable to work with?
In response to Rosenbaum's comment that Gunn was the more enjoyable director, Patrick said, "Just like that!"
Copland, T2, and Walk the Line all appear in this portrait of Robert Patrick.
Considering Patrick's link to his Terminator 2: Judgement Day villain and Cameron's film, his answer is quite fascinating.
Patrick reprised his role as the T-1000 in Universal Studios' T2 3-D: Battle Across Time ride and had a brief appearance in John McTiernan's Last Action Hero outside of Terminator 2.
That said, Patrick hasn't worked with Cameron again since Terminator 2, but that doesn't mean he didn't appreciate working with the filmmaker as much as he did.
After working with Gunn, Patrick's Peacemaker character was killed off in the season 1 finale, although working with Gunn certainly had an effect on him during the few episodes they worked on (at least in terms of "fun").
From Die Hard 2 through Terminator 2, From Dusk Till Dawn: The Series and everything in between, Patrick has been a very distinctive presence in Hollywood over the previous three decades.
It's not a slight on Cameron that Gunn would be more enjoyable to work with, despite the fact that Hollywood rarely indulges in favoritism.
Since Cameron is recognized for his technical prowess and lack of frills, it stands to reason that Gunn, despite his similarly serious demeanor, would be a better fit for the project.
In light of what is known about James Gunn and James Cameron's approaches to filmmaking, Patrick's clear statement appears totally sensible.
Disney's legendary villain Ursula in the original The Little Mermaid passed away at the age of 95.
The obituary for Pat Carroll's death
It is with great sadness that we learn of the death of actress Pat Carroll, well known for her role as Ursula in Disney's The Little Mermaid.
She was born in Louisiana in 1927 and made her film debut in Hometown Girl in 1948.
At the beginning of her career as a guest star, she appeared on several television shows and variety shows, including an Emmy-winning role on Caesar's Hour.
On the stage, Carroll also appeared in musicals, such as the 1965 Cinderella adaption starring Rodgers and Hammerstein.
A Pup Named Scooby-Doo and Garfield were just two of Carroll's many voice acting credits by the 1980s.
The American re-do of Studio Ghibli's My Neighbor Totoro, which aired in 2005, featured her voice as well.
Ursula in The Little Mermaid, Disney's 1989 classic, was her most well-known role.
Since then, she has reprised Ursula in other spin-off projects, including the Kingdom Hearts video game series and two direct-to-video sequels to The Little Mermaid. This performance was a career-defining moment for the seasoned actress.
THR claims that the 95-year-old actress has died this week, which is sad news.
After a long battle with pneumonia, the multi-generational entertainer passed away at her Cape Cod, Massachusetts, home.
Kerry Karsian, her daughter, verified the news Monday, July 31.
With her late ex-husband Lee Karsian's acting daughter Tara and her casting director daughter Kerry, Carroll leaves a large and accomplished family.
The Little Mermaid's Ursula
It seemed only fitting that Carroll's final appearance as Ursula in The Wonderful World of Mickey Mouse would be as a cameo.
In Disney's Tangled The Series, she provided the voice of Old Lady Crowley.
As Joan in the 2014 comedy film BFFs, Carroll's last live-action role was
Hollywood comedian Melissa McCarthy has been cast in Carroll's role as Ariel in the upcoming live-action adaptation of The Little Mermaid, which is being produced by Disney.
Pat Carroll, the actor most known for portraying one of Disney's most infamous villains, left a lasting impression on the worlds of cinema, television, and theatre.
The actress was as well-known to youngsters in the 1950s for her variety of programs as she is now for her work in animation and movies, and she is well-known to audiences of all ages throughout the world.
A Disney fan favorite, "Poor Unfortunate Souls" from The Little Mermaid will live on because of her amazing voice.
We send our condolences to her family during this difficult time.
Director Joaquim Dos Santos explains why the film's antagonist, The Spot, could never have been successfully portrayed in real action and why animation was the only option.
One of the directors of Spider-Man: Across the Spider-Verse explains why the film's new antagonist can only be successfully shown in animated form.
Spider-Man: Into the Spider-Verse, the first film in the franchise, was released in 2018 and was the first animated film based on the Spider-Man comics.
The 2019 animated feature film Into the Spider-Verse was a critical and commercial triumph, earning the Golden Globe and Academy Award for Best Animated Feature Film and grossing $375.5 million throughout the world.
Sony was so confident in the success of Into the Spider-Verse that a sequel picture was approved in the final week of the month leading up to its theatrical release.
In Across the Spider-Verse, Miles Morales will continue his adventures as Spider-Man, teaming up with Gwen Stacy/Spider-Woman and other Spider-Men from different dimensions to take down a dangerous foe.
As opposed to the Kingpin that Morales faced in the previous film, Jason Schwartzman voices the antagonist The Spot in the upcoming Spider-Verse sequel.
Related: No Way Home Can Be Copied Across the Spider-Verse, and Two Spider-Man Injustices Are Fixed
Director Joaquim Dos Santos explained to CartoonBrew (via The Direct) why animation was the best medium for The Spot.
Dos Santos called The Spot "art come to life," and he has the ability to create portals to other realms, both outside and inside of his own body.
The filmmaker spoke on why it would be impossible to recreate The Spot in a live-action film and why animation was the only option for a true likeness.
In another quote, the filmmaker compares Schwartzman's The Spot to paint splattered on a white paper, saying:
"And his living ink really is just, I think we’ve all been saying, it’s not just an effect. Its artistry comes to life. It’s something that can only really happen in animation. You can imagine Spot as a dude in a sock suit in a live-action Spider-Man film. It’s not going to work. It’s just not going to work. So his art comes to life. He’s the inkwell spilled on the page. It all goes back to sort of comic books and comic book art."
Marvel's Miles Morales, Spider-Man Across Multiple Dimensions
The distinctive visual style and high level of artistic achievement in Into the Spider-Verse have been widely praised by critics.
Trailers for Across the Spider-Verse suggest that it will visually resemble its predecessor, Spider-Man: Homecoming.
The original Spider-Verse film gained notoriety for reimagining the visual possibilities of animated films; the sequel looks to be leaning into this, pushing the medium's limits by incorporating a character that could not be transferred into any other form.
In a tribute to the inventiveness of the animation team, one of the film's directors, Justin Thompson, has said that it took a whole year to design the tools and techniques used to produce The Spot.
There has never been a superhero picture franchise like Spider-Verse.
While staying true to the source material and creating a compelling version of Miles Morales' Spider-Man, Into the Spider-Verse also succeeded in subverting viewers' expectations of what animated films are capable of and their role in the cinema industry as a whole.
Since the previous film received praise for its visual flair, great hopes have been placed on the characters, action, and cinematography in Across the Spider-Verse.
Now that Dos Santos has teased the film's intriguing new animated enemy, there's little doubt that Spider-Man: Across the Spider-Verse will deliver on the visual front.
Tom Hanks has defended Forrest Gump against claims that the 1994 film is a throwback to a bygone era that didn't deserve to win an Oscar over Pulp Fiction.
Tom Hanks defends Forrest Gump against claims that Pulp Fiction should have won Best Picture.
When Tom Hanks starred in a passionate picture about a man's journey through American history, it became an unexpected hit, collecting $678 million in 1994.
In addition, it won the Academy Award for Best Picture, edging out Quentin Tarantino's seminal crime drama Pulp Fiction.
Before the Academy Awards, Tarantino's picture had already won the Palme d'Or at the Cannes Film Festival in 1994.
It was Hanks' rousing and poignant drama, not Tarantino's edgy and post-modern hit-man flick, that received the major prize at the Oscars.
In addition to being contentious at the time, moviegoers still dispute fiercely to this day that Tarantino's groundbreaking film deserved to win over the popular and perhaps even blatantly deceptive film Forrest Gump..
Forrest Gump's Original Casting Plan Would Have Been Much Worse, as We Now Know
Actor Hanks, on the other hand, is well aware of the criticisms leveled against Forrest Gump and in support of Pulp Fiction.
A recent New York Times article revealed that Tom Hanks went out of his way to defend the film against Tarantino fans who reject it as "boomer nostalgia".
According to the performer:
" The problem with “Forrest Gump” is it made a billion dollars. If we’d just made a successful movie, Bob and I would have been geniuses. But because we made a wildly successful movie, we were diabolical geniuses. Is it a bad problem to have? No, but there’s books of the greatest movies of all time, and “Forrest Gump” doesn’t appear because, oh, it’s this sappy nostalgia fest. Every year there’s an article that goes, “The Movie That Should Have Won Best Picture” and it’s always “Pulp Fiction.” “Pulp Fiction” is a masterpiece without a doubt. Look, I don’t know, but there is a moment of undeniable heartbreaking humanity in “Forrest Gump” when Gary Sinise — he’s playing Lieutenant Dan — and his Asian wife walk up to our house on the day that Forrest and Jenny get married. "
That iconic "magic legs" moment, where Forrest, who had a twisted spine and had to wear "magic legs," meets his amputee buddy Lieutenant Dan (Gary Sinise) with prosthetic limbs and can't control his joy, is what Hanks is referring to here.
By uttering "magic legs" and "Lieutenant Dan," Forrest's utterance reveals "everything that they had gone through and makes the spectator grateful for every ounce of agony and tragedy that they endured."
It's "intangible s—t," he argues, and "is not simply jogging along to Duane Eddy's 'Rebel Rouser,'" he continues.
Despite what the phrase "boomer nostalgia" implies, Tom Hanks is right when he says Forrest Gump has the power to impact an audience on a deeper level.
Nevertheless, his argument is unlikely to dissuade admirers of Pulp Fiction, who feel that it is considerably more inventive and hip, and ultimately had a far bigger effect on the art of filmmaking.
Even if Pulp Fiction is likely to have had a bigger impact on other directors, Forrest Gump is undeniably a cultural classic that continues to affect mainstream culture.
While Forrest Gump was universally adored, Pulp Fiction attracted cinephiles and admirers of all things hip and indie at the time (1994).
And, of course, the Oscars nearly always favor films that appeal to a broad audience over those that are more specialized.
In the previous 30 years, one thing hasn't changed:
Chris Hemsworth's Thor assembles a formidable crew to take on Gorr the God Butcher in the latest teaser for Thor: Love and Thunder.
Taking on Gorr the God Butcher is the focus of a new teaser for Chris Hemsworth's Thor: Love and Thunder.
Thor, who made his MCU debut in 2011, has since appeared in three solo films and a handful of Avengers team-ups, making him a fan favorite.
Taiki Waititi, the filmmaker of Thor: Ragnarok, is returning at the helm of Thor: Infinity War.
Christian Bale's character, Gorr the God Butcher, appears in the first trailers for Thor: Love and Thunder.
Thor appears to be on the villain's hit list of gods he wants to kill.
Thor: Love and Thunder not only introduces Gorr to the MCU, but it also reunites the original Guardians of the Galaxy and Tessa Thompson's Valkyrie, who first appeared in Thor: Ragnarok.
It has also been revealed that Natalie Portman's Jane Foster, now wielding the Mjölnir and bearing the moniker of Mighty Thor, will be returning in this film.
More on this: The Thor movie Love & Thunder teased has FOUR different versions of the character.
Thor is shown assembling a crew to take on Gorr in a new teaser from Marvel.
Korg, Valkyrie, and the Guardians of the Galaxy are all part of the squad, with the teaser hinting at a major clash.
The new trailer is here:.
It's not clear what the heroes will confront when they finally meet Bale's Gorr, but the teaser hints that the picture will have a similar tone to Thor: Ragnarok, with ferocious combat but also Waititi's distinctive odd comedy, like in Thor: Ragnarok.
In Thor: Love and Thunder, Natalie Portman reprises her role as Jane, and Thor refers to her as "the old ex-girlfriend" to Korg.
One-on-one battles between Valkyrie and Gorr are also hinted at in the teaser, with Valkyrie using a blazing lightning bolt in the foreground.
Thor: Love and Thunder, in which Bale will play the villain, is expected to include Gorr as one of Thor's most cruel and dangerous foes ever.
While Thor may be able to battle Gorr alone, the trailer hints that a squad of heroes will be needed to have any hope of victory.
With the release of Thor: Love and Thunder slated for July 8th, the fate of Thor and the other heroes versus Gorr the God Butcher has yet to be revealed, but fans won't have to wait long.
Colin Trevorrow, the director of Jurassic World Dominion, discusses the counsel Steven Spielberg provided him during working on the film.
Trevorrow offers Steven Spielberg's advice on making Jurassic World Dominion.
Jurassic World: Dominion was released as the final film of the series, which began 14 years after Jurassic Park shut down its doors
Trevorrow's first Jurassic World was a critical and popular success, thanks to the addition of Bryce Dallas Howard and Chris Pratt as Claire Dearing and Owen Grady, respectively.
When dinosaurs escaped from a U.S. mainland facility in Jurassic World: Fallen Kingdom, it left a dramatic cliffhanger that set the scenario for Jurassic World: Dominion.
Dominion's return of Spielberg's original legacy characters was, by far, the most eagerly awaited feature.
They must find Dr. Alan Grant (Sam Neill) and the other survivors of the initial dinosaur rampage in Spielberg's 1993 Jurassic Park: Dr. Ian Malcolm and Dr. Ellie Sattler. Those characters were all able to escape the dinosaurs in that film.
See also: Dominion Perfectly Flips Jeff Goldblum Meme from Jurassic Park
As THR reported, in a recent interview with Trevorrow, the director emphasized the significance of linking Dominion to current events.
As a bonus, the film's former director provided him some suggestions.
Dominion's accessible, human element was emphasized by Spielberg, even when the action/adventure environment felt far distant from reality, according to Trevorrow.
Spielberg also spoke to some of the most famous characters from his own films, and their connection to the everyday.
Here's what Trevorrow has to say about it:
"As you watch the movie and recall what he said, you'll find that his counsel is frequently so apparent that it's easy to miss.
And it said, "Remember the characters," in this film specifically.
Remember, they are human beings.
People like them, scientists and parents, are experiencing the most incredible things.
It turns out he's a master at this, too.
In the real world, individuals make errors and fail, even Indiana Jones, who is a professor who frequently fails and is injured.
With the introduction of these actual individuals in real environments, he created a hero that was distinct from everything that had come before.
Although I adore superhero films, this is a film about our reality with one major difference: it's not a superhero picture."
Dominion, Trevorrow's follow-up to Spielberg's advice, is out in cinemas.
It's clear that Claire and Owen are aware of their flaws in the latest part of Jurassic World and seek assistance when necessary.
Jurassic Park's legacy cast members are shown as average humans who must rely on technology and their own brains to rescue the day rather than superpowers in Dominion.
The COVID-19 epidemic is also a subtle theme in Dominion, emphasizing humanity's struggle to coexist in harsh and uncertain times.
According to Steven Spielberg, Trevorrow intends to anchor Jurassic World IV in a wild and crazy dino-filled adventure by focusing on his primary characters.
Sadly, Dominion has received a poor review from critics.
The picture received a dismal critical reception, earning a dismal 30% on Rotten Tomatoes.
Audiences, on the other hand, have given the picture an audience rating of 79%, applauding its action-packed narrative, tremendous nostalgia and intelligent treatment of its returning characters from Jurassic Park.
Jurassic World Dominion has divided moviegoers and critics, but the last part of the trilogy has generated enormous excitement, making it the highest-grossing non-superhero movie since the beginning of 2019.
The legendary characters and counsel of Spielberg have endured, regardless of whether or not Trevorrow's approach convinces every spectator.
Tim Burton's reimagining of The Addams Family stars who else as Wednesday Addams, and where else have fans seen her before?
On Wednesday, Tim Burton's Netflix program chose an up-and-coming talent as the heroine of The Addams Family, causing fans to question where they have seen the actress before.
For Netflix's Wednesday, Tim Burton is reimagining the Addams Family property as a horror comedy.
"Wednesday" is a reference to the gruesome clan's little daughter, a breakout character who is long overdue for a spinoff.
Catherine Zeta-Jones portrays Morticia, and Luis Guzman is Gomez in Burton's Addams Family, which premieres on Wednesday.
Thora Birch and Gwendoline Christie join Christina Ricci, who starred in the original Wednesday Addams in the 1990s, in the series in an unspecified role.
For the starring character, Burton chose a lesser-known actor, but he's had an incredible rise in popularity owing to a run of memorable appearances.
"The Addams Family" delivers on 31-year-old hype, says Tim Burton, who directed the show.
This week's lead character will be played by Scream 2022 and X actress Jenna Ortega.
It is expected that the young actor would portray a version of Wednesday Addams, a psychic who is learning to manage her abilities when the series begins.
However, after a terrible killing spree leaves her community in shock, Wednesday is dispatched on a coming-of-age horror-comedy adventure that promises to be a touch more adult and darker than the preceding Addams Family flicks.
Despite her young age, Ortega is already a veteran in the horror genre, thus this tone is appropriate.
Despite her young age, Ortega has already created a reputation for herself as a horror heroine.
So far, her biggest box office success has been the smash slasher sequel Scream 2022, in which she co-starred as Tara Carpenter in the remake.
Orestes' previous roles include being Cole's new love interest in The Babysitter: Killer Queen and a supporting player in the 2021 comedy Yes Day.
Ortega's part as a survivor of a school massacre in the independent film The Fallout, which was released in 2021, gained her praise outside of the horror and comedy genres as well.
Since then, she's appeared in Ti West's famous slasher homage to the 1970s, X, in a supporting part.
On top of that, Ortega had a brief role in Foo Fighters-starrer Studio 666, where he played a non-killer character who made it out of the opening scene.
Ortega's work in the horror genre has established her as a credible actress, and she'd be an ideal choice for Tim Burton's reimagining of Wednesday in the Addams Family.
Phase 4 MCU initiatives have already created the basis for Young Avengers appearances, and Ms. Marvel will do even more in the near future.
In the long run, the planned Ms. Marvel series will help pave the way for an MCU equivalent of Young Avengers.
Even with all of the preparations that have been made, there is no official confirmation that Young Avengers will be part of the MCU.
Ms. Marvel's character, on the other hand, increases the likelihood of this happening.
"The Youthful Avengers" is a group of young superheroes in the comics who may be seen as Marvel's Young Justice or Teen Titans. Several Phase 4 movies and TV series have included characters that make up this group.
With the introduction of WandaVision's children Billy (Wiccan) and Tommy (Speed), we met Eli Bradley (Patriot), The Falcon and the Winter Soldier (Kid Loki), Hawkeye (Kate Bishop), and Doctor Strange in the Multiverse of Madness (America Chavez).
The fact that Ant-Man introduced Cassie Lang as Stature and that Avengers: Endgame transformed her into an adolescent leads us to believe that a Young Avengers film is already in the works, even before Phase 4.
For further information, see the list of upcoming Phase 4 films that will feature the Young Avengers cast.
In light of the new Ms. Marvel TV series, the concept of a Young Avengers endeavor seems much more plausible.
Although Kate Bishop and America Chavez are featured as the primary characters in the MCU stories Hawkeye and Doctor Strange and the Multiverse of Madness respectively, their true roles as protagonists were played by Hawkeye and Doctor Strange in each of those stories.
Ms. Marvel, on the other hand, marks the first time an MCU show has featured a teenage protagonist, and with Kamala Khan already confirmed to star in 2023's The Marvels, it's clear that the MCU wants to feature younger characters in leading roles, and Young Avengers would be the most straightforward way to do so.
Ms. Marvel's World of Avatar
Iman Vellani is the person in question.
Kamala Khan is a prominent Indian actress.
Even though Kamala Khan is a youthful Marvel hero, she has never been a member of the Young Avengers in the comics, which is the biggest problem with that premise.
Since the Youthful Avengers in the Marvel Cinematic Universe are based on the Champions, another young superhero team, Kamala's inclusion in the MCU's Young Avengers squad would be understandable if that team's design cues came from the Champions.
When Joaquin Torres, another member of the Champions was introduced in the comics as a replacement for Sam Wilson as Falcon, something like that may have already been set up in The Falcon and the Winter Soldier.
However, as having two groups of young superheroes may be redundant, a combination of Young Avengers and the Champions makes the most sense, as they were created as a more simple superhero team. The characters from both groups are already in the MCU.
There have been rumors about the MCU making Young Avengers for years, and Ms. Marvel makes it far more plausible.
A superhero team made up of young characters would be a simple and effective method for Marvel to showcase its younger characters, even if Kamala Khan does not appear in the Ms. Marvel books.
With all that Marvel has done in the previous several years, it isn't hard to see how the Young Avengers will fit into the MCU's overall storyline.
No great symbolic sense was made out of the iconic seat belt flailing, Neill claims, indicating another motive for the scene.
"Seat belts" in the original Jurassic Park movie aren't real, according to actor Sam Neill of the film.
As Dr. Alan Grant, Neill appeared in the 1993 film version of Jurassic Park directed by Stephen Spielberg.
In 2001's Jurassic Park III, he reprised the role.
Aside from a cameo in Thor: Ragnarok, Neill has maintained a steady but somewhat low-key filmography since that point.
Reuniting with Jurassic World: Dominion director Colin Trevorrow and returning to reprise Neill's role is sure to thrill many fans of the series.
The original Jurassic Park has been a fertile ground for online speculation since its release.
The seat belt notion of "life finds a way" is one such hypothesis.
In the first Jurassic Park film, Dr. Alan Grant has difficulty securing his seatbelt while flying in a helicopter.
The "female" ends of the seat belt are tied together by him in his haste.
Even though all the dinosaurs in Jurassic Park are female, this scene has been noted as a prediction of this discovery, which some see as an example of how life "finds a way."
The "life finds a way" seatbelt idea has been disproved by Neill, putting an end to the online fan speculation.
In an interview with Gizmodo, Neill was asked about this notion and if Spielberg ever mentioned the symbolism while filming Jurassic Park.
There is no "huge symbolic meaning" in the fan idea, according to Neil's response.
Alan Grant's character feature that Grant despises technology serves as an explanation for the event, he says.
Grant "hates everything to do with the contemporary world," Neill argues, therefore the character gets confused when confronted with surprising intricacy to an apparently ordinary basic gadget.
See the whole quote from Neill:
I don't believe it had a wonderful allegorical meaning [laughs].
My guess is that wasn't the intent.
Just how much does Alan Grant despise technology was the subject.
His aversion to computers is well-documented.
He despises contemporary society and the use of seatbelts, which you'd think would be easy to understand..
However, I've been on helicopters asking, 'Where the heck is the other part of this?'
[Pause]
That's really fascinating.
On the Internet, this type of stuff is common.
"There are two female components.""
That's a good one.
"Jurassic Park 3" star Sam Neill plays Dr. Alan Grant.
However, Neill debunks any notion that Spielberg had this in mind when he made the first picture, despite the theory's amusement.
Though the "life finds a way" seat belt idea was well-reasoned, it appears less sensible to Neill than to fans.
It's as if Alan Grant if he were alive in the twenty-first century, were disdainful of the internet and its many hypotheses.
Neill is still a part of the Jurassic Park franchise, despite this fan theory's demise.
Alan Grant's long-awaited return to Jurassic World: Dominion will be interesting to see what Colin Trevorrow does with it.
Some fans are hoping for a nod to the original Jurassic Park, while others are hoping for easter eggs from the previous films in the franchise.
Is there anything more we can expect once Jurassic World: Dominion opens on June 10?
In The Empire Strikes Back, Obi-Wan Kenobi reiterates a recurring theme in Disney's Star Wars films: Yoda was accurate about Leia all those years ago.
Star Wars: The Force Awakens
In The Empire Strikes Back, Obi-Wan Kenobi confirms what Yoda said about Leia Organa having "another" hope, continuing a Disney Star Wars theme.
The Skywalker family has been at the heart of the Star Wars narrative for more than 40 years.
Throughout the films, the Skywalker Saga has played a significant role, from Anakin in the prequels through to Rey and Kylo Ren in the sequels.
However, this all began with the original trilogy's principal hero, Luke Skywalker, and his identical twin sister, Princess Leia.
In spite of their divided response among Star Wars fans, Disney's sequel trilogy did allow for a larger emphasis on other heritage characters.
When it comes to the sequel trilogy, Leia Organa earned more than her fair amount of screen time, while Luke Skywalker and Han Solo both underwent emotional arcs in their respective films.
This, together with Obi-Wan Kenobi's reaffirmation, shows Yoda was correct all along concerning the Skywalker sibling.
Obi-Wan Kenobi Star Wars: Who Is Playing Leia?
In 1980, one statement sent Star Wars fans into a frenzy of speculation and debate: "No, there is another."
In The Empire Strikes Back, Yoda states this in response to Obi-claim Wan's that Luke is the Rebels' only hope in combating the Galactic Empire.
Many people were baffled as to who Yoda was referring to at the moment.
After three years, the questions were resolved when Luke and Leia's relationship was confirmed in Return of the Jedi.
It's no secret to Yoda that Leia is incredibly important to the Skywalkers and the galaxy as a whole, but in Obi-Wan Kenobi, episode 1, her biological father Bail Organa only serves to underscore this fact.
Bail calls Obi-Wan for aid when Leia is kidnapped by Vect Nehru, saying that Leia is equally as essential to the galaxy as Luke is.
Obi-Wan is spurred into action, leading him to Daiyu and discovering that Anakin/Darth Vader, the father of Leia and Luke, is still alive.
Star Wars Episode I: The Phantom Menace
Since acquiring Lucasfilm, Disney has given Leia a lot more screen time.
The princess appears in various episodes of Star Wars: Rebels and was shown to have great force skills in The Last Jedi and was granted her own lightsaber and personal trainer in Luke, as seen in The Rise of Skywalker.
After all, Yoda was right all those years ago when he said that Leia was important.
To Yoda, Leia's importance is comparable to Luke's, which makes sense.
Because his species matures differently, Yoda, who has been around during the High Republic as well as the Clone Wars, is nearly 900 years old at this point.
A large number of Jedi have been taught under Yoda's tutelage as a result!
This shows how important Leia is to the Jedi, even if Yoda has trained countless new Jedi throughout the years.
In Obi-Wan Kenobi, Bail Organa's demands for Leia's help are only strengthened by Disney's extension of the Star Wars world on Disney+.
Following the critical and economic success of Top Gun: Maverick, producer Jerry Bruckheimer claims there are no imminent plans for Top Gun 3.
Following the critical and economic success of Top Gun: Maverick, producer Jerry Bruckheimer claims there are no imminent plans for Top Gun 3. The long-awaited sequel to Tony Scott's 1986 classic Top Gun finally premiered in theatres this past weekend, breaking many box office records, mostly owing to the COVID-19 epidemic. Tom Cruise's best opening weekend of his career, with $156 million, was not only achieved by Top Gun 2, which beat out Pirates of the Caribbean 3 (also produced by Bruckheimer).
Val Kilmer, Miles Teller, Jennifer Connelly, Jon Hamm, Glen Powell, Lewis Pullman, and Ed Harris are among the newcomers that join Cruise in the cast. The film picks up 36 years after the events of the first, with test pilot Pete "Maverick" Mitchell returning to the Top Gun programme to mentor the son of his late RIO (Radar Intercept Officer) and closest friend, Goose, Bradley "Rooster" Bradshaw. Following the huge box office success of Maverick, many are starting to wonder if there will be a third Top Gun film.
Here is a guide to the cast and returning characters of Top Gun: Maverick.
New Deadline interview with Bruckheimer discusses the possibilities of a third Top Gun film. Maverick 2 won't be coming any time soon, according to the producer, but he didn't rule out the possibility. "Let's ride this wave," says Bruckheimer, referring to Maverick's successful opening weekend.
Reviews for Top Gun: Maverick was praising the film's powerful aerial sequences, which were all shot on location, as well as its unexpectedly poignant plot, even before its theatrical debut. As a result, whereas a third Top Gun film was formerly considered a strong possibility, it now appears certain in light of the film's monetary success. Even some of the cast of Maverick have expressed interest in a potential sequel, with Teller presenting Top Gun: Rooster as an option for his character in addition to Bruckheimer.
Top Gun 3 might possible, according to the film's director, Powell, who shared his own needs for a high-flying sequel. It's hard to envision another Top Gun movie without Cruise and director Joseph Kosinski, who was essential in the sequel's devotion to physical filmmaking rather than CGI and green screens. In any case, perhaps Bruckheimer is correct: it might be wiser to enjoy Top Gun: Maverick for now rather than speculate about Top Gun 3.
In addition to the 4K Blu-ray release in August, the original Child's Play trilogy will be available in special item bundles.
Through the efforts of Hannah Gearan
Child's Play 3's Chucky Doll
There will be a 4K Blu-ray DVD release of the first three Child's Play films.
A demonic doll named Chucky was introduced in 1988 when the first film in the Child's Play trilogy was released.
The original horror trilogy has spawned several spinoffs, including Bride of Chucky in 1988, Curse of Chucky in 2013, and the latest Syfy channel TV program Chucky, developed by the original Child's Play creator Don Mancini.
As a result, a new 4K Blu-ray edition of the original trilogy of Child's Play films has been made available.
Scream Factory said the DVDs will feature all three films in the trilogy: Tom Holland's Child's Play in 1998, John Lafia's Child's Play 2 in 1990, and Jack Bender's Child's Play 3 in 1991.
On the 16th of August, the DVDs will be available for purchase.
On their own, the Child's Play films can be purchased, or as part of a Shout Factory-exclusive package that includes additional Chucky-related merchandise.
NECA Toys, a prominent toymaker, has created a unique burned Chucky action figure for the sale.
The Shout Factory website presently has pre-orders available for all of the items.
How Chucky Season 2 Can Fix the Most Hated Child's Play Movie is also relevant
Chucky has been an iconic horror villain for more than three decades since the premiere of Child's Play.
It's already sold out on Shout Factory's website, a testament to Chucky's enduring popularity.
The release of the Child's Play trilogy on 4K Blu-ray might bring new fans to Mancini's creation, and not only those from the Cult of Chucky. Chucky could see a boost in his fan base.
The Illuminati and Charlize Theron's Clea are introduced in Doctor Strange in the Multiverse of Madness official film.
Benedict Cumberbatch returns to the Marvel Cinematic Universe (MCU) in the studio's next blockbuster, after his appearance in Spider-Man: Homecoming.
America Chavez (Xochitl Gomez) is being pursued by the Scarlet Witch throughout the film, and he must defend her at all costs (Elizabeth Olsen).
There is no better way for Marvel Studios to go deeper into the cosmos than with Doctor Strange: The Multiversity of Madness.
As a result, a slew of new characters with ties to the MCU are introduced in the film.
With Hayley Atwell as Captain Carter, Chiwetel Ejiofor as Mordo, and Maria Rambeau's Captain Marvel as Maria Rambeau with Black Bolt, Mister Fantastic, and Professor X as the other members of the Illuminati on Earth-838 (Patrick Stewart).
Theron makes her Marvel Cinematic Universe debut as Clea in the post-credits sequence of Doctor Strange in the Multiverse of Madness, which also introduces us to the super-secret squad.
Also of Interest: Eight Years Before Doctor Strange 2's Best Scene, The X-Men Movies Did It.
Marvel Studios has revealed new video from Doctor Strange in the Multiverse of Madness, which has been in cinemas for a few weeks and shows the Illuminati confronting Strange for the first time.
Clea's entry in the MCU is also included in the video, which was published by Doctor Strange's official Twitter account.
Take a look at this video:
The original post may be found here.
Four of Earth-838 Illuminati's six members have already been shown in previously released official footage.
Even in this footage, Mister Fantastic and Professor X are nowhere to be found.
It's odd that Marvel Studios isn't in the film, given that it's been a long time since the release of Doctor Strange in the Multiverse of Madness, and many fans already know about their involvement in the film.
Considering that the existence of Charles Xavier was announced through the movie's promotion, there's no need to keep him a secret now that his cameo has been confirmed.
Even if all of the members of Doctor Strange's Illuminati squad were still alive, the chances of seeing this identical lineup again in the MCU are minimal to none.
Theron has been vocal about Clea's appearance in Doctor Strange in the Multiverse of Madness for a long time now..
Marvel Studios has already made use of a promotional image of Clea and Doctor Strange in the film, so her inclusion in this new promo trailer isn't a surprise in the least.
Her look, for the most part, doesn't disclose anything new.
In the Marvel Cinematic Universe, we have no clue where she and Doctor Strange will go next based on what we know from the comics.
Theron's cameo is a huge deal since it confirms her affiliation with the Marvel Cinematic Universe.
"The script was incredibly amazing," says actress Léa Seydoux, who was slated to star in the aborted Gambit movie alongside Channing Tatum.
Through the eyes of TC Phillips
Published one hour and twenty minutes ago.
MCU
X-Men films continue to include Channing Tatum as Gambit.
Léa Seydoux, a French actress, recently revealed about her role in the cancelled Gambit movie that was supposed to feature Channing Tatum as the mutant.
In 2014, Fox revealed plans for a standalone Gambit film, with an October 2016 release date planned as part of the company's long-running X-Men series.
Tatum, who was also slated to produce, approached a number of possible filmmakers who each turned him down. The movie would eventually run into a host of development hurdles.
Tatum finally got Rise of the Planet of the Apes filmmaker Rupert Wyatt to direct the project in June 2015, but he would only stay in the post for three months before he left.
While searching for a successor, Fox settled on Doug Liman, who would later leave the film and be replaced by Gore Verbinski, who had worked on Pirates of the Caribbean and Mr. & Mrs. Smith, among others.
Verbinksi would follow in the footsteps of his predecessors and leave the picture without a director for a third time.
It wasn't long after this point that Disney began its takeover of Fox, and the project was formally put on hold until that merger was complete.
The movie was eventually cancelled and never released in May of 2019.
Related: X-Men: Apocalypse Should Keep Channing Tatum As Gambit in the MCU
IndieWire talked with Seydoux, who was originally cast as Tatum's love interest in the film, about the original script.
"They wanted to make it more of a comedy, but the screenplay I read was incredibly fantastic," she says.
You may read her entire post here:.
The story was excellent.
They intended to make it more of a comedy, although there were some hilarious elements in it.
In my opinion, individuals in the United States are more imaginative.
I've been approached about projects that are far apart from my previous work and I'm just, 'Oh.
Interesting.’
I enjoy the feeling that I am able to adapt to new situations.
That's a whole new world to me!
The Gambit Channing Tatum
Of course, the concern for many Marvel fans today is whether or not Tatum's version of the character will continue to exist in the MCU.
Doctor Strange has just lately brought back Patrick Stewart's Professor Charles Xavier, so there's little doubt that this is a possibility.
Despite this brief cameo appearance, just how Marvel Studios may incorporate the X-Men back into the MCU is still a hot issue of dispute.
In theory, Tatum may have a shot at portraying Creole mutant, but there is no guarantee.
Regardless of what fans think, it's safe to say that Fox's initial ideas for the Gambit film signify little in the context of today's MCU.
Rumors and fan speculations abound as to how Kevin Feige and Marvel Studios will use the X-Men characters, but whatever they decide will be considerably different from the concepts planned before to the Disney/Fox merger.
For now, perhaps Tatum's shelved Gambit picture can pique interest in bringing the idea back to life.
In the concluding sequences of Doctor Strange in the Multiverse of Madness, the Marvel Cinematic Universe's most prevalent screenplay flaw is subverted.
"Doctor Strange" Maximoff's Wanda
Spoilers for Doctor Strange: The Multiverse of Madness follow. Use at own risk.
As a result, the MCU's most-complained scripting error is addressed in Doctor Strange in the Multiverses of Madness, making it one of its greatest films. Director Sam Raimi, known for his work on such classics as Evil Dead and the Spider-Man saga, is well-known for his penchant for using horror tropes and iconography in his films. One of Doctor Strange: Multiverse of Madness's most pivotal moments occurs as Stephen Strange and America Chavez (Benedict Cumberbatch) face battle against the Scarlet Witch (Elizabeth Olsen).
To stop Wanda Maximoff from attempting to use America Chavez's abilities to traverse the cosmos, Doctor Strange "dreamwalks" into the body of Defender Strange, the variation he killed. Zombified Strange encourages Chavez to unleash her full potential and transfer the Scarlet Witch to Earth-838, the Illuminati's homeworld. That universe's Wanda Maximoff is brought to tears by Scarlet Witch as she terrorises her own children, Billy and Tommy. In Doctor Strange's Multiverse of Madness conclusion, she seemingly sacrifices herself in the process of destroying the Darkhold in all realities and bringing down the temple at Mount Wundagore.
Sam Raimi and colleagues made a wise decision by concluding The Multiverse of Madness with an emotional conversation rather than a massive battle, gigantic monster fight, or laser in the sky. Even initiatives like WandaVision, which started off as something new and exciting in the Marvel Cinematic Universe, have since devolved into large-scale generic hero vs villain fights a la Captain America: The Winter Soldier and The Avengers. When it comes to Doctor Strange in the Multiverse of Madness focusing on the interaction between its enemy and two protagonists, it feels new and deserved.
Zombie Doctor Strange in the Madness Multiverse
Doctor Strange in the Multiverse of Madness shares this uncommon, controlled finish with its predecessor, Doctor Strange, although being handled by separate filmmakers. In that film, Strange uses the Time Stone to bind Dormammu in a time loop within the Dark Dimension, defeating the inter-dimensional creature. Both films demonstrate that the MCU's endings may transcend the conventional finale clichés and give thrilling, different finishes instead of third-act destruction. both films. As seen by the spectacular end of Avengers: Endgame, a last fight isn't always necessary. However, this should not be the norm in the MCU.
This lesson has been learnt by other Phase 4 MCU programmes. Loki finishes with a lengthy conversation between Loki, Sylvie, and He Who Remains, which sets up the MCU's multiverse conflict and Kang. Marvel screenwriters should trust themselves to develop interesting, innovative, and character-driven endings, as demonstrated by Doctor Strange in the Multiverse of Madness, as well as Loki and Dr. Strange.
According to Deadline, work on the second installment of the Paramount+ series American Tragedies: Waco - The Trials has begun, and the cast has been completed. John Leguizamo, the series' star, will reprise his role as ATF agent Jacob Vazquez, with newcomers David Costabile, J. Smith Cameron, John Hoogenakker, Keean Johnson, and Abbey Lee.
The terrible and unbelievable actual story of the Branch Dividians and their leader, David Koresh, was the subject of the first season of the series, which premiered in 2018. (Taylor Kitsch). Waco was a 1993 film that chronicled the circumstances leading up to the Bureau of Alcohol, Tobacco, and Firearms' bungled raid on a religious group (ATF). The series demonstrated how political pressure and previous mistakes propelled the ATF into a perilous position that resulted in a 51-day standoff and 80 deaths.
American Tragedies: Waco - The Trials will reveal how the circumstances surrounding the Branch Davidians lit a fire under the 'Patriot' movement, which would lead to such extremism as the Oklahoma City bombing just two years later, just as the first season of Waco did with how the events of the Ruby Ridge standoff led to the devastation in Waco. As the title suggests, the second season will also focus on the allegations of conspiracy to murder federal agents brought against the Branch Dividians' surviving members.
Costabile, who is most known for his role as "Wags" in the hit series Billions, will preside over the trial as the honorable Judge Smith. Smith Cameron, who previously starred in HBO's Succession, will take over as the Branch Davidians' leader and Prophetess, Lois Roden. Roden's spouse, Benjamin Roden, formed the Branch Davidian Seventh-day Adventist Church, where he and his wife served as co-presidents until their deaths. Lois took control at that point. Vernon Howell, aka David Koresh, will join the church at this point in the series.
David Koresh's first Branch Davidians adherent, Clive Doyle, is Hoogenakker (Dopesick). Doyle, blindly faithful to the cult leader, continued to follow Koresh's teachings even after his daughter was killed in a fire at the Davidians' base, Mount Carmel. Vernon Howell, nicknamed the young David Koresh, is played by Johnson (Euphoria). He'll portray a religious leader who persuades followers that he's the Messiah chosen by God. Finally, Carol Howe will be played by Lee (Lovecraft Country). Howe began her life as a Southern working lady before abandoning it to become a neo-Nazi, proving that one can live a million lives. But it doesn't stop there for Howe, who goes on to become a federal informant thanks to her intimate knowledge.
While many shows have only a few compelling characters, producers and showrunners Drew and John Erick Dowdle ensured that Waco was filled with larger-than-life characters, the majority of whom are based on real-life people. Michael Shannon, who played FBI negotiator Gary Noesner in the first season, also serves as an executive producer.
While no specific date has been announced, we do know that the series will premiere in 2023 to commemorate the 30th anniversary of the Waco standoff.
Slip, a Roku Original, is gaining a lot of traction, with four new actors joining the cast. Emily Hampshire, Tymika Tafari, Whitmer Thomas, and Amar Chadha-Patel will round out the main cast. The new cast will join previously confirmed star Zoe Lister-Jones, who also works as writer and director for the comedic series.
Slip, which is now filming in Toronto, will follow Lister-Jones' character as she time travels through several universes in order to rediscover herself and find peace in her perfectly wonderful marriage. While she tries to figure out what's best for her, it appears that the answer has always been right in front of her.
While we don't yet have character descriptions, we do know the names of the new characters. Hampshire, a former cast member of Schitt's Creek, will play Sandy. We're guessing that the people behind Slip will use Hampshire's precisely timed humorous edge to their advantage, as she is most known for her depiction of the cynical cashier Stevie Budd in the fan favorite comedy. Gina will be played by Tafari. With her previous ventures starring her in one-off episodes, this will be the actress's first leading part in a television show. Tafari has acted in films such as Revenge of the Black Best Friend, Murdoch Mysteries, and even gave her voice to the popular children's show Paw Patrol for an episode in 2013.
As Elijah, Thomas joins the cast. The comedian is best known for his hour-long HBO comedy special The Golden One and his role as Joe in the Aidy Bryant-led Hulu series Shrill. Stone Quackers, an FXX comedy series, used the actor's vocal skills. Finally, Chadha-Patel had a main role in the horror thriller Dashcam, as well as supporting roles in films like Disney's live-action Aladdin and The Wheel of Time series. Along with Slip, Chadha-Patel will be seen in the upcoming television series Willow, which is a sequel to the fan-favorite fantasy film from 1988.
Fans can expect a comedy treat as Lister-Jones' character, Mae Cannon, travels around many realities in search of her sense of purpose, thanks to all the new names attached to Slip. Dakota Johnson's TeaTime Pictures will make its television debut with this series. Below is the official synopsis for the show:
The seven-episode comedy series follows Mae Cannon (Lister-Jones), a 30-year-old woman who is restless inside a marriage that is completely functional. Mae will be followed on a fantasy adventure through parallel dimensions as she enters various relationships in the hopes of reuniting with her spouse and, ultimately, herself.
There is no set date for the publication of Slip at this time.
Samantha Fink will be given a second season to improve her sobriety. According to Variety, Single Drunk Female has been renewed for a second season. In a press release, Freeform president Tara Duncan expressed her delight at the renewal of the breakout comedy series for a second season. "I'm excited to see what they have in store for Sam in Season 2 as she continues on her path to become her greatest self," Duncan remarked.
Freeform's programming philosophy, according to Duncan, is to provide "fun and exciting storylines that represent the high stakes and unlimited potential of new adulthood." Single Drunk Female, starring Sofia Black-D'Elia as Fink, a 28-year-old woman who has hit rock bottom due to her drinking problem and is forced to move back in with her mother (Ally Sheedy) to begin a court-ordered road to sobriety, epitomizes this sentiment.
On Rotten Tomatoes, the series has a 100 percent approval rating, and it has received praise from critics and viewers for its honest and entertaining representation of sobriety and the road to it.
In addition to renewing Single Drunk Female for a second season, Freeform has given the green light to a new series called While You Were Breeding, based on Kristin Newman's memoir "What I Was Doing While You Were Breeding." Chelsea Frei will play Kacey, a single lady in her 30s who decides to travel the world after leaving the urban jungle of Los Angeles. The cast will also include Catherine Cohen, Alice Hunter, and Kosha Patel.
While Single Drunk Female has been renewed for a second season, fans of other Freeform shows are waiting with bated breath for updates on their favorite shows. Cruel Summer, a mystery show that has swiftly become a fan favorite, and Grown-ish have already been renewed for a fifth season; however, fans of Good Trouble are still waiting for word on a fifth season, which might be announced shortly.
Season 2 of Single Drunk Female will launch in the fall of this year, while Season 1 is currently available on Hulu.
Several of the original leads of The Boys' spinoff series have left the show in the last two months. Aimee Carrero and Shane Paul McGhie left the project in March to seek other opportunities and because their roles, particularly McGhie's, had been drastically changed when showrunners Michele Fazekas and Tara Butters came aboard, according to Deadline. According to Deadline, Reina Hardesty is on her way out for many of the same reasons.
Hardesty's departure was once again the result of creative shifts led by Fazekas and Butters. The showrunners have chosen to take the project in a different way than what executive producer Craig Rosenberg of The Boys had originally envisioned. Hardesty's character is one of the six main protagonists in the series, which also includes Jaz Sinclair, Lizzie Broadway, Chance Perdomo, Maddie Phillips, and previously Carrero.
Hardesty's character will be recast as soon as possible. So far, the college-set spinoff has filled one of its gaps by casting Perdomo in place of McGhie, but they have yet to find a replacement for Carrero as the series' star. There is still no release date set for the show, which pits undergraduate students at Vought International's super-exclusive Goldolkin University in a Hunger Games-style free-for-all for the best contracts. Those who excel at university earn big-ticket superhero jobs in places like Los Angeles or New York. Anyone chosen to travel to New York joins The Seven, following in the footsteps of figures such as A-Train (Jesse T. Usher) and Queen Maeve (Dominique McElligott).
Hardesty had a recurring role as Weather Witch on The CW's The Flash series (as well as a brief appearance as her in Legends of Tomorrow), but she was most recently a prominent presence on Brockmire's last season. She starred alongside comedic great Hank Azaria and Amanda Peet as Beth Brockmire, the titular Brockmire's daughter, in the film. She'll also be seen in Maggie Grace and Lucy DeVito's film The Secret Art of Human Flight, as well as the TV movie Maverick.
While the college-set spinoff is being finalized, The Boys' highly anticipated third season approaches its June 3 premiere date. In a broadcast back in January, the in-universe Vought-run news site Seven on 7 highlighted the upcoming season as well as the spinoff, confirming the return to the traditional episodic release on Prime Video with three episodes dropping for the season premiere.
According to Variety, Love, Victor will be coming to Disney+ after some streaming misunderstanding. Love, Victor was planned for Disney but was pushed to Disney+'s broader streaming service, Hulu, due to concerns about the series' content, which included images of same-sex high school relationships. However, it appears like the series is now returned to its original home.
This is a big and unexpected move for the streaming service, given that the first two seasons of the show broadcast on Hulu. The third and final season will premiere on Disney+, echoing the larger dispute that Disney is involved in, namely with Florida Governor Ron DeSantis and his divisive "Don't Say Gay" policy. Disney has come out against the measure, which would limit information about sexuality and gender in K-12 public schools in the state, after an originally hesitant response. In retaliation, Florida's governor and conservative legislators are aiming to revoke the Disney corporation's licenses in the state, owing to the company's massive Walt Disney World park in Orlando.
"We are proud of 'Love, Victor,' and are pleased to deliver it to the widest possible audience on June 15 by making the whole series available on both Disney+ and Hulu to honor the final season and LGBTQIA+ Pride Month," said Hulu president Joe Earley in a statement released today. "In addition to highlighting this groundbreaking series, subscribers will have the opportunity to sample more content available across our streaming services, as we have done with titles like the Academy Award-winning Summer of Soul (...Or, When the Revolution Could Not Be Televised), Man in the Arena: Tom Brady, and Black-ish," he continued.
Love, Victor, a series that has received two GLAAD Media Awards, is a step forward for the streaming platform, which had previously been rigorously curated to prevent controversy. However, the fact that the show is just now being added on the app after being canceled after the third season makes the news bittersweet to say the least. Love, Victor follows Victor, a high school student played by Michael Cimino, as he juggles school, extracurricular activities, and the challenges of exploring his sexuality.
On June 15, right in the thick of Pride Month, Season 3 of Love, Victor will air on Disney+ and Hulu. On both applications, all seasons of the show will be available.
The TMNT (Teenage Mutant Ninja Turtles) franchise has endured for decades. Kevin Eastman and Peter Laird's 1980s comic book work gave birth to the Heroes in a Half Shell. Leonardo, Raphael, Donatello, and Michelangelo are four anthropomorphic crime-fighting turtles in the series. The Teenage Mutant Ninja Turtles were a big hit despite their outlandish premise, leading to a slew of related products such as toys, television series, movies, and video games. The franchise is still popular today, and Seth Rogen is working on a film adaptation of the series. But first, let's take a look back at some of the most memorable Turtles movies of all time.
Ninja Turtles III: Return of the Turtles (1993)
With Teenage Mutant Ninja Turtles III, director Michael Bay officially put an end to the first trilogy of TMNT films. According to IMDB, it's still the worst-reviewed Turtles film of all time. When April O'Neil (Paige Turco) and the turtles purchase an antique magic scepter, they go back in time to ancient Japan. The time travel narrative is performed in a foolish manner, despite the franchise's inherent silliness. Changing the method of time travel alone would be an upgrade in a TMNT story, which usually focuses more on odd technology than outright magic.
Weak script and inferior cinematography marred what might have been a terrific picture. Jim Henson’s Creature Shop was responsible for the effects in the first two movies but not the third, resulting to a significant decline in quality.
6. The Teenage Mutant Ninja Turtles (2014)
The Teenage Mutant Ninja Turtles remake film, which premiered in 2014, was immediately met with criticism. Many Transformers fans were disappointed when Michael Bay was selected to create the film, after seeing his perspective on the property. Disappointing were also the designs of the turtles themselves. Faces that resembled those of World's Strongest Man contenders and bodies that resembled adolescent crime-fighters were a far cry from what they seemed to be. Even if it wasn't a terrible film, TMNT fans have a wealth of better alternatives.
Teenage Mutant Ninja Turtles: The Movie (2016)
Out of the Shadows had a higher rating from critics than its 2014 predecessor, but its box office performance was far less impressive. The third film in the reboot series was planned, but it was scrapped following the second film's failure. The Krang, Bebop and Rocksteady, and Baxter Stockman are just a few of the many beloved characters appearing in Out of the Shadows. Overall, the film is a disappointment. In this version, the action is fast-paced and the tone is lighter, but the plot is still convoluted, and the turtles remain unsightly.
"The Secret of the Ooze" from Teenage Mutant Ninja Turtle II (1991)
After Teenage Mutant Ninja Turtles in 1990, a sequel called The Secret of the Ooze was made. It follows the Turtles as they fight Shredder and the Rahzar and Tokka mutant beasts in this movie. While its predecessor was gritty, Ooze takes a more whimsical approach. If you're an adult who didn't grow up with the film, you may not get as much out of it as you would if you were a child. However, if you're a fan of Vanilla Ice and cheesy '90s pop, you'll like the movie.
TMNT is number four (2007)
Since the previous Turtles film had been released 14 years earlier, the announcement of TMNT in 2007 was met with much excitement. It was going to be the first Turtles feature entirely done in computer-generated imagery, and it is still the only one. Breaking with tradition, the Turtles are seen living on their own in TMNT. Donatello becomes an IT consultant after defeating Shredder; Mikey becomes a birthday party magician; Leonardo moves to Central America for training; and Raphael becomes a vigilante on his own after the team's victory against the villain. But when evil strikes again, the brothers must put their differences aside and work together to preserve the planet. Despite the film's darker tone, it is a very enjoyable and unusual Turtles adventure. This film is a must-see for every lover of the turtles.
In the third Batman vs. Teenage Mutant Ninja Turtles battle (2019)
Teenage Mutant Ninja Turtles fans may have missed this. Comic book heroes Batman and the Teenage Mutant Ninja Turtles team together in this 2019 DTV crossover. Bats and the Ninja Turtles join forces to combat Ra's al Ghul and the League of Assassins in this action-adventure flick. You won't be able to put the movie down since it seamlessly combines the two series. There are no holds barred in the combat sequences, which is why the picture was given a PG-13 classification. The film Batman vs. TMNT earned overwhelmingly positive reviews from both reviewers and moviegoers alike, with Rotten Tomatoes giving it a perfect score of 100 percent. Do yourself a favor and see this movie if you're a fan of the Turtles or Batman.
2. The Teenage Mutant Ninja Turtles (1990)
Teenage Mutant Ninja Turtles was the Turtles' debut appearance on the big screen. Jim Henson's Creature Shop was contracted by filmmaker Steve Barron to bring Leo, Raph, Donny and Mikey to life. However, Henson said that the Turtles were the most complex animals he had ever worked on, yet he still managed to produce some amazing results .'s Even though The Heroes in a Half Shell came out better than anybody could have anticipated, it was Henson's last production before his death.
Along with its fantastic costumes, the picture offers a wonderful tale replete with wacky humor and action-packed scenes that have inspired many succeeding TMNT films. It was a box office hit despite a mixed reception from reviewers. Until The Blair Witch Project surpassed it in 1999, Teenage Mutant Ninja Turtles was the highest grossing independent film, earning $202 million on a $13.5 million budget.
Turtles will always be a part of my life (2009)
Turtles Forever was released in 2009. Teenage Mutant Ninja Turtles: Out of the Shadows is a celebration of the franchise and a love letter to its devoted followers. There is an amazing interplay between the ninja characters from 1987, 2003, and Mirage comic books in this epic crossover. Everything about this film is fantastic: the characters' relationships, the storyline, the fighting, and the visuals. This is a must-see film for fans of any age of the Turtles.
The fifth episode of the Indiana Jones film series has officially wrapped production after years of rumors and conjecture. Prior to the release of Indiana Jones and the Kingdom of the Crystal Skull, Steven Spielberg and George Lucas hinted about a fifth feature. It's worth noting, though, that the creation of Indiana Jones 5 went through a number of twists and turns. Filmmaker Steven Spielberg chose to stand down as director after a number of screenwriters presented their ideas.
The identity of the film's major adversary is one of the film's most intriguing mysteries. Everyone involved with the movie has been tight-lipped about the narrative, even though a number of interesting stars have signed on. Who is Indy's next villain? Is Mads Mikkelsen still capable of becoming a terrific villain? No one knows what Phoebe Waller-Bridge has in store for us. Do you recognize this person? Boyd Holbrook, anyone? Is it Antonio Banderas you see in the picture?
The bar is set high for Harrison Ford's next adversary. Some of the franchise's most terrible villains have come from this series. List of Indy movie antagonists arranged by number of appearances.
A ninth character in The Kingdom of the Crystal Skull is Antonin Dovchenko (2008)
Critics panned Kingdom of the Crystal Skull because they felt it didn't treat Indy with respect. As opposed to the weak and approachable Indy from the previous three films, the Soviet Union Colonel Antonin Dovchenko was suddenly a superman who could withstand being constantly beaten by Indy (Igor Jijikine). Dovchenko is drab in the worst possible way. Big, dumb, CGI-laden moron, he's one of the poorest moments in the series.
The Temple of Doom's Mola Ram (1984)
In this instance, the Indiana Jones series just hasn't held up over time. The prequel to Raiders of the Lost Ark, The Temple of Doom, was significantly darker since Spielberg and Lucas were dealing with personal troubles at the time of filming. It veered away from the historical setting of the previous film in favor of the fantastical and ludicrous. He may be having a good time, but Amrish Pari is simply a crazy guy. A racially inappropriate portrayal of Mola Ram is deplorable.
Raiders of the Lost Ark, Herman Deitrich (1981)
Nazis are usually a good choice for a terrible person. Herman Deitrich (Wolf Kahler) is as bit as vicious as the other Raiders of the Lost Ark antagonists, yet he lacks the same level of charismatic charisma. Adding a military danger to Indy's quest is the goal of Dietrich's mission. It's difficult to tell him apart from the other numbskull fascists Indy takes down.
a. Lao Tzu in the Tomb of Doom (1984)
One of the film's highlights is the nightclub launch of The Temple of Doom. At the Club Obi-Wan, Indy seduces singer Willie Scott (Kate Capshew), Spielberg recreated a James Bond-style opening. Lao Che (Roy Chiao), the club's proprietor, is a 1930s mobster. A feat any 007 villain would be proud of, he even manages to poison Indy's drink.
In The Last Crusade, Ernst Vogel plays (1989)
Michael Byrne's Michael Vogel (Michael Byrne) in The Last Crusade is everything that Dovchenko isn't. When it comes to fighting, Vogel is just as brutal of a strategist as he is when it comes to throwing punches. It was refreshing to have a villain in addition to Walter Donovan, the film's primary adversary, who was more likable. In one of the most memorable deaths in the saga, he plunges to his death from a cliff.
4. The Kingdom of the Crystal Skull's Irina Spalko (2008)
Irina Spalko, Cate Blanchett's character in Kingdom of the Crystal Skull, is one of the few highlights of the film. Blanchette's eccentric Russian accent is the perfect tribute to classic espionage thrillers from the 1950s, despite the fact that many of the '50s influences don't work. In spite of the fact that no one wanted to watch an Indiana Jones movie in which he battles Martians, Blanchette manages to sell Spalko's fixation with the occult. In spite of the shoddy CGI, the sword battle between Spalko and Mutt Williams (Shia Labeouf) is a lot of fun.
A major character in Raiders of the Lost Ark is Major Toht (1981)
Sturmbannführer Arnold Ernst Toht is the most diabolical of all of Indiana Jones' foes (Ronald Lacey). When he believes he's cornered Indy, the Nazi Major exults in his victory. When he's finally beaten, it's much more fun. Toht's hatred of Indy's guts extends beyond his status as a fascist monster. Toht is severely burnt as he attempts to pick up Marion's flaming medallion after they fight in Marion Ravenwood's (Karen Allen) tavern.
Secondly, Walter Donovan in "The Last Crusade" (1989)
This is a fun fact: Julian Glover is the only actor to have portrayed a villain in the Star Wars, James Bond, and Indiana Jones series. The most wicked of the three main characters is Walter Donovan. When he first teases Indy with knowledge about Henry Jones Sr., he persuades him to begin his quest for the Holy Grail (Sean Connery). His next action is to kill Indy's father, which leads to the suspenseful climax, in which he momentarily discovers the Holy Grail. Donovan "made a mistake" in his decision.
1. Raiders of the Lost Ark's René Belloq (1981)
Only Rene Belloq (Paul Freeman), a French archeologist, can match Indy's wit. Belloq, in many respects, is the antithesis of Indy. For his own financial advantage, he hunts out old architects, and he doesn't give a damn who they wind up with. What drives Bellouq to his quest for power is the same thing that drives Indy to his quest for gold. When the Ark of the Covenant truly "melts" his schemes, his avarice defeats him.
Zombies have been a staple of cinema since Victor Halperin's iconic pre-Code horror picture White Zombie was released in 1932. These undead, made famous by George Romeo's Night of the Living Dead, have been a go-to target of horror authors looking to inject their own unique flavor into the genre. They're an ideal foil for heroes brandishing shotguns as they slay them in the sake of bloody mayhem. But with an almost ninety-year history, it would be understandable if there were no new aspects to investigate. From Shaun of the Dead and Warm Bodies to Dawn of the Dead and Anna and the Apocalypse, zombies have infested every imaginable genre in film and then some. Zombies may seem hopeless, but even the most damaged automobiles may be revived with the skilled technician. As an example, Henry Hobson's 2015 post-apocalyptic horror thriller Maggie succeeds in making zombies fresh again.
The Vogel family's plight is the center of Maggie, rather than the gore and gorefest that is the norm in the horror genre. Maggie is more like a play than a horror film. When Maggie (Abigail Breslin) gets bitten by a zombie, the film follows her as she is taken into a terrifying quarantine facility for the remaining weeks of her life. She and her father Wade (Arnold Schwarzenegger) return to their house, where she intends to make the most of what time she has left. In spite of the film's occasional use of gore, Hobson is more interested in subtler moments that have a mumblecore drama-like quality. To put it another way, it's a novel take on the zombie genre, and it makes Maggie stand out from the pack of generic zombie flicks.
The location of Maggie is by far the most distinguishing feature of the novel. Maggie chooses a world that is slowly returning to normalcy rather than a future in which society has collapsed and we can enjoy all the high-octane violence we've come to adore. Public services such as the police and hospitals, the electricity system and telephone lines, and regular features of pre-zombie life (such as talking heads on television whining about the government, or adolescents slipping out of the home to go partying with their pals) are beginning to return. Not everything has gone back to normal, of course. As long as zombies are roaming the country, big cities are under strong limitations, and the death sentence of a bite still hangs large over everyone, there is a sense that things will change soon. It's even been suggested that a vaccination for the apocalypse may be developed. Zombie-infected worlds are typical tropes in this genre, but few depict them as close to becoming reality as this film does. It's a refreshing change of pace from the normal misery of this genre to hear that things may (and will) get better.
In contrast, the film's central theme is that the zombie apocalypse is coming to an end. All survivors have a shared agreement that everyone must do their bit to guarantee that normalcy may return after the previous few years of suffering. As a result, the number of people who refuse to go to a hospital for the infection after being bitten is very low. Since a bite may take up to several weeks before turning a victim, people who are unlucky enough to be infected typically prefer to delay turning themselves in for the time being while making the most of their remaining time. This is the predicament Maggie finds herself in, and the core of the film is built around her attempts to reconcile with her father while lamenting the futility of her position as a ticking clock approaches.
Hobson is able to avoid many of the faults of earlier zombie films by altering the scene from a full-fledged apocalypse to a world where the infected are treated as patients getting palliative care for a deadly ailment. Hobson, on the other hand, isn't interested in rehashing a common zombie narrative, such as someone getting bitten and then attempting to cover it up (which generally ends with them turning at the most inconvenient time). Right out of the start, everyone knows that Maggie has an illness. Bobby, Maggie's younger half-brother who understands that Maggie is ill but doesn't know why, comforts her in an early scene. It's a great sequence that could easily be adapted to a medical drama with just a few minor alterations. With their discourse about something that should only exist in dreams, like Bobby mentioning that it temporarily spread across his school like a common cold, their harmless dialogue is transformed into an extremely horrific scenario, and one that no gory-filled action sequence could duplicate.
The picture revolves on Maggie's change, and the length of time it takes just adds to the terror. While David Cronenberg's body-horror classic The Fly was known for its sluggish progression from human to zombie, this film opts for a more gradual transformation that matches that of the film. When Maggie falls off a swing and breaks one of her fingers, she bleeds a black fluid instead of blood because she is infected. In her revulsion, she severs her finger, but her difficulties only become worse when she discovers maggots in her arm. Maggie's transformation from innocent girl to cannibalistic monster is horrible to behold, and the film doesn't shy away from the specifics, resulting in a tremendous symphony for her. The film's most emotional parts are the extended interactions between Maggie and her father, in which Maggie has already accepted her destiny but Wade continues to believe that she may still win. Maggie is considerably more credible than previous zombie movies because it focuses on only two individuals as they come to terms with the dreadful predicament they find themselves in, and because the two of them address this scenario with total seriousness despite the fundamental unbelievability of it all.
Earlier characters' reactions to Maggie change as her metamorphosis progresses, demonstrating another another aspect in which the film differs from other works in the genre. In contrast to the grownups (save for her father), the younger characters are considerably more accepting and open to her presence. It isn't mentioned that there is an equal number of infected and healthy persons present at a campfire attended by Maggie and other youngsters. Instead they’re all just teens, hanging around and getting drunk and doing stuff their parents would disapprove of. As adults can recall a period when devastation wasn't a constant presence in the world, they're naturally wary of zombies, but youngsters who have no or few recollections of a pre-zombie world are less concerned. It’s an idea that would have drastic consequences for a world even after the apocalypse has ended, and while Maggie is unable to explore it in great depth due to the limited time the titular character has left, the fact it is even brought it up provokes an interesting debate that few zombie films bother to address.
The film's realistic approach extends to its action sequences, which are so underwhelming in relation to what the genre is known for that acknowledging them seems awkward. Wade is forced to use an axe to slay two zombies that break into his garden. It's hard to imagine a more unsettling sight than that of Arnold Schwarzenegger brandishing such a lethal weapon as he prepares to protect his family from the cannibalistic evil. The physical anguish he experiences while murdering them is evident, and the guilt he displays later reveals the harsh consequences of such an incident that other films typically ignore. It's not enjoyable to kill a zombie. After the deceased have been laid to rest, the pain lingers on for a long time, making it all the more unbearable since he knows that his daughter may be next. The zombies are so weak that they can't even stand a chance. Their only option is to stand there and writhe in agony, watching helplessly as Wade takes their lives in one swift motion. Although the selection of Arnold Schwarzenegger in such a tragic part may first appear unexpected, he lends a worn aspect to the character that a more conventional casting would have failed to deliver. Schwarzenegger's identity as a legendary action actor is well-known, but the Schwarzenegger we see in Maggie is far beyond retirement age, so it's understandable that he isn't performing his typical routine. Wade's visage still shows his background, allowing Hobson to concentrate on the character in the present rather than a lengthy biography. The film's outstanding performance is Abigail Breslin as Schwarzenegger's daughter, Abigail Breslin.
For as long as movies exist, zombies will continue to be one of the most popular adversaries for authors throughout the globe. A return to its former glory as an important subgenre of horror may take some time, given the genre's recent decrease in popularity compared to its early 21th-century heyday. When it happens, I hope that future films will find inspiration in more innovative ideas like Maggie rather than relying on mindless action and outdated tropes of earlier entrants. Because of its realistic tone and distinct location, it's certainly worth a second look for anyone who aren't already familiar with this genre.
The movies Lady Bird and Stand By Me come to mind when you think of "coming-of-age" films. You probably don't think of them as being associated with psychedelic dream sequences or flying stone giants. Most of these stories center on the protagonists' quest to "discover themselves" throughout their adolescence. In his creative film Mirrormask, director Dave McKean, on the other hand, decides to push this cliche into uncharted territory. You didn't realize you needed something like Mirrormask, a blend of Twilight-style weirdness and the hypnotic dreaming state of Labyrinth.
When Stephanie Leonidas' Helena Campbell (Stephanie Leonidas) leaves the circus, she's a disturbed artist who has a deep-seated dislike of her family's profession as a traveling circus. After years of being forced to perform in her parents' touring show with them, she has become resentful and bitter. Helena is overcome with regret after a confrontation with her mother in which she cries, "I wish you die." Her mother is abruptly transported to the hospital. Helena continues to lose herself in her fantasy while the circus workers wonder what will become of their trip without Mrs. Campbell (Gina McKee). What follows is a crazy, trance-like journey into a new universe. With the help of a devastating black sludge and an alternate universe setting, McKean guides the audience through Helena's journey to overcome her feelings of worthlessness and repair the seemingly broken relationship with her mother, all while allowing the audience to see her uniqueness in the process.
Image courtesy of Samuel Goldwyn Pictures Helena is startled awake in the middle of the night by the sound of violin music early in her journey. It is out in the hallway that she encounters a trio of street artists, and she decides to investigate. One plays an unsettling tune against the cement wall as the others juggle nearby. The faces of the three males are completely obscured by the masks they're wearing. The spectator is introduced to Helena's psychological battle with identity right away. Paper mache is used to depict the cliché of "wearing a mask" in a very literal way.
This material will be revisited later on when we see the violinist turn to stone while Helena speaks with him about his music. Helena is dragged inside a weird library by one of the guys, as the tar engulfs the third man. While Helena and her savior plan an escape from the pitch-black interior, the darkness is held at bay. One of the exits leads to an impressionistic metropolis, which is similar to the afterlife in Robin Williams' What Dreams May Come. As a result, Helena is transported to a state of lucidity where she discovers who she really is.
Helena quickly finds that she has been replaced with an evil-twin that is now threatening her life back home in the parallel reality. In every mirror or window, Helena sees a glimpse of this evil disguised as her own face. McKean seems to employ this aspect to show Helena's detachment from the image she sees in the mirror, at least in part. Helena sees her twin as a visible depiction of the fact that she is continuously mimicking another person in her daily life. Helena's appearance on the outside is really a façade she wears to satisfy her family and friends. As a result, Helena's twin is a real manifestation of her own selfishness and teenage unhappiness.
Image courtesy of Samuel Goldwyn Pictures It becomes clear to the audience as the story unfolds what Helena must overcome. White and black queens (both played by McKee) rule distinct kingdoms in her "dream" scene. The dark queen's daughter, Helena's twin, escapes her mother's clutches, uprooting her kingdom in the process. Her parents want to subjugate her and McKean shows it via this dissent, which shows Helena's dismay. She unleashed her anger on the realm to rein in her unruly child - Mrs.argumentative Campbell's conduct embodied — by unleashing the black queen. The queen uses magic to create this black poison, which she then unleashes into the world in an attempt to wipe out the white queen, whom she suspects of hiding her kidnapped daughter. Using this sludge, Helena expresses her feelings of being engulfed by an identity that she can not recognize. Trying to fit a specific mold, in this example, as a circus performer, has left her feeling empty.
A "Mirrormask" taken by Helena's twin serves as a key to awakening the white queen, an alternate form of her mother who seems to be Mrs. Campbell's loving side. Before Helena can help rescue the queen and mend her connection with her mother, she has to regain her "mirror" - her confidence in herself. A multitude of challenges await her on her voyage through the weird realms, and her ability as a performer is essential in overcoming them. Helena discovers that she may flourish as her own self while accepting her parents' teachings. She recognizes that she can be more than just a performer; she can be anything she chooses to be at any given moment.
picture of a mirror mask in closeup, courtesy of Samuel Goldwyn After a last fight with her double, Helena finally finds the key to freedom, which she retrieves from her own mirror. Helena must wear the mirror mask in order to bring her twin back into the dream world and fight her. As a result of this chain of events, Helena's internal fight to comply is effectively over. New insights emerge as Helena adapts to her new identity, helping her to begin forging her own path once again.
When it comes to McKean's depiction of teenage development, he deviates from the typical aesthetics and aspects of the genre. Films that deviate from the stereotypical representation of adolescence (John Hughes' characters aren't all dealing with boy-drama like this) provide an engaging viewing experience. It's a dreamlike look at a 15-year-journey old's through hard inner development, family strife, and her eventual rise to self-affirmation. Helena enters her dream as a broken, wounded young lady, but she emerges a whole new person, eager to be the finest version of herself. It's a narrative that will stay with you long after you've seen it, thanks to McKean's wacky visuals and thought-provoking storyline twists.
Known for his award-winning picture The Lighthouse and instant classic horror flick The Witch, Robert Eggers began his career in New York theater. Those who have followed his work for some time now have something to cheer about with the publication of The Northman, a historical fiction adventure set in Scandinavia. Sjón, a well-known Icelandic poet and writer, and Eggers collaborated on the script for the future film. William Shakespeare drew inspiration for Hamlet from the mythology of Amleth, which forms the basis of this project.
The Viking prince Amleth is played by Alexander Skarsgrd, son of Nicole Kidman's Queen Gudrn and King Aurvandill (Ethan Hawke). Claes Bang plays Amleth, a man on a never-ending search for revenge after his uncle, Fjölnir, murdered his father. An Oscar winner who collaborated with Eggers on The Witch, Anya Taylor-Joy, plays as a supporting character in the film, Olga, who encounters Amleth on his perilous quest. Along with Willem Dafoe and Icelandic singer Björk, the film stars Kate Dickie as Halldora the Pict and Björk as Heimir the Fool.
The Northman is a fascinating thriller that will have spectators on their toes as Amleth risked everything to avenge his father's reputation and restore his realm in a bloody, violent, and brutally realistic depiction of the Viking Age. However, this isn't the only scenario that takes viewers to a different era or even a new plot that uses Vikings. We've compiled a list of eleven movies that have some of the same characteristics as The Northman, whether it's in terms of genre, historical period, or narrative.
Warrior No. 13 Epic in scope, The 13th Warrior, released in 1999, is a look at what happens when two worlds collide. Ahmad ibn Fadlan (Antonio Banderas), a Muslim pilgrim in the 10th century, becomes an envoy for Baghdad to the Vikings in Volga Bulgars, played by Banderas. When he joins a group of Viking warriors, his function as an envoy is swiftly transformed, and he becomes the group's thirteenth warrior, fulfilling a prophesy. It is directed by Die Hard's John McTiernan, who brings the Viking Age to life in a manner that The Northman does not.
Thor's Hammer Reigns Valhalla Rising, a 2009 film set in Scandinavian Scotland, takes viewers on a journey. Dr. Hannibal Lector's Mads Mikkelson plays One-Eye, a captured Norse warrior. In One-Eye, Maarten Stevenson plays a little child who helps him escape. Christian Crusaders, who are looking for new recruits, escort the fleeing pair on a journey to the Holy Land. The historical fiction piece's title is a Viking twist on the Kenneth Anger films Scorpio Rising and Lucifer Rising.. Viewers will be reminded of The Northman's very own fighter, Amleth, in terms of talent and revenge when they see One-Eye in Valhalla Rising's history. The film is directed by Drive and The Neon Demon director Nicolas Winding Refn.
The Final King A still from THE LAST KING shows Jakob Oftebro as the titular character. Sámi director Nils Gaup directs The Last King, an upcoming Norwegian production. As shown in this film, Haakon Haakonson, the rightful successor to the Norwegian crown, was successfully delivered to Trondheim from Lillehammer by Birkebeiner rebels. During the year 1204, the Baglers deposed King Haakon of Norway. There are two Birkebeins who have been sent to guard the king's hidden heir, Torstein (Kristofer Hivju) and Skjervald (Jakob Oftebro). Based on much more accurate historical facts than The Northman, The Last King deserves your attention for its portrayal of medieval drama and the survival of an ancient royal lineage.
Into the Wild The Revenant Image of Leonardo DiCaprio. The film was distributed by 20th Century Fox The Revenant, a historical survival tale that won the Golden Globe for Best Motion Picture of 2015, comes next. A Michael Punke book, "The Song of Hugh Glass," and a 1915 poem, "The Song of Hugh Glass," both of which relate the narrative and myth of frontiersman Hugh Glass, are the basis for the film. Fur trapper Glass is brought to life by Leonardo DiCaprio's three-time Golden Globe Award-winning performance. He is left to die from his wounds after being viciously attacked by a grizzly bear, and his group is now headed by John Fitzgerald (Tom Hardy). On his death-defying endeavor to avenge himself, Glass is like Amleth from The Northman. Known for his efforts on the Death Trilogy and other projects, Alejandro G. Iárritu is the director and co-writer of The Revenant.
It's impossible to discuss violent vengeance flicks, particularly historical dramas, without bringing up Gladiator from the year 2000. Maximus Decimus Meridius (Russell Crowe) earned an Academy Award for his performance in this film. He wants to hand over the reins of authority to Maximus rather than his son, Commodus, in 180 AD, Emperor Marcus Aurelius (Joaquin Phoenix). This is the discovery that leads to Commodus' death, the establishment of himself as the Emperor, and the execution of Maximus' wife and sons. As a gladiator, Maximus loses everything he ever held dear to him, including his dignity and self-respect. It is through Maximus' plotting to get vengeance on Commodus that Amleth's tenacity and drive are brought to life for viewers. Award-winning and gory masterpiece made by Alien and Blade Runner director Ridley Scott.
'Braveheart' was directed, co-produced, and starring Mel Gibson as the main character in the 1995 movie. William Wallace, a Scottish knight, played a key role in the First War of Scottish Independence. Heavily inspired Braveheart, the epic poem The Actes and Deidis of William Wallace was written by a 15th-century minstrel, known as Blind Harry, some 172 years after Wallace's death.
Actor Mel Gibson portrays a bitter Wallace who organizes a revolt against King Edward I following the murders of his loved ones at the hands of English invaders. As in The Northman, Amleth leads a rebellion against the usurping forces. It won five Academy Awards, three BAFTA Awards, and one Golden Globe Award for its portrayal of the life of William Wallace.
In the Life and Death of Don Juan It's no surprise that Kevin Reynolds, the director of Robin Hood: Prince of Thieves and Fandango, is behind The Count of Monte Cristo. French novelist Alexandre Dumas's enduring masterpiece The Brothers Grimm was adapted for the screen by the same name. A well-known actor like Jim Caviezel (The Passion of Christ, Person of Interest) portrays Edmund Dantés, a man who has been wrongfully imprisoned. Dantés escapes jail, acquires wealth, and returns to France as the Count of Monte Cristo over the course of many years. Retaliation against those who deceived him is what he aims to exact with this persona. It's not as bloody as The Northman, but it does contain one man's cunning long game to reclaim what was taken from him. The Count of Monte Cristo
Conan the Barbarian is a character in Conan the Barbarian. Character Conan the Barbarian was conceived by American novelist Robert E. Howard in the early 20th century and would go on to inspire many Arnold Schwarzenegger movies in the 1980s and 1990s. Rebooting the series in 2011, Marcus Nispel helmed Conan the Barbarian. Son of a barbarian chieftan, Conan (Joseph Mommoa) witnesses the slaughter of his whole tribe at the hands of Khalor Zym (Jason Momoa) (Stephen Lang). Zym is on a necromancy mission, and Conan sets out to stop him at any means in order to exact vengeance on him for his tribe's death. Conan the Barbarian is a high fantasy or sword and sorcery film, making it distinct from the other films on this list. It's also comparable to The Northman's Amleth in that Conan is an abrasive and brutal warrior who is obsessed with retribution.
Beowulf Beowulf's story is rooted in folklore, much as that of the Northman. For the 2007 film Beowulf, English writers Neil Gaiman and Roger Avary were inspired by the Beowulf legend to develop the film's script. King Hrothgar (Anthony Hopkins) sends the Geatish warrior Beowulf (Ray Winstone) to Denmark, where he fights with the title character. By law, the king has ordered Beowulf (Crispin Glover), who is a warrior and a hero, to kill the man-beast Grendel (Crispin Glover). Despite Beowulf's success, the demon mother of Grendel (Angelina Jolie) attacks him. On this list, Beowulf is the only film that isn't shot using live-action, but is instead animated using 3D computer graphics.
a bald eagle Jeremy Brock's 2011 historical fiction film The Eagle was inspired on the 120 AD unexplained disappearance of Legio IX Hispana, an imperial Roman legion. Marcus Flavius Aquila (Channing Tatum) is a Roman centurion whose father was a member of the Ninth Legion that went missing. Marcus sets off for Scotland in search of the legion's eagle standard, determined to restore dignity to his father's name. Marcus He and his slave, Esca, a Brigante who hails from Britain, put their lives at jeopardy in order to complete their mission. An interesting new take on the Ninth Legion's story, The Eagle is less about vengeance and more about honoring the fallen soldiers.
The Way to Happiness The Salvation, a 2014 Western directed by Danish filmmaker Kristian Levring, was released in 2015. Mads Mikkelsen, who also played the lead role in Valhalla Rising, is a Danish immigrant named Jon, who joined his brother Peter in the United States in 1864. (Mikael Persbrandt). Upon arriving at the continent, Jon's family is killed by a group of criminals. As a result of Jon's actions, Delarue (Jeffrey Dean Morgan), a powerful land baron who will use all of his resources to bring about Jon's demise, becomes enraged. Unlike The Northman, which depicts Nordic regions and the Viking Age, The Salvation depicts the Western Frontier and its lawless judicial system in a brutally realistic light.
To make a documentary, there should be more to it than merely retelling the past and depending on the charm and interesting tales of your talking heads. Films like Edgar Wright's The Sparks Brothers show that documentaries can be just as creative as fiction when they're done effectively.
Music documentary The Velvet Underground by Todd Haynes emphasizes the value of innovation when it comes to capturing the spirit of its subject matter. When it comes to the presentation of the groundbreaking band, the documentary takes care to honor their avant-garde flare by using split screen graphics, Andy Warhol pictures, and cutting-edge editing techniques to tell the tale of the band while also portraying their sense of style. With a camera and an editing suite, director Todd Haynes obviously intended to replicate what the Velvets were doing as Lou Reed explains in the documentary. The Velvets, like Kerouac, Burroughs, and Hubert Selby Jr., were pioneers in avant-garde music with drums and guitar.
The audience doesn't have to wait long to understand where they are after hearing the dissonant guitar over a Baudelaire quotation, staccato editing that sounds like a scratched record cutting between bits of a song, and the long-held Warhol photo of Lou Reed. The audience is quickly immersed in the band's frenetic energy because to Haynes' ability to put them right in the middle of it. Furthermore, the usage of Reed's profile on split screen with an abbreviated tale of Reed's childhood to begin the video not only lends a Velvet Underground and Warhol-esque visual flare to the documentary, but also makes it seem immensely more intimate and heartbreaking. When Reed sees the photographs next to him, he begins to reflect and open up, despite the fact that he was tragically killed in a car accident. The juxtaposition of youthful John Cale (a fellow founding member of the band) next to Reed's gaunt and somewhat lanky-haired image emphasizes the band's obviously distinct and unusual beginnings.
Featured image is courtesy of Apple TV+. In the video, the juxtapositions appear less forced than in other documentaries that seek to do the same, and frequently resemble the Surrealistic subconscious images that Cale was so interested in exploring musically. A broad range of archival material is used in these photos by Haynes, ranging from vintage advertising to snippets from Maya Deren's arthouse films, so that the eclecticism and vast range of inspirations that went into this band can be felt throughout the narrative. When you think of the best film of the year, The French Dispatch comes to mind. This is the documentary equivalent, with everything from stop-motion animation, different aspect ratios and negative coloration to the usage of overlay pictures being used.
Such approaches aren't only for the sake of it, though, as they're employed to accurately portray the band's era and their mindset at the time of the film. Unlike Jonas Mekas, an avant-garde filmmaker affiliated with the band, Haynes provides us a glimpse into the vivacity of 42nd Street in the early sixties with a series of handheld images of the city's lights and streets. A kaleidoscopic grid of artists and the different arts fills the screen as the interviewee speaks explicitly about the booming cultural environment. This surrounds you in this sensation of inescapable culture.
These aesthetic touches are not unnecessary, but rather enable the band's development to be traced without ever becoming stale, which is a credit to their own musical explorations. In addition, Haynes uses vintage footage in a creative way, when a typical music doc could utilize it as a default. When the documentary comes to the part when it details Reed dismissing Andy Warhol from the band, it serves as an excellent illustration of this. Haynes shows us archival film of an especially wistful-looking Warhol letting go of a balloon and watching it drift into the sky over the stories of other band members. Filmmakers have used old material in a manner that makes it relevant rather than just convenient, giving viewers a clear sense of where they were in their band's history at the time and what it means to them moving forward.
Later, when John Cale leaves the band, a similar moment occurs, but Haynes chooses not to utilize the old footage; instead, the editing and sound design convey the atmosphere of the band's new period. Momentarily, the editing calms down and the mesmerizing images fade away, indicating a more contemplative approach to music from the band's younger members.
Featured image is courtesy of Apple TV+. In light of Tom Dicillo's When You're Strange documentary on The Doors, the ingenuity of this documentary's use of archival video is all the more apparent when comparing the two films. It seems that DiCillo places vintage film of the band over a timeline-driven narrative, interspersed with freeze-framed shots that nearly always indicate precisely who/what is being addressed. Due to DiCillo's decision to take a more formulaic approach, his film falls short of Haynes' in terms of conveying the band's and the era's frenetic intensity. Even though Cale's comment in the film "wait, the music isn't supporting up what these lyrics are about," Haynes appears to almost lean into it as he himself assures that his cinematography is backing up precisely what it is that made The Velvet Underground so intriguing and distinctive.
However, When You're Strange seems considerably more focused with the plain chronology than anything like the vicarious journey you go on as both viewer and band member with Haynes' film. A multicolored, allegorical mosaic of nature and life concludes Haynes' film, while DiCillo's video finishes with a modest summary of The Doors' active years and amount of albums sold. To conclude the film on such a daring note, Haynes has created a frenzied montage that perfectly captures the band's energy, creative attitudes, and accomplishments, as well as the period in which they lived. Although the avant-garde frame through which Haynes creates the band demonstrates just how vital proper direction is even when outside the medium of fiction, all these attitudes and features may not have shown through.
Only three films have been released by Robert Eggers, yet his personal brand is as strong as it has ever been. There is a well-established image of a "Robert Eggers movie" thanks to films like The Witch and The Lighthouse, released in 2015 and 2019, respectively: evocative period pieces steeped in legend and brought to life via an obsession with authenticity. Fans across many genres have fallen in love with his meticulous vision and determination to do things the hard way. A sign of how much people were anticipating Eggers' next film, The Northman, is that it would be an action-packed historical epic rather than a horror film.
However, despite the fact that both The Witch and The Lighthouse are clearly Eggers, they are quite distinct. The Lighthouse is black-and-white, whereas The Witch is color. Unlike The Lighthouse, which only has two people, The Witch is centered on a young, female protagonist (plus an amorous, possibly nonexistent mermaid.) Both The Witch and The Lighthouse are dark comedies, but The Lighthouse is an unhinged and hilarious one with plenty of unexpected slapstick. When it comes to dealing with uncertainty, they adopt two quite different tacks.
Horror filmmakers, in particular, use ambiguity as a powerful tool in their toolbox. Short-term and long-term tension may be created through ambiguity; it can leave tempting breadcrumbs for the viewer, and it can conclude the movie on a haunting note. ambiguity Uncertainty may be a powerful tool when used well, but when used incorrectly, it can be jarring and detract from an audience's enjoyment of a film. It's no wonder, however, that Eggers' first two films make masterful use of ambiguity. This is remarkable since his two methods for dealing with uncertainty both indicate something about Eggers' approach to folklore that is worth noting.
Eggers' study into the lives of Puritan colonists, in particular the Salem witch trials, served as inspiration for The Witch. It's important to keep in mind that the Puritans were not only fearful of the supernatural at the time of the witch trials; they actually believed in the threat that witches posed. Witches weren't just mythological creatures to them; they represented a real danger to their way of life. Witches are never questioned; only whether or not these ladies were witches is. To the Puritans, folklore was the actual world, thus there was no difference between the two concepts.
In The Witch, the central family is dealing with this. Puritan William (Ralph Ineson) exiled them because of his ornery disposition, but they've already established themselves as a very religious and superstitious family. While they first blame a wolf for the disappearance of their son, Samuel, when odd events continue to occur, they have little problem thinking that evil powers are at work. No doubt is thrown on them by Eggers, who presents everything at face value, from a pig breastfeeding blood to Thomasin (Anya Taylor-Joy) floating into the night air. Despite the fact that the video may be interpreted as a prolonged psychotic episode, there is significantly more evidence to indicate the existence of the supernatural.
It's not as simple as it seems in The Lighthouse. For starters, unlike the Witch family, the individuals in this story don't all believe in the supernatural. In contrast to Ephraim Winslow (Robert Pattinson), Thomas Wake (Willem Dafoe) is an ancient sea dog with superstitions to match. When Winslow defies Wake's warning not to kill a bird, he is smacked in the face by Wake. His dislike of "old wives' stories" causes conflict between him and his partner, Wake. It's not apparent which of the two is "correct," though, assuming one of them is.
The Lighthouse stars Robert Pattinson and Willem Dafoe. In truth, hardly much in The Lighthouse is made crystal plain. Did the seagull Winslow shot in a moment of wrath spell their doom? In what way does Winslow see the relevance of scrimshaw? Is it truly the "enchantment in the light" that's driving them both insane here? Is it a combination of isolation and alcohol-induced insanity, or is there something else going on? Were they both crazy from the start? In the end, Wake posits that Winslow's lengthy hallucination in the Canadian woods may be the cause of this whole mess. Audiences may consider a wide range of compelling hypotheses and explanations, but there is no definitive correct solution.
However, in both The Witch and The Lighthouse, "the proper solution" is of secondary importance. Even if the narrative had a "mundane" explanation, it would be just as terrifying as if it were truly magical. The Puritan family believes in witches; Wake believes in Neptune and a magical lighthouse; Winslow doesn't believe in anything, at least not at the beginning. But regardless of whether or not they believe in the supernatural, their destiny remain the same. Their belief in witches is like an umbrella in a hurricane: they all perish, save for Thomasin who becomes a witch and joins the coven. Arcane nautical doctrine is the cause of Thomas Wake being hacked to death, and his comrade Winslow is lured into the frenzy into a death worse than death.
Because of this, the folklore may or may not be genuine in the movie's reality, but it doesn't have to be true for it to be deadly, which is how Eggers uses ambiguity so well. According to his films, folklore portrays an ancient and inexorable power that predates mankind itself. You can't control everything, and this image serves as a reminder of how little and weak you are in the grand scheme of things — even now.
The Darjeeling Limited critiques the Eat Pray Love-style travelogue with a sympathetic analysis of misunderstanding and sorrow as it follows three brothers called Francis, Peter, and Jack as they go on a journey of spiritual development and family reunification in India. Even though The Darjeeling Limited has long been regarded a small Wes Anderson film, it has become a beloved part of the Andersonian jigsaw, serving as a bridge between Anderson's family-oriented character studies of his early work, and the more detailed ensemble pieces of his later work. The Darjeeling Limited is Anderson's most visually stunning picture to date, and it uses that visual flair to tell a heartfelt and multifaceted story of development and loss.
It has been said that Anderson's focus on the brothers' mistaken attitude to cultural experiences in The Darjeeling Limited depicts the "lost in translation" experience of jointly grieving the death of their father, despite the film's worldwide viewpoint. A methodical meditation on the ever-changing process of grief, The Darjeeling Limited utilizes Anderson's narrative doubling between the village funeral and the short film of the father's funeral at the film's center. This, combined with Anderson's use of the train as a symbol of personal loss makes The Darjeeling Limited an effective meditation.
To depict their brothers' journey of self-discovery and reconciliation, Anderson draws on the richness of local Indian culture while also indicting the protagonists' willful ignorance of their relationship with a bereaved family and their place in the world at large. Anderson uses the perspective of curious visitors to the region while also paying reverent homage to the richness of Indian sociocultural rhythms across the country. To wit, Anderson chronicles the brothers' spiritual journey, which includes stops to Hindu temples, a Catholic convent in the Alps, and many more in between.
Anderson hints to the devastating legacy of Western colonialism in India by comparing the influence of Eastern and Western faiths on diverse communities and landscapes. This attacks the brothers' originally selfish feeling of self-actualization via their privileged experiences in another nation. Three central brothers can find both solace and peace through their educational international experiences thanks to Anderson's deft yet subtle shifting of the central narrative from the misguided "travelogue voyeurism" and into the nuanced personal experiences of "lost in translation," which is a delicate but powerful shift in perspective.
As a whole, the film's second act is one of its most emotionally and conceptually complex, with a little boy's death paralleled to the loss of their father. At the youngster's burial, after Jack had tried and failed in his attempt to save him from an onrushing river, his fellow villagers ask Francis, Peter, and Jack to show their forgiveness and wish for reconciliation for their failure to save the boy. Short vignette based on Jack's semi-autobiographical short tale shows the brothers arguing about their family automobile and their mother's absence on their trip to the burial of their father in India. After their father's death, the brothers' relationship begins to deteriorate, and the spectator sees it play out in real-time as the micronarrative progresses.
Image courtesy of Fox Searchlight Pictures Through these shared experiences, the characters and the viewer develop a stronger knowledge of growth through mourning rather than isolation because of loss. As the brothers' erroneous involvement with Indian culture and foreign rituals becomes clearer, the parallel paths of the family burial and the funeral of a stranger demonstrate how sadness can impede clear communication and portray the familiar as alien. In spite of this, the film is a contemplation on working through loss with loved ones rather than fighting to conquer suffering alone, thanks to the compassion of strangers and the brothers' hard-won humility.
Along with the film's poignant narrative beats, Anderson's use of the train as a metaphor for sorrow and loss elevates The Darjeeling Limited to the status of one of cinema's most beautiful elegy. For all of The Darjeeling Limited, Anderson uses a train as a metaphor for sorrow, which gives the brothers the opportunity to reflect on their own grief journey and their role in the wider universe. Toward the conclusion of the film, a long-take tracking view across the railway carriages of numerous minor characters helps the audience to imagine the universe of the film beyond the three brothers' insular trip through India.
Long take tracking shots reveal a variety of minor characters, including Jack's ex-girlfriend Rita, Francis's assistant Brendan, and Peter's wife, all seated in train car-like setups in their houses or means of transportation. Anderson and his team instead use the sequence as an atmospheric break from the film's primary trajectory, representing the brother's journey of mourning by stressing the world's continuing movement beyond them.
This section is marked aside as a narrative impossibility since it occurs outside the brother's experiences in India, and instead of typical railway compartments, the production designers employ parts of residences, hotels, and airline cabins to represent the locational dissonance amongst linked characters. Anderson explores the existentialist of processing personal loss by showing how little the brothers' position in the world is during their train journey, which parallels the cycles of grieving with the seemingly endlessness of the brothers' train journey.
Their most well-known cartoon is one of the most recognizable symbols of the Jazz Age. They were largely responsible for launching the career of Superman as a cinematic star. They were Walt Disney's archrivals in the realm of animation before Pixar and DreamWorks. After being taken over and renamed by its distributor and steadily depleted by its distributor during World War II, Fleischer Studios did meet an unfortunate end. The lack of commercial savvy and animosity between brothers Dave and Max Fleischer trumped all other factors, including talent and some of the best cartoon characters ever created. It was a heartbreaking way to end a magnificent narrative of triumph.
Animation pioneers were the Fleischers. A young Max became a cartoonist at Bray Studios after being inspired by a fortuitous viewing of Winsor McCay's 1914 "Gertie the Dinosaur." As an inventor, he quickly invented the rotoscope, a device for displaying live-action video so that animators could trace the movement. This method, known as "rotoscoping," is known to have a mixed reputation among cartoonists since it may result in rigid and unnatural motion that conflicts with the character's design. However, when it was first developed, it was a major advance. Animation, with the rare exception of "Gertie," was a novelty in a theatrical program, a display of basic humor, rubbery motion, and a careless disregard for physical laws. The rotoscope gave animation a fluidity and authenticity it had never had before.
Max teamed up with his younger brother Dave to demonstrate his newest creation. Dave had his own clown suit for infrequent appearances at Coney Island, and the brothers developed a series of cartoons featuring an animated clown coming out of the page to interact with Max in the cartoons. Koko, the hero of the Out of the Inkwell series, was the perfect mix of risk-taking and wide acclaim. Koko was such a success that the Fleischers were able to keep her when they left Bray Productions to start their own company, initially as Out of the Inkwell Films, and then as Fleischer Studios.
Max and Dave were the sole proprietors of the new studio, but their other siblings helped out in different roles. Max was the official producer and Dave was the official director. In the cartoons, they were attributed as such. Nevertheless, Max maintained a public image of being the studio's hands-on parental head while Dave was forced to participate in business activities as a co-owner. Dave's cartoons would benefit from Max's innovations, so he kept working on them. It's possible to have a ball bounce across the words in a string. Disney and Mickey Mouse are often given credit for introducing sound to animated cartoons with their "Sing-Along" segments, which were popular song parodies (though it must be said the sound system Disney used worked better and more seamlessly integrated with the footage).
Fleischer Studios, on the other hand, was more than just a place for novelty films and TV shows. Because they were the progeny of immigrants who had made New York City their permanent home, the Fleischers' studio thrived and prospered throughout the Great Depression, and their cartoons represented this cultural upheaval. The most well-known of their creations, Betty Boop, was a parody of flappers. Cab Calloway, for example, often appeared in her films, which were often used as promotional platforms for the jazz musician. A series based on the comic strip "Popeye" by E. C. Segar transplanted the character into an urban environment and reveled in humor and brutality when he wasn't on the open seas. Surrealist and Expressionism were echoed in the backgrounds and suppleness of the Fleischers' figures. A free, spontaneous approach to the studio's way of recording speech, which was frequently recorded post-synced to the animation rather than prerecorded allowed for some of the New York attitude to be represented.
Betty Boop cartoons in the 1930s helped bring back this sense of humor. During the era of Hays Code censorship, her sexual exploits were scrutinized for anything "immoral." Betty's film career came to an end before the 1920s were through because of the demise of flapper culture, a double whammy. When it came to getting around Hollywood, Popeye was a hit with audiences and gave an awful vegetable an acclaim it didn't deserve. The Fleischers' answer to Disney's multiplane camera: turntable miniature sets that the animated cast could move through. He starred in three two-reel Technicolor spectaculars adapted from One Thousand and One Nights. For a while, Popeye's cartoons outperformed Mickey Mouse's in terms of popularity and money. These are some of the top cartoons of their period.
However, the Fleischers had more than one advantage against Disney in the battle for animation dominance. Theirs was the more venerable studio, with its headquarters in the heart of the cartooning world. As a child, Walt Disney was inspired to become an animator by Out of the Inkwell's gimmick. It was after the success of Mickey Mouse and the Silly Symphonies that Disney's fame became brighter among industry professionals. From New York to California, artists were drawn to the studio's reputation for high quality and pushing the frontiers of the medium, its sunny setting, and its numerous employment possibilities. At Disney, a number of Fleischer animators defected and developed and mastered if not created almost every technique in the animator's arsenal. His intuition about a three-strip Technicolor exclusive agreement and the potential of a feature-length animation both paid off for Walt.
Because he was self-sufficient, Walt could afford to take such risks. Color and full-length films were also possibilities for Max. However, he and Dave had not been in charge of their own studio since the mid-20s. Max's hands were restricted by Paramount's tight-fisted attitude toward developments like color, which he had to deal with on a daily basis. Paramount would only budge when Disney had established a track record of success and had earned a profit on each subsequent project. When it came to the Fleischers, they weren't afraid to play dirty. Retiring Vice President warned Max that his arrangement with Paramount would leave the studio in a disadvantageous position, but he was ignored.
Their dependence on Paramount meant that the distributor might have influence on the substance of the Fleischers' films. An average of one cartoon per week was produced by the studio at the peak of output. Paramount requested Disney-style pictures as Disney's popularity grew, and the results were predictable ripoffs. Popeye, on the other hand, was so popular that Paramount refused to give it any more time or money, even as they pleaded for more.
The morale and working conditions at Fleischer Studios were adversely impacted by all of these demands, which Max and Dave failed to address until it was too late. In 1937, there was a big animation strike at the studio. The Fleischers were getting ready to move to Miami, in part to get away from the unions and in part to attempt to match Disney's draw of a nicer climate. It was also appealing because of tax benefits and the opportunity to create a new, cutting edge studio. However, the Fleischers depended on Paramount for money to pay the transfer and the building of their new facility, and if things didn't work out, it would only be the Fleischers who would be responsible.
There were so many creative and commercial conflicts whirling around them that Max and Dave's relationship started to fall apart. Max had a fatherly and cerebral demeanor, whereas Dave had an extroverted and streetwise one. When it came to credit and content, Max was ready to let their option on Popeye expire and go on to more serious filmmaking, but Dave believed it was insane to forsake their greatest celebrity, according to historian Ray Pointer. After gaining control of the cartoons in 1939, Dave had his name appear much larger on the title cards and excluded Max from the creative process. When Max found out about Dave's romance with his secretary, the two brothers became estranged. They couldn't stand one other any more and told Paramount that they couldn't work together anymore.
The Fleischers' relocation to Florida was never going to be the new start they had hoped for because of the toxicity in the air, but it turned out to be a bad financial choice. It pushed them farther away from New York's crucial infrastructure while delivering little savings. Additionally, the Fleischers' effort to break into feature films with Gulliver's Travels coincided with the relocation. For Gulliver's Travels, Paramount supplied far less funding and time than Disney did for Snow White. As if that wasn't bad enough, they purposefully suppressed critical information regarding the film's performance ahead of contract negotiations. The non-Popeye shorts started losing money under Dave's direct control. The Man of Steel provided a lifeline in the form of nine superb Superman cartoons that enlarged his ability to jump tall buildings in a single bound into flight, but they failed to generate enough revenue to pay off the Fleischers' obligations to Paramount.
In the middle of filming Mr. Bug Goes to Town, the Fleischers' penultimate movie, the final straw was pulled. Mr. Bug, like Gulliver's Travels, premiered in the aftermath of Pearl Harbor, which was hurried and uninspiring in every way except for the animation. It was impossible for a movie about bugs attempting to move in such setting to attract the public's attention, hence the project failed. Dave left the company at the end of 1941, and Paramount asked Max to quit soon thereafter. Before it closed its doors in the 1960s, they had turned the studio they had bought into a formulaic exercise ground zero for Popeye, Superman, and every other series they'd ever started as Famous Studios before selling it.
The Fleischers fled to California after being cut off from their studio and their picture rights. Dave worked as a technician at Universal before going back to making cartoons for Columbia and Republic, while Max focused on his inventions and lecturing. The statute of limitations thwarted their attempt to sue Paramount for credit they were owed for their movie. Even after Max's son Richard Fleischer made peace with Walt Disney, their personal animosity persisted. Max and Dave, on the other hand, never made amends.
Adapting Roger Corman's 1960 B-movie thriller The Little Shop of Horrors into a musical was the worst idea producer David Geffen had ever heard. That said, he opted to stage Howard Ashman and Alan Menken's Little Shop of Horrors Off-Broadway musical, and it was a wise decision. Geffen agreed to produce the film version after the stage production was a huge hit. Geffen, on the other hand, realized from the start that the musical couldn't be altered completely. Although he informed Ashman and director Frank Oz that the musical's gloomy finale would have to be adjusted for the movie, he allowed them to shoot Ashman's ending regardless of his warning. The film's finale was reshot for a more lighter finish after two disastrous test screenings confirmed Geffen correct. A remake of Ashman is in the works, but may viewers today be prepared for Ashman's conclusion?
As a whole, Little Shop of Horrors has been a long and winding road, particularly when it comes to its eventual destination. When he realized that the studio set where he shot Buckets of Blood had no other projects scheduled after the film's completion, he decided to make his first Little Shop of Horrors. This film, which was produced in only two days and became Hollywood's most famous joke, was conceived by him and screenwriter Charles B. Griffith as a joke about a plant that eats humans. In spite of reports to the contrary, Corman maintains that he was only testing the waters. Black comedy B-movie earned great reviews and went on to have a long run on television, when a young Howard Ashman first saw it.
little-shop-of-horrors-1960Image courtesy of American International Pictures. Mr. Rosewater, Ashman, and Menken were itching to get their creative juices flowing again after working together on God Bless You. Little Shop of Horrors was shown to Ashman and Menken by Corman and it was clear to them that the narrative had the potential for a musical. The ending of the stage musical differs significantly from the ending of the 1960 film, but the majority of the story beats are the same. Corman's picture concluded with Seymour Krelboined (Jonathan Haze), the protagonist, being apprehended by the police and devoured by his plant "Audrey Jr." Ashman takes that bleak finale and amplifies it for his musical. audience members feared for Seymour Krelborn (Lee Wilkof), Audrey (Ellen Greene), and Mr. Mushnik when Ashman and Menken premiered their piece at WPA Theater (Hy Anzell). In contrast, only Seymour dies in their '60s picture. The plant Audrey II (Ron Taylor) devours all three in the stage musical as it becomes larger and stronger. After that, the plant's cuttings are sold all throughout the country, and it spreads like wildfire. The musical song "Don't Feed the Plants" serves as a reminder to the audience of the story's moral lesson towards the conclusion of the production.
Class conflict and the human condition are key topics in Ashman's work. Commodity fetishism is savagely critiqued at the musical's conclusion. So desperate is Seymour that he puts his values aside and conducts deeds he knows to be immoral, as shown by his frequent and melodious internal battles. Seymour's greed increases and swells until it engulfs him and Audrey, the woman he loves. Audrey II becomes a symbol for this. The tragedy serves as a sobering example of how pursuing material wealth and affluence at the expense of one's core values may lead to disastrous consequences. It's a passionate appeal to the audience, embodied by the plants, not to feed the plants no matter what they promise, that concludes the show. For Ashman, the audience is almost begged not to pursue wealth at the cost of one's community and those closest to one's heart – lest they pay the price.
little-shop-of-horrors-audrey-seymourImage courtesy of Warner Bros. Little Shop of Horrors' 1986 film adaptation, named Little Shop of Horrors, was written by Ashman, and Oz agreed with Ashman on the significance of keeping this finale. After Seymour (Rick Moranis) fails to rescue Audrey from Audrey II (Levi Stubbs), who kills her in his arms, as in the show, Audrey (Ellen Greene) is fed to the plant. Plants are omnivorous, and Seymour is devoured by one of them when he attempts to destroy it. Little Shop of Horrors is a darker place than ever before, thanks to Ashman and Oz's efforts to amplify the darkness and horror. Seymour muses over taking his own life in the wake of Audrey's passing. A lengthy montage showing enormous Audrey II plants destroying New York City in a raucous rampage was created by effects designers Richard Conway and Bran Ferren to highlight Oz's triumph at the climax of the novel. Both Ashman and Oz believed their epic tragedy was set to sweep the country, despite Geffen's cautions. However, this was before the film's test screenings went abysmal.
The Little Shop of Horrors crew was forced to rework the finale after the test screenings yielded just a 13% recommendation rating. Audrey II is killed by an electrocution thanks to a last-minute intervention by Seymour. This is a new ending that Ashman came up with. Seymour and Audrey embrace the 1950s American ideal that the stage musical lambasts with brilliant tongue-in-cheek humour without a smidge of irony. An uncertain finish with a view of an Audrey II pod in Seymour and Audrey's garden bed is traded for the explicit nature of the original cut's warning. With this gloomy undertone, viewers at that time found it appropriate to combine the story's macabre elements with an otherwise happy ending. Upon its first release, the picture brought in $39 million. This was deemed an underperformance by the studio, but in 1987, the picture was a smashing success on home video. The film was nominated for multiple prizes and received high acclaim from film critic Robert Ebert, who predicted that it would become a cult hit.
Frank Oz recalls the initial test screenings that inspired the reshoots in an interview with Collider in 2017: Each and every number was met with a round of applause." Everything about it was great. Because to the plant killing Ellen and Rick (and so winning), this conclusion did not go well. It's hard to believe it's been that long. The conclusion was not gratifying, which I understand and so did Howard. I believe it might work better now if we had a less cynical time.
little-shop-of-horrorsImage courtesy of Warner Bros. As the character of Oz refers to, since the year 1986, the American moviegoing public's cultural awareness has grown dramatically. Moviegoers started to see depictions of the terrible realities Americans had to face in the following years. When The Dark Knight was released in 2008 it was praised for its depiction of the dark and gritty side of superheroes, with a villain who acted as an unequivocal terrorist and a fight that rested on the delicate line between chaos and order. Moral ambiguity became common knowledge among Americans in the decade after 9/11, while public support for the United States' role in the Middle East dwindled throughout that time period.
This cynical shift in attitude was extensively reflected in the techniques of Hollywood's greatest films, which were influenced by the American audience's skepticism and sadness. Disastrous movies, hyperreal war scenarios, dismal dystopias and postapocalyptic landscapes abounded in the years after the chaotic news reports from 2000-2010. It has become increasingly usual in American films for a morally ambiguous hero to face repercussions for his deeds. We, as viewers, no longer expect our favorite characters to end up in a perfect situation. When asked by the Guardian, film scholar Jamsheed Akrami said, "These movies are more appealing than ever because we're living in such an anxious moment. For a few hours at a time, most of us appear to seek mental respite by immersing ourselves in gloom and despair. Catharsis may occur as a result of the encounter.
Disasters and violence aren't the only things that have us gripped with fear in this anxious day. The last 40 years have seen enormous developments in society, technology, and politics. Hollywood’s recent trend with films that depict wholesale destruction is likely popular at the box office because they resonate with America’s deep-seated angst in the face of widespread transformation. With a total of five films in the series, it's safe to say that moviegoers are no longer afraid to indulge in fantasies of widespread mayhem and bloodshed.
Cinematic escapism has evolved significantly throughout the years. Our desire for an idealistic picture of a better future has evolved to include a desire to witness the darker aspects of our own life on the big screen. Threats like this are generally overcome by a heroic character who the audience can identify and empathize with. In the past, Hollywood's threats were unique symbols of whatever dread dominated a film's zeitgeist, but now they are all-encompassing. Take the second-highest earning movie of all time, Avengers: Endgame, as an excellent illustration of this. There is no doubt about it, yet the subject matter of the picture illustrates a striking argument about how current consumers enjoy movies. In this film, half of the universe's population is wiped off by an inconceivable calamity, which is only repaired by the death of the franchise's most adored protagonist.
No moviegoers in 2022 are likely to shy away from Ashman's initial conclusion. Honestly, we've seen worse at this point. Warner Bros. has announced a remake of the 1986 classic Little Shop of Horrors, presenting a once-in-a-lifetime chance for filmmakers. Ashman’s original finale may be achieved on the big screen in a huge, operatic epic. Even Frank Oz, with his 23-minute plant rampage, couldn't have imagined how far a Little Shop remake might go with its star power (Taron Egerton, Scarlett Johansson, Chris Evans, Billy Porter). It might finally do what Oz and Ashman failed to achieve in their time: convince moviegoers to embrace and implement the emotional message of the stage musical's conclusion. For now, it's unclear whether Warner Bros. will take advantage of this chance, and moviegoers may never see a new version of the picture at all. When it comes to Seymour and Audrey's horrific destiny in the Little Shop remake, we'll be ready for anything it throws at us.
The Halloween franchise and Michael Myers are a perfect combination for October. While the Shape was not in 1982's Season of the Witch, he was really there in one form or another Cochran's "Hills ran crimson" speech is intercut with a clip from 1978 horror film Halloween. For the first time, in 1988, the man known as the "Silent Hunter" reappeared in all his stalking, intimidating glory. Myers isn't the only character to get attention because of his 40-year-long history as a horror villain. Laurie Strode (Jamie Lee Curtis), not Dr. Loomis (Donald Pleasence), has subsequently become the series' most recognizable face.
A heroine has taken center stage even without her: watch out for Kara (Marianne Hagan) and Sara (Sarah Jessica Parker) (Bianca Kajlich). But there are two Final Girls who rise to the occasion of becoming the finest heroines of the series. Danielle Harris plays Jamie Lloyd, and Ellie Cornell portrays her love interests, Jamie Lloyd and Rachel Carruthers in the series. It's a pity they weren't treated better because of their superior status.
After a decade that witnessed the growth and decline of the slasher genre, Halloween 4: The Return of Michael Myers (1988) had the difficult task of revitalizing a franchise. After Jamie Lee Curtis' departure from the series, director Dwight Little and writers Alan B. McElroy had to come up with new protagonists. Even Laurie and her female friends can't understand Rachel as an adolescent. Rachel had a lot on her plate before the day went to bad, including dealing with a guy, a cruel girl, and babysitting a foster sister. Until now, Jamie had been the series' youngest protagonist. She's being relentlessly tormented by classmates who don't seem to care that her uncle is a fugitive from justice. Rachel takes her up within seconds of her weeping, demonstrating a forced maturity. The movie truly shines when it comes to the relationship between Rachel and Jamie. As might be expected of any typical adolescent, Rachel begins her time caring for Jamie with resentment.
The next morning, she's transformed into a fierce protector of Jamie's life. In The Return of Michael Myers, a major tension set piece serves as a prime illustration of this technique in action. As they flee the Meeker home, Rachel carries Jamie on her back while attempting to avoid slipping on the slick roof tiles. "You have to be cautious when the leads begin performing stunt stuff," Cornell remarked in an interview. "The free-fall was the one thing they wouldn't let me do. They sent in a stuntwoman equipped with a cord to help them out. Climbing, sliding, and everything of it was done by us." Because everything seemed to be genuine, the experience was enhanced. The tension passages are so intense because of Jamie and Rachel's developing sisterly closeness. Jamie's assault on her foster mother (Rachel's birth mother) also makes the conclusion of the film a sad place to finish the credits.
The following year saw the release of Halloween 5: The Revenge of Michael Myers. Everything that was meticulously build up in the previous chapter is now completely ruined. Michael kills Rachel with a pair of scissors before the thirty-minute mark. The murder isn't as gruesome as the initial proposal written down by Ellie Cornell: It was very disrespectful for her character, so I asked them to rework it." They revised it since it wasn't well-considered or respectable. It wasn't until years later that Moustapha Akkad confessed to regretting the death of his co-producer. That was a pretty kind gesture on her part. There was a blowback that he didn't know about."
Jamie's attack on Mrs. Carruthers was an afterthought, since Michael Myers was once again cast as the main antagonist. I read the screenplay and was shocked to see that I'm silent for more than half the film. While speaking with IGN, Harris was reminded of this. "At first, I was perplexed. Suddenly, I can't speak! What am I missing?' Afterwards, I was excited because I'd be able to practice signing. "That's what I came up with." That doesn't make things any easier for Jamie. She has a premonition that Tina (Wendy Kaplan) will die, and she attempts to warn Tina before she too meets her end at the hands of Dr. Loomis. As she enters the Haddonfield police station for the last time, she discovers that someone has saved Michael, leaving the others to die. The poster for The Revenge of Michael Myers showed both Michael and Jamie as a subtle reminder of how important Jamie's role was to the film. In an IGN interview, Harris just discovered this fact. Jamie, like Rachel, will face a similar misfortune in the second installment.
Halloween 6: The Curse of Michael Myers was released in 1995 after a problematic production and several reshoots. There was never much of a shift in the importance placed on Jamie over the course of the novel. Cult of Thorn abduct Jamie, played this time by J. C. Brandy, and force her to give birth to Michael's child as they hold her against her will. When it comes to Jamie's death, it doesn't matter whether you're watching the Theatrical or Producer's Cut; Tommy Doyle and Kara Strode take over. Only Dr. Loomis has been around since the events of Halloween 4 re-started the whole franchise. But the absence of Danielle Harris from the film is striking for a different reason.
Harris didn't decide not to return voluntarily; she was left with no choice but to do so. Only if she became legally emancipated could the producers have permitted her to return. It's what Harris did, and it cost him thousands of dollars. Then she got the script. "I was pleasantly surprised by the writing. I was, after all, carrying Michael's child. Just a year before, I'd starred in Last Boy Scout and had just finished Roseanne, so it was like, "Oh gosh...," for me and my mother. Despite her hesitation, Harris was certain that her role would not be taken over by another actor. My lawyer's fees alone would not have covered half of their offer, so I began haggling." 'You die in the first act,' the Miramax business affairs person stated at the time. Your weekly salary was $1500, and your character is a scale character."
It's possible that Cornell, recalling the events of Halloween 5, would have recommended a different ending for her character: "Like when I struck him with the truck, there's no way he could have survived that, but of course he did because he's Michael Myers...." 'You guys, be cautious.' would have been my advice had I been more experienced and fearless. There is no going back."" Curse failed, but Jamie Lee Curtis returned to salvage the series on its 20th anniversary with H20, and she did it one again in 2018. Despite the fact that Michael Myers will always be a magnet for Halloween audiences, human beings are essential to level the playing field. A "blank, pallid, emotionless visage, with the blackest eyes" describe this murderer. Despite Myers' eerie blankness, he requires an opposing force to counteract it. Ellie Cornell and Danielle Harris were responsible for these duties in 1988. When Laurie Strode first saw Myers, she was a teenager who was completely out of her depth. She battled on her own, and she prevailed. Rachel and Jamie had each other. One of the things that made viewers cheer for them was the fact that they were brothers and sisters. The possibility exists that this will be addressed in a future retcon.
In A Fish Called Wanda, the British and American comedy gulf was filled, making it one of the most popular comedies of all time. River Phoenix rose up and cheered after he was defeated by Kevin Kline at the 1989 Academy Awards, as did the critics and the crowd, who were said to have died of laughter. Its impact was so enormous that the four stars who partnered on a follow-up effort couldn't win. Although genetically distinct from its siblings, Fierce Creatures could never be considered an independent entity, and as a result, its qualities were unnoticed.
Among the stars of Fierce Creatures are John Cleese, Kevin Kline, Jamie Lee Curtis, and Michael Palin. One of the most common villains in '80s and '90s films is Octopus Inc., a huge evil company that controls the lives of most of the film's key characters. What started as a failing zoo in England is now a flagship attraction for a franchise that includes Rollo Lee (Cleese), the former police officer-turned-director; Vince (Kline), the loathsome manchild heir to Octopus boss Rod McCain (also Kline); and Willa Weston (Curtis), who is assigned to turn the place around. One of the zoo's animal caretakers, Bugsy (Palin), is a vocal opponent of the corporate barbarism he sees around him. Their different outlooks on life are shaped by how much they enjoy (or don't love) their jobs.
Fierce Creatures, like any John Cleese production, presents a scathing critique of some parts of society, this time focusing on commercialism and the overriding importance of profit. It's clear that Rollo has been tasked with turning the zoo around, but instead of meeting his new colleagues one-on-one, the exec makes a formal presentation (with with visual aids) outlining earnings objectives, percentages, and his great plan to do so: ferocious animals. In an attempt to persuade him of the risks that the smaller animals offer, the zoo's keepers resort to amusingly severe tactics in order to convince him otherwise. Everyone wants the zoo to stay open and, if possible, succeed.
Under Vince's leadership, the company's strategies for achieving its objectives deteriorate rapidly. First, like a Formula One driver, the keepers' khaki uniforms are patchworked with brightly colored sponsorship insignia. Later, the uniforms are completely replaced with animal fancy dress, with the ladies donning leotards and headpieces and the males donning pot-bellied penguin suits. Big crude ads cover every square inch of the zoo. Tigers wear Smirnoff Vodka jackets. Bruce Springsteen has sponsored a tortoise. Animated animals are even installed in the cages by Vince. Overall, he simply cares about meeting his father's minimal expectations so that he may inherit a large sum of money and then steal some more. As far as I'm concerned, animal welfare and customer pleasure are secondary considerations.
ferocious beasts jessica curtis is the name of the actress All images are copyrighted by Universal Pictures Vince's dislikeability and ensuing feud with Rollo are critical to the film's success. He is self-centered, sexist, and self-assured in his sexual skills, all of which contribute to his overall lack of self-confidence. So, when Willa and Rollo's chemistry is clear, he can't bear the thought of being passed over in favor of someone he considers "strange and repulsive". Rollo and Vince have a recurring joke in which Rollo gives the idea that he has wild orgies with female caretakers (and occasionally even the animals) and Vince takes this as a personal assault to his manhood, moaning, "How does he get three girls?!?" Where did the third one go? Otto-like sociopathy and terrific physical delivery are Kline's trademarks in this Otto character, which he effortlessly slips back into. Kline takes on the task of keeping a character this unlikable and amusing, and he succeeds.
The movie hits a snag when it comes to Willa's love aspirations. Both Cleese and Kline flirt with Wanda, but she never quite commits to any of them. Randomly, she'll ramp up the charm when it's appropriate for her to be irritated by the males around her. Then when they genuinely earn her attention, she is aloof with them. An genuine conclusion, in which the two guys momentarily hash out their disagreements, would be a welcome addition to the love triangle. When it is recommended that Vince walk away with the billions of dollars his father left behind and let Rollo to be with Willa, the rivalry dissolves almost instantly. The protagonists, despite their vast differences and contentious connections, join in a shared cause and depart pleased in their own ways in this short conversation.
An entertaining climax to the narrative is provided by the film's denouement, although one that isn't completely plausible. Rod Almighty, Vince's father, arrives to the zoo to dismiss him in person before the cops arrive since he has been stealing money from the zoo. After a freak accident leaves Rod dead and the others scrambling to clean it up, they realize that the police are just minutes away. A highly improbable switcheroo, in which they disguise Vince as his father using cotton wool and flea spray, and he is forced to improvise his way out of difficulty, ensues. His play ends in a staged suicide that would explain away the dead corpse; it’s all quite cunning and hilarious, except for the three uniformed coppers who simply stand about exchanging looks as Vince repeatedly states his plans to end it and locks himself in a tool shed. He says, "Sorry, we didn't realize," when they eventually break in and find the genuine dead corpse. The Naked Gun's several face-palming clips are here.
picture of ferocious animals
All images are copyrighted by Universal Pictures Of course, the facts of the issue are ignored: wouldn't a little inspection reveal the difference between the wound and the angle of attack?... Would the cops face disciplinary action for failing to intervene in a suicide attempt? An autopsy would be unable to identify these additional injuries given the tumbling, pressing and tugging on Rod's body. Suspension of disbelief is required for this film, in the great tradition of Monty Python's Flying Circus and the like. Even Wanda needed this to some extent: George's violent courtroom outburst, Otto's survival of being steamrolled, and finding parking at Heathrow airport's front door.
Some of the material is childish and fails to connect. It's one of Rod's minor idiosyncrasies that after he stops talking, he burps or farts. Cleese's scripts are known for being high-brow and sophisticated, but this one seems to be a touch too low-brow for the Cleese brand. Similarly, Rollo's uncontrollable need for Willa leads to a slew of Freudian errors that would make any schoolboy scream, most of which are on breasts and nuts. In the face of Vince's antics and the caustic interjections of some of the keepers, notably Palin as Bugsy and Robert Lindsay as Lotterby, they may be forgiven." Palin, who has previously played roles like the Ex-Leper from Life of Brian and the Yorkshire protestant from The Meaning of Life, is the highly informed contrarian who is constantly lurking in the shadows, waiting to burst out and lecture Rollo about his cynical business techniques. When it comes to the Piranhas of the Desert, Lotterby, the cantankerous cockney, is the genius behind the numerous ruses. He even sends out a dire warning about the capacity of meerkats to strip a human cadaver bare.
The zoo's whole cast, in fact, enhances the impact of Rod's ruthless attitude and Vince's selfishness by rounding out the environment of the zoo. As a result, the audience is able to predict their particular responses to various situations. Despite his little stature, Reggie (Ronnie Corbett) is an exuberant sea lion keeper; Pip (Cynthia Cleese) cares for tiny animals and often carries a cuddly creature; and Cub (Bond girl Carey Lowell) quickly succumbs to Rollo's emotional blackmail. Wanda star Maria Aitken is Rollo's overbearing secretary, as seen in her role as Wendy. The leads have a lot of fun playing off of the different staff members, and they're given a lot of wonderful material to work with.
a film about violent monsters Jamie Lee Curtis Photograph All images are copyrighted by Universal Pictures In the end, a picture, even with John Cleese at the helm, is a collection of many moving parts. Charles Crichton, an Ealing Studios icon who directed masterpieces including The Lavender Hill Mob, directed Wanda. When reshoots were needed, TV director Robert Young couldn't be found, so Fred Schepisi of Roxanne and Mr. Baseball fame stepped in. Fierce Creatures suffers from a lack of coherence and linearity. Even though it's absurd, the denouement, crafted by Schepisi, is the most funny element of the film, and it provides a satisfying climax to an otherwise sluggish narrative.
There's no way A Fish Called Wanda compares to Fierce Creatures. But if you take away everything else that made Wanda great, you're left with just four outstanding comedy performers. As demonstrated by Wanda's 1988 talk show appearances, these two had known each other for a long time. Cleese Curtis Kline & Palin give the script the heart and chemistry it needs, even when the script stumbles. It's not as well-written and directed as Wanda, and it doesn't quite capture the spirit of the time or culture in which it was made, but it does have a home-run feel to it that's full of enthusiasm and good times. Like an old Monty Python film or television special, it's not the best the gang has done, but it's still fun to watch.
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